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From: "David E. Latane" <[log in to unmask]>

> This comes in part from the widespread preference for the young man's
> Prelude (1805) over the posthumous version (1850). Thus one gets the
first
> Morning Chronicle version of "Dejection: An Ode" and the 1798 version of
> the "Ancyent Marinere".  Both of these are manifestly inferior to the
> later versions as poetry.

But +all+ the versions of "Dejection" published in Coleridge's lifetime are
inferior to the original MS "Dejection: A Letter".  It's understandable, I
suppose, why Coleridge changes "Sarah" to "Lady", but why oh why does he
have to cut all the best lines as well?

Robin Hamilton



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