This conference seeks to investigate the creative duality of the one-wo/man performer-composer from the perspectives of artistic research, performance studies, and historical musicology, focussing on the second half of the 20th century, and looking for a variety of interests:
- traces of composers' own performance practice in their compositions
- influences of compositional training or improvisational practices in the performance of composers’ own music or that of others
- aspects of ownership in performance (liberties, elucidation of intentions)
- performance techniques (not limited to piano or conducting, nor to solo performance) and approaches (e.g. haptic vs. architectural), as well as repertoire (composed by the performer or by others)
theatricals (instrumental theatre, directing,...)
- genre (experimental, new-complexity, electronic, film music,...)
- context (institutions and industries)
Confirmed keynote speakers: You Nakai, Ian Pace, Martin Zenck.
Paper proposals for the Performer Composer conference are still welcome until 15 August.
More info: https://orpheusinstituut.be/en/news-and-events/performer-composer-conference
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