Music and Interdisciplinary Practice, the ninth annual conference from the RMA Study Group Music and/as Process, takes place on September 16th and 17th at UCA in Farnham (UK).

Registration and attendance are free, via Eventbrite: https://www.eventbrite.co.uk/e/music-and-interdisciplinary-practice-tickets-377306382547

Keynote 1: Emmanuelle Waeckerlé - Field Notes in Minor Keys
Keynote 2: Iris Garrelfs - Breathing through Wires: Improvisation and Process

Presentations, performances and installations: 
- Sophie Stone and Michèle Saint-Michel - [[even a stopped clock is right twice a day]] 
- Josh Spear - Drag is The Discipline
- Tom Williams, Stef Buzatu, Boyd Branch and Piotr Mirowski - Now and Then: collaboration, process and practice
- Linda Jankowska - Marionette - searching for a violin and movement interdiscipline. Violinist body as a string puppet.
- Emma Lloyd and John Hails - The search for sound: Towards a new instrument and a new performance practice
- Maureen Wolloshin - The paradox of free improvisation; instrument de/reconstruction as a feminist practice.
- Panos Ghikas - “A place of images, plus sounds” (Chion, 1994)
- Matt Rogerson - Title TBC
- Olga Uzikaeva and Amble Skuse - Title TBC
- Teal Darkenwald and Sam Hayden - Title TBC
- Irene Fiordilino and Peter Nagle - Where Does a Body End? Approaches to a transdcisciplinary aesthetic of moving and sounding
- Pei Ann Yeoh - Music as a Process for Inclusivity and Accessibility in Interdisciplinary Practice
- Peter Falconer - Building Seaton Snook: The process of parafictional art creation and presentation
- Lorenzo Prati - Where cosmic and linear meet: musicking Sheffield’s Arts Tower lifts through rhythmanalysis.
- Helen Anahita Wilson - >>KRANKENHAUSFUNK and the extrinsic death receptor pathway<<
- J.Lynch and Kuldip Singh-Barmi - Noise Drawings 1, 3 & 2
- Catherine Laws - Player Piano and Piano Films: processes of interdisciplinary practice across music, theatre and film.
- Carla Rees and Mike Vaughan - Sounding Realities/Material Worlds
- Amalia Young and Zacharias Wolfe - Interfacing
- Rei Nakamura - Interdisciplinary Collaboration In And Outside The Box
- Zubin Kanga - Performing a Rollercoaster: Interdisciplinary Games in Luke Nickel’s hhiiddeenn vvoorrttiicceess
- Jamie Elless - Queering the Score: Alternative Notation, Graphic Design, and Composition as Fine Art
- Paul Newbold - Musical refractions of the Mundane: the mediation of time and location specific data
- Caitlin Rowley - Revealing imperfection: Interdisciplinarity and the composer’s everyday

Any questions, please don’t hesitate to get in touch. 

Many thanks, and with my very best,

Steve Gisby
Chair of the RMA Study Group Music and/as Process 

Music and/as Process Study Group conference committee: 
- Dr Richard Glover (University of Wolverhampton)
- Dr John Hails (Edinburgh Napier University)
- Dr Sophie Stone (Canterbury Christ Church University)  
- Maureen Wolloshin (University for the Creative Arts)
- Dr Alistair Zaldua (Independent composer / researcher)  
- Dr Harry Whalley (University for the Creative Arts)
- Dr Steve Gisby (Independent composer / researcher)  

Email: [log in to unmask]
Website: musicandasprocess.org
Facebook page: Music and/as Process
Facebook event page: https://fb.me/e/1cR2EQMCZ
Twitter: @musicprocess
Instagram: @musicprocess

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