Dear Colleagues,
With apologies for cross posting. Those of you with interests in nineteenth-century German literature may also be interested to learn of our new collection of essays on Fontane's style, published today.
Andrew Cusack, Michael White (Eds.)
DER FONTANE-TON
Stil im Werk Theodor Fontanes
Schriften der Theodor Fontane
Gesellschaft 13
VI, 295 pages, 20 figures (bw)
https://www.degruyter.com/view/title/528168
Fontane’s canonical status is based on his unique narrative style, already
recognized by his contemporaries as a hallmark of his work. This volume
explores new linguistic, text-genetic, and comparative approaches to
Fontane’s work, and critically examines the key notion of Fontane unique
“sound” and “style.” The essays lend insight to how Fontane’s style was
forged and suggest material and non-material factors that underlie his style.
With contributions from;
Andreas Beck (Bochum), Matthias Bickenbach (Köln), Clarissa Blomqvist (Stockholm), Helen Chambers (St Andrews), Andrew Cusack (St Andrews), Regina Dieterle (Zürich), Patricia Howe (London), Barry Murnane (Oxford), Gabriele Radecke (Göttingen), Ernest Schonfield (Glasgow), John Walker (London) and Michael White (St Andrews).
With warmest greetings and best wishes from Scotland in uncertain days for all of us, wherever in Europe we happen to be this Christmas.
Andrew Cusack & Michael White
University of St. Andrews
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