Thanks Sheila. You may be on to something with this suggestion. I’m not
happy with the ending yet either.
Bill
On Wed, 21 Feb 2018 at 7:52 am, Sheila Murphy <[log in to unmask]>
wrote:
> Bill, I wonder what would happen if you started the whole piece with
>
> "Who and Hendrix rode the transition
>
> from black to blazing red Polydor..."
>
> On Tue, Feb 20, 2018 at 1:42 PM, Bill Wootton <[log in to unmask]>
> wrote:
>
> > Take your music groove-inscribed
> >
> > for a multi-sensual all round experience.
> >
> >
> > Hear the opening Claptonic bars of White Room,
> >
> > picture that black Polydor label spinning.
> >
> >
> > Know Who and Hendrix rode the transition
> >
> > from black to blazing red Polydor.
> >
> >
> > Kinks get you going partly because you see
> >
> > the brash bright yellow and black Astor label,
> >
> >
> > also home to fire-lighting Jim’s Doors
> >
> > and Matchstick Status Quo men.
> >
> >
> > Billy Thorpe‘s Aztecs, most people know,
> >
> > went crazy on orange Havoc records
> >
> >
> > and Sabbath sucked you into their Paranoid
> >
> > maelstrom on black and white Vertigo Swirl.
> >
> >
> > The Bobster and Simon and Garfunkel,
> >
> > The Man in Cash and Carlos Santana
> >
> >
> > all shared the apricot glow of dignified CBS.
> >
> > Stones Blue Decca’d before Sticky Fingering.
> >
> >
> > Beatles grey/black Parlophoned almost
> >
> > matching their suits before Appling up.
> >
> >
> > Shocking Blue Venused on Penny Farthing
> >
> > Tamla Motowns all glowed deep black.
> >
> >
> > Select from Spotify, tunes descend
> >
> > from the ether with no such associations.
> >
> >
> > Select The Selecter on 2 Tone Records
> >
> > with the ska trilby and zoot suit image.
> >
> >
> > Grab hold of record covers. Sniff.
> >
> > The years of spin still available.
> >
> >
> > bw
> >
>
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