Does transgression become, as
des5> Stallybrass & White point out, merely a safety valve sanctioned by
des5> those controlling the, to use a slightly archaic term, "means of
des5> production"?
--Overall, an interesting , if somewhat cumbersomely phrased, point. Could you please give the
citation for Stallybrass & White's comments? As a researcher in Japanese cinema history, it rings
a bell with what I have consistently come across here. I'd like to check this out.
Peter B. High
Nagoya University
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|