In this week’s blog, Katherine Farrimond writes from a very contemporary perspective on the enduring cinematic figure of the femme fatale. Further to the publication of her monograph, she considers how recent examples in film and television create different dialogues between past and present.
You can read the blog here: https://womensfilmandtelevisionhistory.wordpress.com/2017/11/11/glamour-nostalgia-and-film-memory-contemporary-popular-culture-and-the-femme-fatale/
--
Dr Shelley Cobb
Associate Professor of Film
University of Southampton
http://www.southampton.ac.uk/film/about/staff/sc1p07.page
Principle Investigator of AHRC-funded Calling the Shots: women and contemporary film culture in the UK
http://www.southampton.ac.uk/cswf/index.page
Author: Adaptation, Authorship, and Contemporary Women Filmmakers
http://www.palgrave.com/us/book/9780230283848
Co-editor: First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics
http://www.bloomsbury.com/us/first-comes-love-9781628921205/
|