We’re glad to announce the new issue of the open access "Journal of Music Criticism”:

«Journal of Music Criticism», Volume 4 (2020)

Published by Centro Studi Opera Omnia Luigi Boccherini
Online ISSN 2532-9995 

https://www.luigiboccherini.org/journal-of-music-criticism-4-2020/ <https://www.luigiboccherini.org/journal-of-music-criticism-4-2020/>

Ivan Hewett (Royal College of Music): Between Englishness and Modernism: The Critical Reception of Tippett’s Operas

Pablo Martínez Pegalajar (Rowan University, NJ): La recepción de Manuel de Falla en los Estados Unidos de América: El estreno de La vida breve en el MET

Renata Suchowiejko (Jagiellonian University, Kraków): Polish Musicians in the Concert Life of Interwar Paris: Short Press Overview and Extensive Bibliographic Guide

Marita Fornaro Bordolli (Universidad de la República, Uruguay) – Mónica Vermes (Universidade Federal do Espirito Santo – UFES, Brasil): North-South, South-South, a Glance at Production, Research and Music Criticism in Latin America

Belén Vega Pichaco (Universidad de La Rioja): La evolución discursiva del Grupo de Renovación Musical de Cuba en las revistas Conservatorio (1943-1947) y La Música (1948): hacia la superación de neoclasicismo e hispanismo

Danilo Ávila (UNESP – Universidade Estadual Paulista ‘Júlio de Mesquita Filho’): The Internationalization of Brazilian Contemporary Music through the Festivals of Rio de Janeiro

Sergio Marcelo de los Santos (Universidad de la República, Uruguay): Para una topología de la crítica: ¿qué se ha dicho sobre la ópera producida en Montevideo entre 2016 y 2018?

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Previous issues:

«Journal of Music Criticism», Volume 3 (2019)

https://www.luigiboccherini.org/journal-of-music-criticism-3-2019/ <https://www.luigiboccherini.org/journal-of-music-criticism-3-2019/>

«Perspectives on the French Musical Press in the Long Nineteenth Century», edited by Mark Everist

Mark Everist (University of Southampton): Introduction – Trading in the Unthinkable

Beverly Jerold (Princeton Research Forum): Marmontel’s «Polymnie» and Criticism

Kirsten Strandberg (University of Evansville, IN): Altruism and the «Artiste»

Matthieu Cailliez (Université Grenoble Alpes): Adolphe Adam, porte-parole de «l’école française» de l’opéra-comique. Inventaire et étude synthétique de ses critiques musicales (1833-1856)

Jennifer Walker (University of North Carolina at Chapel Hill): «Les Grands oratorios à l’église Saint-Eustache» and the Parisian Press

Lesley Wright (The University of Hawai’i at Manoa): The Parisian Press on «Werther» in Vienna


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«Journal of Music Criticism», Volume 2 (2018)

https://www.luigiboccherini.org/journal-of-music-criticism-2-2018/ <https://www.luigiboccherini.org/journal-of-music-criticism-2-2018/>

Vicent MINGUET (Institut-Escola Artístic Oriol Martorell, Barcelona): La crítica estética y social de Adorno al determinismo serial: la forma musical, el material y su función social

Georg BURGSTALLER (RILM, NY): Ideological Currents in Heinrich Schenker’s Post-War Polemics against Paul Bekker

Juan José PASTOR COMÍN (Centro de Investigación y Documentación Musical, CIDoM – Unidad Asociada al CSIC. Universidad de Castilla-La Mancha): Diario anónimo: fuentes musicales en la voz de José Ángel Valente


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«Journal of Music Criticism», Volume 1 (2017)

https://www.luigiboccherini.org/jmc-volume-1-2017/ <https://www.luigiboccherini.org/jmc-volume-1-2017/>

José Ignacio Suárez (Universidad de Oviedo) – Claves estéticas de la primera recepción de la teoría wagneriana en Madrid

Davide Ceriani (Rowan University, NJ) – Mussolini, la critica musicale italiana e i festival della Società Internazionale di Musica Contemporanea in Italia negli anni Venti

Timothy R. McKinney (Baylor University in Waco, TX) –  A Tale of Two Critics; or, A Wolf at the Door: Recovering a Critical Dialogue between Eduard Hanslick and Hugo Wolf

Marida Rizzuti (Università IULM, MIlano) – Che cosa hanno da dire i compositori in merito alla musica per film? Il caso «Modern Music»

Massimiliano Locanto (Università di Salerno) –  «Brother Criticus»: Stravinsky ‘the Serialist’ against Music Criticism



Dr. Roberto Illiano, Presidente Edizione Nazionale Muzio Clementi
Segretario Generale Centro Studi Opera Omnia Luigi Boccherini
Via Lorenzo Nottolini, 162
S. Concordio contrada
I-55100 Lucca
Tel: ++39/3389233006
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