Duncan as Pope of the Unshod Metric Feet I say.
What about telling us about all this new policy shifts to word 'n image,
does this mean that art dpts will come equipped with poets? Does anyone
actually use airbrush techniques anymore, that bounteous sea-foam spraying
in acrylic for Donna Summer record covers, because I want to do some
collaborative work with airbrushees for my retro poem on Monetarism. I
think this would suit New Labour very well, especially if we digitalise
the airbrush stroke linguistically innovative work to be projected in the
Dome "Mind Section" pending discussion with the relevant focus group
as focussed by Stella McCartney as advised by Bel Littlejohn, via
JAVA technology as sponsored by NetScape as approved by the Department of
Trade & Industry, pending the Bank of England decision on interest rate
cuts? As we can't use Keynes's idea of employing workers to dig up a
load of cash from a landfill (too KLF), airbrushing works of poetry is a
dead cert. As we do need to increase borrowing in our economy, we
could ask Stephen Rodefer to be Poet Laureate, as advised by Tony Lopez,
he's great on derivatives, thus to increase our deficit to the world at
large, which we, to align ourselves with international economic policy
(subsection: cultural capital) must, responsibly, change directives
towards and commit ourselves to. Indeed, our vision should be on the
Globanalisation (TM) of the light that shines hitherward and thitherward
over the Isle of Dogs (which generic term includes cats) this, the capital
called linguistic innovation as defined by the Poetry Act under the ACE
Convention of 1998, to be spent on the airbrushing, skyscraping, thin-air
castling projects we live for, in, on, and in spite of.
Karlien
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