University of Warwick, Department of Film and Television Studies
DEPARTMENT RESEARCH DAY
All welcome - please contact [log in to unmask] to secure a place
Wednesday 17 May 2017, MS.O5, Ground Floor Zeeman Building
9.30-9.35 Opening Remarks: Alastair Phillips
9:35 – 10:30 Keynote (Chair: Stephen Gundle)
Michele Aaron (University of Birmingham), ‘Love’s Revival: Film Practice and the Act of Dying’
10:30 – 11:45 Session 1: Music, Memory and Gender (Chair: Rachel Moseley)
• Leanne Weston, ‘Memory and Materiality in Music Television’
• Julie Lobalzo-Wright, ‘Easy Come, Easy Go: Elvis Presley’s Musical Films’
• Georgia Mulligan, ‘“Why Will All Women Cry at The Umbrellas of Cherbourg?”: Genre, Cultural Value and the Gendered Audience in the Contemporary Reception of Jacques Demy’s The Umbrellas of Cherbourg’
11.45 - 11.55 BREAK
11:55 – 1:10 Session 2: Media Images of Cinema and Television (Chair: Alastair Phillips)
• Claire Jesson, ‘Experiencing the Difference: Film Exhibition as Represented in Cinemas' Promotional Trailers’
• Josette Wolthuis, ‘Serial Costuming: Character, Narrative and Professional Dress in Television’
• Silvia Magistrali, ‘Cinema and the Illustrated Press in Postwar Italy’
1:10 – 2:00 LUNCH - own arrangements
2:00 – 3:15 Session 3: Emotion, Empathy, and Dreaming in Cinema (Chair: Julie Lobalzo-Wright)
• Stuart Mitchell, ‘The Devil is in the Moral Emotional Detail’
• Zoë Shacklock, ‘“You Are No Longer Just You”: The Promise of Kinaesthetic Empathy in Sense8 and Hannibal’
• Helen Palmer, ‘Exploring the Lead Character's Transition from a Waking State into a Dream State within Oklahoma!'s Dream Ballet’
3:15– 4:30 Session 4: Screen Worlds / World Screens (Chair: Karl Schoonover)
• Esther Douglas, ‘The African-American body in the cinematic city of Los Angeles’
• Jamie Zhao, ‘Globally Formatted Queer TV with Chinese Characteristics in the New Millennium’
• Tiago de Luca, ‘Envisioning the World: Film, Media Culture, and the Earth’
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