Dear Colleague,
The articles in this issue of Projections lend a critical eye to cognition and emotion in film. Topics range from conceptualizing emotions in performer expressiveness to racial attitudes in response to "white savior" films. Hugo Münsterberg's contributions are analyzed and the cognitive complexity of editing is examined.
Berghahn Journals thanks Stephen Prince as this issue is the editor's last, and welcomes Ted Nannicelli to the role of editor.
Please visit the Berghahn website for more information about the journal: www.berghahnjournals.com/projections
Volume 11, Issue 2
Editorial
From the Editor, Stephen Prince
http://bit.ly/2ztsmK8
Articles
One Hundred Years of Photoplay: Hugo Münsterberg's Lasting Contribution to Cognitive Movie Psychology, Andreas Baranowski and Heiko Hecht
http://bit.ly/2zcm6p4
Emotional Responses to Savior Films: Concealing Privilege or Appealing to Our Better Selves? Erin Ash
http://bit.ly/2glJGMi
Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night, Johannes Riis
http://bit.ly/2hJC6I1
Editing and Cognition beyond Continuity, Karen Pearlman
http://bit.ly/2yNvB1P
Die Hard as an Emotion Symphony: How Reptilian Scenarios Meet Mammalian Emotions in the Flow of an Action Film, Torben Grodal
http://bit.ly/2kUnuKE
Book Reviews
Margrethe Bruun Vaage and Gabriella Blasi
http://bit.ly/2zrR2Ct
Recommend Projections to your library
www.journals.berghahnbooks.com/projections/library-recommendations
View a Sample Issue of Projections
www.journals.berghahnbooks.com/projections/sample
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