Dear Allen,
Thanks for your post. The closest I've got to that is trying to
improvise text and action simultaneously but not mutually illustratively.
One or the other often falls into a pattern. At the moment I'm writing
for simultaneous voices and that's similar too.
As to whether any sensation "has" its image, well, they've fially managed
to systematize smell but I think that synesthetic correspondences at least
seem pretty idiosyncratic.
But re your:
> it reminds of the difficulty i've been having with Barrett which is that
> narrative is about time - where spacetime gets usurped by proposals
> that space and time are independent - and context disappears - the
> tangental discussions about expressionism and abstraction
Could you expand? What specifically of Barrett are you pointing at here?
Fiona
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