Dear BAFTSS colleagues,
We are glad to announce the publication of the issue 17 of COMPARATIVE CINEMA, published by Universitat Pompeu Fabra (Barcelona). The core of the issue is the dossier 'Color Contrast: Chromatic Connections in Cinema', edited by Stefan Solomon. Its six articles explore colour and its absence from a comparative perspective.
https://www.raco.cat/index.php/Comparativecinema
EDITORIAL
Color Contrast: Chromatic Connections in Cinema, by Stefan Solomon
ARTICLES
The “Exaggerated” Colors of Black Narcissus (1947 and 2020), by Sarah Street
Memories from the Darkness in the Films of Pedro Costa and Affonso Uchôa, by Edson Costa Júnior
The True Colors of “False” Color: Representing Data Chromatically in NASA Films, by C. E. Harris
True Colors: Chromaticity, Realism and Technological Honesty, by Andrew I. Philip
The Hybrid Color Film: Multiplicity of Space, Time, and Matter, by Olivia Kristina Stutz
The Politics of Nostalgia: Colorization, Spectatorship and the Archive, by Liz Watkins
BOOK REVIEWS
Wilson, M. Blake, and Christopher Turner, eds. 2020. The Philosophy of Werner Herzog, by Chantal Poch
We hope you enjoy the texts and wish you a happy and healthy 2022!
Best wishes,
Comparative Cinema editorial board
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