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Dear Joanne,

I'd be keen to hear what you think of Louise Gluck's work when you've had a
look- I'm a beginner with her poems, and there is a lot to come to grips
with there. But 'The Wild Iris' really struck a chord with me: moving,
powerful and intelligent.

Best wishes,


Cassie


On Thu, 6 Jul 2000 09:02:10 -0700, [log in to unmask] wrote:

>   Hi Cassie,
>  thank you for answering my query. I thank you again for pointing out a
poet
>  I have never read. I will seek out her work. I agree with the assessment
>  that it is not what you say, but how you say it since there is nothing
new
>  under the sun to quote a tired cliche. (-:) Sending my best yrway. Joanne
>  ----- Original Message -----
>  From: <[log in to unmask]>
>  To: <[log in to unmask]>
>  Sent: Wednesday, July 05, 2000 8:40 AM
>  Subject: A thought on Plath & all things miserable
>
>
>  > Dear Joanne,
>  >
>  > That's a difficult question. The 'cult' of Sylvia Plath probably
>  contributes
>  > to her percieved tiresome aspect. yet perhaps it's unfair that she's so
>  > commonly seen as purely internal and insular- most of us would seem
that
>  way
>  > if the diaries of our youth were widely published.
>  >
>  > Poetry needs shade as well as light to work, it's almost a
prerequisite,
>  so
>  > I guess what we're talking about is attitude, style and tone rather
than
>  > subject matter.
>  >
>  > Personally, having just read Louise Gluck's 'The Wild Iris', I am
>  staggered
>  > by her deftness with dark subjects. Here's a quote from Helen Vendler
from
>  > the back cover:
>  >
>  > "Her poems... have achieved the unusual distinction of being neither
>  > "confessional" nor "intellectual" in the usual senses of this word,
which
>  > are often thought to represent two camps in the life of poetry...What a
>  > strange book 'The Wild Iris' is...written in the language of
flowers...It
>  > wagers everything on the poetic energy remaining in the old troubadour
>  image
>  > of the spring, the Biblical lilies of the field, natural resurrection."
>  >
>  > What is a personal hell? Is it so different from an impersonal one?
Does
>  it
>  > really matter whether we're talking about death and resurrection in a
>  > garden, or in Russia (as in Akhmatova's 'Requiem' Cycle) or in Sylvia's
>  > mind? I think it comes down to one of the best phrases I picked up in
high
>  > school: it's not what you say but how you say it.
>  >
>  > How very intellectual of me! But as readers we have interpretitive
choices
>  > too: I tentatively feel that three's much existentialism in Plath's
work,
>  > along with all the nihilism.
>  >
>  > But if it was a choice between a night out with Anna and Louise, and
one
>  > with Sylvia, I'm pretty sure which one I'd take.
>  >
>  >
>  > Best wishes,
>  >
>  >
>  > Cassie
>  >
>  >
>  > On Wed, 5 Jul 2000 08:05:28 -0700, [log in to unmask] wrote:
>  >
>  > >  which brings me to a question I believe passed by this list a short
>  time
>  > >  ago, but I am afraid I wasn't paying attention. What is the
consensus
>  of
>  > >  poets who think writing poetry of a personal hell is self indulgent
>  > drivel?
>  > >  I for one am moved and enjoy the honest emotions that can come from
>  such
>  > >  self revealing work. What do others say? Humm? just wondering,
Joanne
>  > >
>  > >   ----- Original Message -----
>  > >  From: <[log in to unmask]>
>  > >  To: <[log in to unmask]>
>  > >  Cc: <[log in to unmask]>
>  > >  Sent: Wednesday, July 05, 2000 5:57 AM
>  > >  Subject: Re: Plath as a miserable, self-obsessed b*****r
>  > >
>  > >
>  > >  > Dear Ally and Susanne,
>  > >  > I have to disagree with this assessment of Plath, who was fully
>  > occupied
>  > >  > most of the time and had a clear and precise eye: her poems attest
to
>  > her
>  > >  > intense interest in things outside herself -- for me they often
have
>  > the
>  > >  > attention and accuracy of Hopkins' letters.
>  > >  > Mairead
>  > >  >
>  > >  > On Tue, 4 Jul 2000, Ally Kerr wrote:
>  > >  >
>  > >  > > Dear Susanne,
>  > >  > >
>  > >  > > Jane Austen, in Persuasion, suggests that folk who are depressed
>  > should
>  > >  avoid reading poetry....  She's probably got a point: so many poets
are
>  > >  miserable self-obsessed b****rs like Plath!  On the other hand, when
us
>  > >  students were depressed in the 60s, we used to listen to a Leonard
>  Cohen
>  > LP
>  > >  and then we knew there was someone who felt worse than we did.
Cheered
>  > us
>  > >  up no end. The Rev Sydney Smith said read humour and get out a lot.
>  > >  > >
>  > >  > > Cheers
>  > >  > >
>  > >  > >
>  > >  > > Ally Kerr
>  > >  > > __________________________________________
>  > >  > > Sent by Sofcom Mail - The world's coolest and safest FREE email
>  > service.
>  > >  > > http://www.sofcom.com.au
>  > >  > >
>  > >
>  >
>  >
>  >
>  >
>  >
>  > _______________________________________________________
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>





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