Reply-To: |  | [log in to unmask][log in to unmask], 26 Feb 1997 11:19:45 -0500402_- SVP announces publication of Sub Voicive Poetry 1997 Number 3 - Chris Jones
and A W Kindness - 30 bob secures a copy
remind remind 11th March 97 reading is Adrian Clarke and Val Pancucci and
will be marked by publication of Sub Voicive Poetry Number 4 featuring
Adrian Val and with covers by Peter Manson. Usual address - Upstairs, The
Three Cups, Sandland Street, London WC1 [...]44_26Feb199711:19:[log in to unmask]
3929 15 6_blurbs14_Jethro [log in to unmask], 26 Feb 1997 11:19:40 -0500253_- >What kind of zippers are these blurbs on? I can only partially quote
It's not often I get a laugh like that out of this otherwise excellent list
but I nearly choked then
I think it's the prose equivalent of what Allen's describing44_26Feb199711:19:[log in to unmask]
3945 15 10_info thanx17_Caroline [log in to unmask], 27 Feb 1997 16:39:58 +000098_us-ascii Thank you to all who've taken the time to forward me Rosmarie's address.
very best. CB49_27Feb199716:39:[log in to unmask]
3961 33 22_Re: arbitrary-aleatory14_F.A. [log in to unmask], 26 Feb 1997 16:43:07 +0000 (GMT)498_US-ASCII Dear Allen,
Thanks for your post. The closest I've got to that is trying to
improvise text and action simultaneously but not mutually illustratively.
One or the other often falls into a pattern. At the moment I'm writing
for simultaneous voices and that's similar too.
As to whether any sensation "has" its image, well, they've fially managed
to systematize smell but I think that synesthetic correspondences at least
seem pretty idiosyncratic. [...]46_26Feb199716:43:07+0000(GMT)[log in to unmask]
3995 29 20_Re: Teaching writing14_F.A. [log in to unmask], 26 Feb 1997 17:04:03 +0000 (GMT)660_US-ASCII Dear Robert,
Parts of Zukovsky's A Test of Poetry, which has some of the clearest and
most inspiring POETRY-based ways of coming to poetry I've been able to use
with students.
I also like to use other On-poetry works by poets such as Sir Philip
Sydney's Defence of Poetry, Edith Sitwell's A Poet's Notebook, and
Veronica Forrest-Thomson's Poetic Artifice for the more sophisticated.
Conversely, Kenneth Koch has a children's poetry writing book which is not
too unsophisticated for most students either. I forget what it's called.
Something with an apple. I am also foolish enough to constantly throw all
my [...]46_26Feb199717:04:03+0000(GMT)[log in to unmask]
4025 48 20_re: Teaching writing21_Christopher [log in to unmask], 26 Feb 1997 10:18:32 MDT589_US-ASCII robert wrt:
> I'd love to pick your minds. If you had to teach poetry writing
> whast books would you make your students buy, say one
> anthology and one book on writing poetry (is there a good one?)
> or a book which would count as that.
(delurk)
having taught poetry wrtg here in the u.s. ["who hasnt?"]
ive given some thought to this as well. but i wonder, is an
anthology the best choice? it seems to me that for the cost,
one could teach several smaller, entire books.
of course, with this approach, one loses the [...]52_26Feb199710:18:[log in to unmask]
4074 59 30_Expense of books & suggestions14_Jethro [log in to unmask], 26 Feb 1997 12:23:52 -0500595_- >I'll prob. use Conductors of Chaos and prob Philip Davies Roberts How
>Poetry Works. Poets on Writing is too expensive, but essential reading.
Poets on writing IS expensive... but when is genuinely essential reading
too expensive
I am looking at this from a slightly different perspective perhaps. Have a
look some time at the price of books in IT and Computing. There are cheap
books and most of them are not much use... sometimes you just HAVE to have<žÄ
h |
