Dan Raphael read last and Julie Otten & John M. Bennett played rock, scissors, paper or some more inflated decisive order making game and therefore-- Julie Otten read first, reading three long poems, The Death of Andy Gibb, a graphic piece about his stomach exploding, roller skating rings, and learning to give blow jobs to "I Just Want to Be Your Everything." Gabriels Hearse, was next, a piece about a father buying his kid a hearse because the kid has better looking girlfriends and is a real gonowhere. Alyce's Hair, ended the set, "hair the color of a Barbie dipped in baby shit" which "when you wash it, you have to touch it like a cake you test for doneness." Many laughs were given through the reading, the only disappointment being that her reading was cut short due to the ex-slag burning, environment induced sinus infection that hits many Ohioans this exact time of year. John M. Bennett started with _Mailer leaves Ham_ from Pantograph. His reading was a real treat, the way he snarls on crust, or any K sound. These pieces sizzled reading-wise, much giggling was heard and eyes were widened by the end of these. Bennett is an excellent reader, a contortionist with his mouth as he hits all of the phonemes and morphemes notefully from the page score. There was discussion of Bennett's brilliant reading style after and his use of crust as a sexual image despite the sound. _Mailer_ did me in. The third set piece I feel incapable of describing. Comparisons to Schwitters were made, but none to Chuck Stein. As for the fourth, metrically it was broken into lines of eight syllables, but it did not seem to have the impact of the first two "sets" he read from. It's focus was not nearly as consonant based, perhaps this was why. The second set was a reading from the collaboration with Ivan Arguelles (Chac Prostibulario) which includes as many as 12 languages, this was the most technically achieved experimental piece I've heard aloud and attempted to understand at the same instant, here's a stanza: the lig ht fog cut c ut ter minal be gins to list er ate yr nal gas ga zing mas alla del ruedo row dar t I'm e rio "real b lame" the frowning moth madrastra c limbs/tiny flutes//rice chews outside the corn you grave ("mice m ice") nada r en tu zapato (calce tin tin Then we took a break, well needed, the melted ears & minds of the audience headed frontward to see the library of books on display. Dan Raphael blew out any expectations reading a greatest hits selection. Healthy page counts were read from _trees through the road_ , _Molecular Jam_, _isn't how we got here_, and _The Bones Begin to Sing_ as well as some newer work. Raphael is a large guy and swirls his energy around in movements bringing the air in cyclones of words without loss of referent. Pilation, image upon image, in circuitortous movement in how one image impounds another in litigations of unlawful yokings. If you could be any tree what would you be? Raphael knows what textures to forgive and which to incorporate, not to mention the swaying and dance like movements in the words and in the physical of the black sock footed giant. The Cherry Tree at the Top of the Stairs wiped the audience clean. Here is another-- "And Now, a Word from your Atmosphere" Said the conductor up the hoop of funk over whose ground thru whose air of carnality-- "you call this meat RARE?" my third leg a hundred decibel bass like manhole covers with great moves and knees flexing too fast to count we pump, we hump, we leave the ground and come back tomorrow Yo means me that shadow with a car in his chest, american steel, clutchless shifting for efficiency, shiftlessly clutching to no one not in my mirror at night- background, rear view, coming up from the inside, knuckle curve spit, centrifugal curling, Like bach on methedrine playing sonic scattergun each bird shot a chord stainvaying to some feathery oven we rise in, yeast out of, party like an osprey with how many brain-damaged sparrows inside: Yeah they sing and fly even in their sleep-- they never sleep, the sun never goes down, beauty going down where, stain of a fine time, wont ever wash this out, moon cyst, digital paralysis with them numbers swimming like my fingers separate as fish-- surging trout, salmon smelling heat, thumb sturgeon waiting to pounce & hold down: Never let em up for air, air so far away, air not meant to recycle, air on a mission, Don't trust it-- air'd do anything for skin of its own, to play flute with no slobbering lips and spasming lungs to run sour-- All across town air escapes from tires, balls and various prisons, liberating the vacuums of lightbulbs and thermoses, turning up the pressure, taking names and teaching the new rules-- Listen to this, sucker, or next time you breathe nothings going down Many thought it the best reading for some time. I was impressed at how the audience was able to follow his great (i)magic leaps without puzzled looks, trusting they were being lead somewhere important, so sat back, relaxed, enjoyed the ride. We went out to Dow's on High, John had to get up early for the library, took a raincheck. Discussions about publishing, Oregon poets, Ohio poets, meth labs, the environment, mexican drugs, and so on. Read some poems aloud, got engrossed in a play in the new NEOTROPE: All Story, which kept me up, light sleep, breakfast at Jack & Benny's, Raphael read a poem he wrote me, then went off to BGSU---- Monday the 17th, Maj Ragain Be well David Baratier Columbus OH, USA %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%