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CYBERTHEATRES  April 2024

CYBERTHEATRES April 2024

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Subject:

Performance Research Journal: On Invasion (28.3) - Hard copies now available

From:

Performance Research Journal <[log in to unmask]>

Reply-To:

cybertheatres - networked & technological performance <[log in to unmask]>

Date:

Fri, 5 Apr 2024 16:51:57 +0100

Content-Type:

text/plain

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text/plain (160 lines)

Performance Research Journal

Hard copies of our current issue, On Invasion, are now available to purchase on the CPR online shop at: bit.ly/oninvasionshop.

The issue's abstracts and editorials are also freely available via T&F Online at: bit.ly/oninvasiononline.

Find out more about the issue below.


On Invasion (28.3)
Edited by Helena Grehan and Miriam Haughton

We live in a world of unpredictability, fracture and powerlessness. Acts of violence, invasion and oppression, both seen and unseen, pervade all aspects of life and threaten the viability of the planet. Yet, perhaps because of this powerlessness and fracture, this is also a time of solidarity, of acts of resistance both large and small, and of friendship, love and bravery. The contributions to ‘On Invasion’ negotiate in creative and provocative ways this confusing and confounding time and in doing so they ask us to consider the role, value and power of art to intervene, to destabilize, to disrupt and to question the status quo.

 
1 On Invasion: Performance, resistance and refusal

HELENA GREHAN AND MIRIAM HAUGHTON


5 Performances of Memory: Collective resistance in the

aftermath of violence

DIMITRA GKITSA

 
12 On Dammed Landscapes and Invasive Infrastructures

MILIJA GLUHOVIC


22 UNcovering Stories of Displacement and Hope: Picasso

Presents Gernika at the United Nations

BEGOÑA ECHEVERRIA AND ANNIKA C. SPEER


28 I Was Thinking [Artist pages]

NATHALIE ROZANES


30 UnCooked Meets: Performing rediscovery in Aotearoa

NICOLA HYLAND


36 Ecological Performance and ‘Settler Creep’: Making space to

resist invasion

MELANIE KLOETZEL


46 Crafting Inoculation: The Indigenous futurity of Ruth

Cuthand’s beadwork

KRISTEN HOLFEUER


54 Resilient Matriarchs: Honouring women, kinship and

resurgence in an Indigenous adaptation of Euripides’ Trojan

Women

SABINA SWETA SEN-PODSTAWSKA WITH FLOYD FAVEL


64 Voice is Vision: Black feminism, invasion and spatial justice

in conceptual German performative space [Artist pages]

JASMINE TUTUM


69 The Slow Emergency of the Future: Negative dialectics in

The Shadow Whose Prey the Hunter Becomes (2019) by Back

to Back Theatre

HANNAH RAY


76 Embodied Histories of Gender and Generation in Post-

Conflict Northern Ireland

SHONAGH HILL
 

83 Invading Capitalist Ageism in Applied Theatre through

Anti-Ageism Praxis

GEORGIA GRACE BOWERS

 
90 Invasion, Replacement and Colonial Anxiety in The War of

the Worlds

KEVIN BROWN


98 The Men in White [Artist pages]

BILL AITCHISON


100 Intimate Archives: Love letters in wartime Europe

PAULINE MORNET


107 Invasion as Trespassing Spatial Boundaries: Anti-domestic

violence during the COVID-19 pandemic

YINGJUN WEI


114 The Aesthetics of Invasion: Differentiated bodies in

performance art

FELIPE HENRIQUE MONTEIRO OLIVEIRA AND ANDREA

PAGNES (VESTANDPAGE)

……………………………………………………………………………………

REVIEWS

121 Ashes to Ashes: Is expression of female violence just

too much?

KFIR LAPID-MASHALL


122 A Politics of Listening

JACOB MALLINSON BIRD

……………………………………………………………………………………

124 Notes on Contributors

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