MEN'S LITERARY CRITICISM, SYDNEY 2000 Critic (a) speaks no more of it if the piece never turns Antipodean enough to pass upon the poems and is big in America Critic (b) warms to you like British Columbia with sentences accurate beyond ten thousand feet Modernism says, "Hello, Dear" Critic (c) does enormous research e-mails with Jacques Derrida pushes weights and swims colleagues suspect hyperbolic steroids Hugh Tolhurst %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%