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Hi Yiyan Wang

The poem reminds me of a line from Shelley's Defence of Poetry:
The pleasure that is in sorrow, is sweeter than the pleasure of
pleasure itself...

Steve KK

At 4:21 PM +1000 21/8/2000, Yiyan Wang wrote:
>Hi, everyone,
>
>I have joined the list for a while but haven't introduced myself. I enjoy
>reading poems more than writing them at the moment.
>
>The discussion about suffering interests me and I'd like to ask a couple of
>questions.
>Question 1 -There will always be degrees of suffering. However, to the person
>who suffers, from whatever misfortune or the lack of it, be the unrequited
>love, the death of loved ones,  poverty, isolation ..., the suffering is real
>and the misery/melancholy is tangible.  So, can we say it is not the greatest
>of suffering that produces a great poet/writer but one's ability to observe
>and articulate that experience? If so, can we say that literary writing in a
>way celebrates suffering, however trivial sometimes it can be (to other
>people)?
>
>Question 2 - do people/poets/writers usually connect suffering with
>melancholy? Is melancholy different from sorrow? if so, how?
>
>I'll quote a Chinese poet here who wrote on the subject of suffering or
>melancholy, please forgive my rough translation of his great poem:
>
>Xin Qijin [Hsin Chi-chi] (1140-1207)
>
>The Autumn is Beautiful
>
>As a lad I had no idea what meant sorrow
>but loved going up the top of the veiwing tower to brood, oh, how I loved
>going up the tower
>in my desparate need for melancholy when composing another verse.
>
>Now that of suffering I have tasted my fill,
>but hesitate on the verge of utterance of my sorrow, oh, how I hesitate
>and end up saying the autumn is beautiful.
>
>Yiyan Wang

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