>though these were not transcriptions of the script of the films, nor
>even screenplays but were, written descriptions of what was on the
>screen, including the sounds, words, visuals, captions etc.
> reading the works on the wall one is aware of the scale, of the
>texture, of the labour involved in the works, in book form other
>concerns come into play --
thanks Mark - goes to show the tatty assumption i'm drawn to
sharing as one 'lazy' reader with a cursory. Renders her mediation
more complex still.
love and love
cris
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