Call For Papers - deadline approaching
Wordsworth : The French Connection
Two-day symposium at the École Normale Supérieure, Paris, 20-21 April 2017
Organised by the London-Paris Romanticism Seminar in association with the Société d’Études du Romantisme Anglais (SERA)
Keynote speakers: Simon Bainbridge (Lancaster), Alain Vaillant (Paris Ouest-Nanterre)
Scientific committee: Marc Porée (ENS Ulm), David Duff (QMUL), Caroline Bertonèche (Grenoble Alpes), Laurent Folliot (Paris Sorbonne), Pascale Guibert (Besançon), Florence Gaillet-De Chezelles (Bordeaux), Jean-Marie Fournier (Paris Diderot), Aurélie Thiria-Meulemans (Picardie)
Introduction:
Under the deliberately provocative title of “The French Connection,” a series of propositions will be made by the organizers of the Anglo-French/Franco-English Symposium:
— that France was to William Wordsworth what Germany was to S.T. Coleridge, Italy to P.B. Shelley and Greece to Lord Byron. A “strange attractor”, in short. As well as a site of contradictions, where delinquency and propriety, misconduct and righteousness came to a head, leading to endless visions and revisions, visitings and revisitings, all subsumed under the general heading of Crime and Punishment.
— that to William Wordsworth (and Robert Jones), fresh from their crossing over to Calais, the July of the first Fête de la Fédération, in 1790, felt like Spring, as argued by Jacques Rancière in his Courts voyages au pays du peuple (Seuil, 1990), with “benevolence and blessedness / Spread like a fragrance everywhere, when spring / Hath left no corner of the land untouched” (The Prelude 1850, l. 357-359)… To be followed by the autumn and the winter of disenchantment and radical disaffiliation. After claiming the equivalent of a flamboyantly Hugolian “Je suis la Révolution”, was Wordsworth not to retort : “Je n’ai jamais été la Révolution” ?
— that the French years of William Wordsworth are to be perceived as more than “years”; they should be conceived of as a “Period”, decisively formative and pointedly characteristic, as in, say, the Blue or Rose Period of Picasso.
— that those years and months and days are far from having delivered all their secrets, of a private, emotional, sexual, political, public nature, virtually vindicating André Malraux’s controversial contention: “Pour l’essentiel, l’homme est ce qu’il cache : un misérable petit tas de secrets.” (Antimémoires)
— that France is an important landmark in the discussion of such a notion as “Wordsworth and Place”, along the lines of Stephen Cheeke’s Byron and Place : History, Translation, Nostalgia (Palgrave Macmillan, 2003). Likewise, we aim at availing ourselves of a broad field of enquiry known as “new geography” or “cultural geography”, which draws on a wide range of cognate disciplines and aims at a sustained rethinking of space and place, including “topo-biographical studies.” Translation studies will also be solicited, in view of the two recent translations into French of The Prelude: by Denis Bonnecase, in 2013, and by Maxime Durisotti, in 2016.
— that the long and short of Wordsworth’s trips to France (including the one in 1820, to Paris and the Musée du Louvre, where he met Annette Vallon [“Madame William”] and Caroline for the last time) has to do, essentially, with coming home. That the point of travelling is not how one goes abroad and what one discovers there–nor is it about how one talks about places one has never been to, as Pierre Bayard would mischievously argue. No, Wordsworth did go to France, but the problem is how did he go back to England, and in what state or condition ?
From which it follows that the Symposium will be exploring the critical relevance of five verbs of action, forming a sequence : Partir / Revenir / Devenir / Traduire / Trahir // Leaving / Returning / Becoming / Translating / Betraying.
Only connect… the prose and the passion !
Papers are invited on any aspect of the symposium theme. List of possible topics:
Wordsworth and Revolutionary France
Wordsworth and the French wars
The Prelude and its revisions
French translations of Wordsworth
Paris in the 1790’s
Wordsworth and Annette Vallon
Vaudracour and Julia
Wordsworth’s Continental tours
Emigrants and borderers
Wordsworth and Rousseau
Wordsworth and French literature
Wordsworth and French art (e.g. Charles Le Brun)
History of Wordsworth scholarship in France
Wordsworth and French literary theory
Duration of papers : 25-30 minutes maximum
Deadline for proposals : 31 January 2017
Send title of paper and abstract (300 words) to: [log in to unmask] and [log in to unmask]
*********************************************************
British Association for Romantic Studies
http://www.bars.ac.uk<http://www.bars.ac.uk/>
To advertise Romantic literature conferences, publications, jobs, or
other events that the BARS members would be interested in, please
contact Neil Ramsey <[log in to unmask]>
Also use this address to register any change in your e-mail address,
or to be removed from the list.
Messages are held in archives, along with other information about the
Mailbase at: http://www.jiscmail.ac.uk/lists/bars.html
*********************************************************
|
