*CALL FOR PAPERS*
**
*First Symposium of the International Council for Traditional Music
(ICTM) Study Group for Music and Dance in Indigenous and Postcolonial
Contexts, National Dong Hwa University, Taiwan, 29 June to 2 July 2020*
The ICTM Study Group for Music and Dance in Indigenous and Postcolonial
Contexts will hold its first Symposium at the National Dong Hwa
University, Taiwan, from 29 June to 2 July 2020.
This Study Group is concerned with research and documentation into
repertoires, epistemologies and applications of music, dance and
ceremony across the fullest array of indigenous and postcolonial
contexts worldwide. This includes national contexts in which indigenous
peoples still struggle to have their sovereignty and rights recognised,
as well as those from which former colonial powers have withdrawn, yet
their institutional structures remain. The Study Group is a forum for
cooperation among music and dance scholars and practitioners to share
and discuss music, dance and ceremony in these contexts, as well as
their connections to underpinning indigenous epistemologies and
processes of knowledge production, the mediation of national and
subaltern aspirations, conceptualisations of community and place, and
strategies for cultural sustainability and survival.It encourages
research into indigenous music and dance from a broad range of
performative, theoretical, methodological and applied perspectives. This
can include, but is not limited to, studies concerning composition,
performance, dissemination, community cohesion, wellbeing, policy,
resourcing, human rights, equity, collections, formal and informal
learning, maintenance, and the environment.
The First Symposium’s overarching theme will be: *Ontologies and
Epistemologies of Indigenous Music and Dance*.
We therefore invite proposals for presentations that share research into:
1.indigenous ontologies and epistemologies of being and knowing through
music and dance
2.indigenous knowledge production, curation and transmission through
music and dance
3.colonial and postcolonial impacts on indigenous music and dance
4.expressions of personal, social and/or environmental ‘harmony’ in
indigenous music and dance
5.indigenous knowledges, intellectual property, and copyright
6.research co-design and collaboration with indigenous performers
7.continuity and change in indigenous music and dance
Types of presentation can include papers of 20 min, themed group panels
of 90–120-min, lecture–demonstrations, concerts, and workshops.
*PROPOSALS AND SUBMISSION PROCESS*
Proposals will be accepted from ICTM members. Non-members are welcome to
join the ICTM <https://www.ictmusic.org/membership/new>and submit their
abstracts once they have joined.
Please submit proposals to Dr Muriel Swijghuisen Reigersberg:
[log in to unmask]
<mailto:[log in to unmask]>. Proposals should include:
1.an abstract of 250 words,
2.a biographical note for each presenter of 100 words, and
3.all relevant affiliation and contact information for all presenters
(email and affiliation)
**
*Language*
Abstracts can be submitted in Chinese and English.
*Deadlines*
Please use the submission formbelow.
/Deadlinefor submissions/29^th November 2019
/Feedback (accept,modify, reject)/Second week of January 2020
*The Program Committee (alphabetically by surname)*
Dr Bernd Brabec de Mori
Prof Jose Jorge de Carvalho
Prof Aaron Corn
Dr Wei-Ya Lin
Dr Muriel Swijghuisen Reigersberg
Prof Yuh-Fen Tseng
COST
To be confirmed by February 2020.
Travel Subsidies
We are exploring the possibility of offering travel subsidies to
Indigenous researchers with limited funds and research higher degree
students. To be confirmed by February 2020.
QUESTIONS?
Please contact Dr Muriel Swijghuisen Reigersberg if you have any
questions: [log in to unmask]
<mailto:[log in to unmask]>.
We look forward to receiving your abstracts!
The Program Committee
12 October 2019
--
__________________________
Bernd Brabec de Mori
anthropologist & musicologist
email: [log in to unmask]
tel: +43(0)681 10238660
publications: yunnan.academia.edu/BerndBrabecdeMori
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