We are glad to announce the publication of the issue 14 of COMPARATIVE CINEMA, published by Universitat Pompeu Fabra (Barcelona).
https://www.raco.cat/index.php/Comparativecinema
IMAGINING THE TECHNO-CAPITALIST SOCIETY IN TELEVISION AND FILM
Guest editors: Camil Ungureanu, Sonia Arribas and Rebecca Anne Peters
When Your Motherboard Replaces the Pearly Gates: Black Mirror and the Technology of Today and Tomorrow
Rebecca Anne Peters
Blaming the Poor: The False Allure of the Capitalist Critique in the Age of Postmodernism
Joseph Walderzak
Loving the AI: Captivity and Ownership in Unbalanced Dystopian Relationships
Ida Marie Schober
Foreshadowing the Future of Capitalism: Surveillance Technology and Digital Realism in Xu Bing’s Dragonfly Eyes
Ling Zhang
BOOK REVIEWS
Schefer, Jean Louis. 2016. ‘The Ordinary Man of Cinema’
Ekin Erkan
Oter, Jorge, and Santos Zunzunegui. eds. 2019. Ensayos de poética. Miradas sobre el contacto entre el cine y la poesía.
Himar Bethencourt Reyes
Comparative Cinema ISSN 2604-9821 (formerly Cinema Comparat/ive Cinema, ISSN 2014-8933) is a biannual publication. Published by the Center for Aesthetic Research on Audiovisual Media (CINEMA) of Pompeu Fabra University (UPF), the journal specializes in the study of comparative cinema and the ways in which cinema is received and interpreted in different social and political contexts.
The publication aims to cover an original area of research, developing and establishing a series of methodologies for comparative studies in film. To that end, it also explores the relation between film and the traditions of comparative literature, and with other contemporary arts such as painting, photography, music, dance and audio-visual media.
Comparative Cinema is published in English (including original versions of the texts in multiple languages), with issues that come out twice per year.
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