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Hi, Helen--

What's stopping you from initiating threads on any of the worthy
topics you enumerate below? Or from enjoying Hugh's Olympics poems
project? Not me.

All I was seeking was a bit less complaining about discussions
that others were engaged in and/or following for _their_ pleasure
or enlightenment.

Cheers,

Candice


>that's fine, if it's good for you - but many of us (and we joined this list
>because it is TOP OF THE RANGE!) might like to discuss - with those of like
>minds, some other aspects of poetry like writing a tanka, haiku, pantoum,
>acrostic, sonnet, ballad, free verse, cinquain, villanelle, - the list is
>endless. Many of us might want to talk about imagery, rhythm, rhyme, simile,
>metaphor, senses, colour, humour, enjambment, satire, macaronic verse,
>malapropism, masculine rhyme, feminine ending, metaphysical metonymy, motif,
>muse, irony (why is it missing from modern/postmodern verse?) mood, tone,
>canto, minnesingers and... and... and... and...
>I didn't know about slant rhymes until Jon Corelis told me about them, duh!
>Poetry is a lifetime - a life's work - please forgive this insistence but it
>is so diverse, so dense, so loved, that we who slave over the page want to
>immerse ourselves IN IT!
>
>while still others >likely to post a declaration of their own interests)
>joined this list to network
>
>I joined the list because I'm on the internet and love doing web sites.
>Lately I have met a great WA poet (unsung) by the name of Frances Arnett
>Sbrocchi and I'm constructing a web site for her (& eventually teaching her
>too) because her poetry is amazing and she should be heard around the world!
>Her poetry is full of imagery, the female voice, it has a folklore quality,
>rhythm - it sings on the page and it is short and doesn't bore the reader!
>We are not all into epics either.
>
>Hugh's idea about writing about the Olympics is the best thing that has come
>out of this web ring in the last 2 months!
>HH



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