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PERF-STUD-NET  January 2022

PERF-STUD-NET January 2022

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Subject:

The inaugural issue of the TURBA: The Journal for Global Practices in Live Arts Curation has published!

From:

Peggy Ann Shaffer <[log in to unmask]>

Reply-To:

Peggy Ann Shaffer <[log in to unmask]>

Date:

Wed, 12 Jan 2022 14:56:05 +0000

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Dear Colleague,

The inaugural issue of the TURBA: The Journal for Global Practices in Live Arts Curation has published!

The first journal for the study, theory, and praxis of curatorial strategies in the live arts. They include, but are not limited to, dance, music, sound art, theatre, performance art, verbal arts, circus arts, live media arts and inter-arts performance works. With this journal, we aim to create a platform for the exploration of ideas, concepts, constraints, expectations, and contingencies which guide and drive curatorial practices in these fields.

To commemorate the publication of TURBA's first issue, Berghahn Journals is offering free access until February 15, 2022. To access, use code TURBA22. View redemption instructions: https://bit.ly/3Fiu5m6 

Please visit the Berghahn website for more information about the journal:
www.berghahnjournals.com/turba

Volume 1, Issue 1
Why Curate Live Arts?

Editorial
Engaging with Turbulence
Tawny Andersen, Sandeep Bhagwati, Victoria Carrasco, Dena Davida, Barbara Scales, and Yves Sheriff
https://bit.ly/3thqGl0 

Why Curate Live Arts?
Why Curate Live Arts?: Responses from TURBA’s Editorial and Advisory Boards
Bertie Ferdman, Ken Takiguchi, Funmi Adewole, Gordana Vnuk, Gustavo Fijalkow, Lieven Bertels, Ashley Ferro-Murray, Brandon Farnsworth, Gurur Ertem, Sigrid Gareis, and Nicole Haitzinger
https://bit.ly/3Gm66nd 

Revisiting: Frakcija 55 “Curating Performing Arts” (2010)
Florian Malzacher, Tea Tupajić, and Petra Zanki
https://bit.ly/3K3uMmP 

New Research
Coming to Our Senses: From the Birth of the Curator Function to Curating Live Arts
Ed McKeon
https://bit.ly/3JZeHyy 

Why Curate a Festival Without an Audience?: How to Mis(behave), or a Case Study of the Gan and Gan International Xingwei Yishu Festival in Jiangxi, China
Raimund Rosarius
https://bit.ly/3KezXRd 

Common Purpose: Performance and Curation as Allied Socially Engaged Practices
Brogan Bunt
https://bit.ly/3fbLiDc 

The Value of Curating Music
Francesco Venturi
https://bit.ly/3qhIiLO 

Performing Arts Curation as a Means of Advocating for Change in Cultural Policy
Ana Letunić
https://bit.ly/3neFkWE 

Vantage Points
There Will Be Trouble: Curating Theater in India
Amitesh Grover
https://bit.ly/3njXmGR 

Why Curating Live Arts Now (on contingency and curation)
Adam Kinner
https://bit.ly/3GrfZ3m 

From Cabaret to International Festivals: The Accidental Cultivation of a Curatorial Approach
Robyn Archer
https://bit.ly/3GjsiON 

Curating Within Music Ensembles
Barbara Scales
https://bit.ly/3nj1tmC 

Enabling Entanglements to Emerge: Discovering Performance Curation in the Philippines
Regina Bautista
https://bit.ly/3qj0lBj 

What it Means.
Angela Conquet
https://bit.ly/3tk3JOq 

A Precarious Balance Between Disaster and Miracle
Extragarbo
https://bit.ly/3qeSapE 

Queer Communion: Ron Athey
Amelia Jones
https://bit.ly/3fkmIji 

Book Reviews
Ed McKeon and Juan Menchero
https://bit.ly/3K4IWEo 

Sign up for Email Updates: https://bit.ly/36OQhX1 
Recommend TURBA to your library: https://turba.berghahnjournals.com/library-recommendation/ 
Contact: [log in to unmask]

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