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Early-bird tickets for next month's Second Classical Music Industry Conference (CMIC2019), a two-day event sponsored by PRS for Music, are now available until October 22nd:

Tuesdaay, November 12th - Wigmore Hall, 36 Wigmore St, Marylebone, London W1U 2BP
Wednesday, November 13th - Middlesex University, The Burroughs, London NW4 4BT

Keynote Address by John Gilhooly OBE OSI (Artistic and Executive Director, Wigmore Hall)

To register, please visit: https://www.onlinestore.mdx.ac.uk/conferences-and-events/faculty-of-arts-and-creative-industries/conference/second-annual-classical-music-industry-conference 
 
*****
 
Day 1 – Wigmore Hall, London
 
13:30-14:00 
Registration in the Bechstein Room
 
14:00 
Welcome
 
14:10
John Gilhooly (Wigmore Hall) – There is No Single Model, No Assured Formula for Success in Classical Music Administration
 
14:45–15:45 
 
The Future
Scott Caizley (King’s College London) – The Conservatoire Crisis  
James Murphy (Royal Philharmonic Society) – The National Conversation on Classical Music
 
15:45-16:15
Tea/coffee
 
16:15–17:45
 
Engagement 
Joe Attard (King’s College London) – Opera Virgins at the Movies: Audience Research and Opera Cinema 
Christina McMaster (pianist and Warner Classics) – Experiential Listening: Responding to Demands of Contemporary Cultures
Sarah Price and Stephanie Pitts (University of Sheffield) – "£20 to sit in a hall and not actually see anything": Understanding Classical Music Within the Wider Arts Experience

18:15 Reception
Including a celebration of the publication of Kaikhosru Sorabji’s Letters to Philip Heseltine (Peter Warlock), ed. Brian Inglis and Barry Smith (Routledge, 2019).
 
19.30 Concert, Christian Tetzlaff, vln, Lars Vogt, pf
Ticket not included in conference price
 
*****
 
Day 2 – Middlesex University, Hendon
 
09:30–10:15
Registration – Hendon Town Hall
  
10:15
Welcome
 
10:30–12:00
Parallel Sessions 1
 
Mediation
Tony Stoller (Bournemouth University) – How the Medium Made the Music: Classical Music and Radio
Natasha Loges (Royal College of Music, London) – Programming a Song Recital: Between Pragmatism and Artistry
Chris Dromey and Julia Haferkorn (Middlesex University) – Rethinking Communication in the Concert Hall
 
Opera
Nicholas Boyd-Vaughan (National Opera Studio) – National Opera Studio’s Diverse Voices Programme:  Supporting and Enabling Diversity in UK Opera
Charlotte Armstrong (University of York) – Contemporary Opera Production and the Performance of Disability
Elaine Kidd (Royal Opera House) – What is Talent in Opera Today?
  
12:00–13:00
Lunch
 
13:00–14:30
Parallel Sessions 2
 
Past and Present
Chris Lloyd (pianist and 1781 Collective) – The Classical Music Recording Industry: Doomed since 1967?
David Cotter (University of Cambridge) – Virtual Reality and the Classical Music Industry 
Ellie Moore (Help Musicians UK) and Jane Williams (London Symphony Orchestra and Middlesex University) – Funding the Future of Classical Music Careers
 
Accessibility and Inclusion
Kristina J. Kolbe (London School of Economics) – Performing Interculture: Inequality, Difference, and Diversity in Contemporary Music Production in Berlin
Gregory Moor (Leeds University) – Accessibility and Outreach for Arts Organisations
Michael Haas (exil.arte Centre, University for Music and Performing Arts, Vienna) – Recovery and Restitution: Vienna’s exil.arte Centre 
 
14:30–14:50
Tea/coffee
 
14:50
Roundtable with Joseph Browning (University of Oxford), Anna Bull (University of Portsmouth), Ali Meghji (University of Cambridge), Christabel Stirling (University of Westminster), Christina Scharff (King’s College London) – Empirical Approaches to Understanding Inequality and Diversity in Classical Music

*****

Dr Chris Dromey
Associate Professor in Music
Middlesex University
Town Hall Annexe, Room TG54
The Burroughs | Hendon | London | NW4 4BT
+44 (0)20 8411 6528
https://twitter.com/chrisdromey_
http://www.mdx.ac.uk/about-us/our-people/staff-directory/dromey-christopher 

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