Display, Access to, and Contemplation of Collections in the Habsburg
Court, 1516-1700
International Congress

Madrid, Museo del Prado, Auditorium, Paseo del Prado, June 27 - 28, 2016

Registration deadline: Jun 20, 2016

This congress approaches collecting in the Spanish Habsburg court from
perspectives that have barely been explored before: the material
conditions in which artworks were exhibited (how high they were hung,
on what surfaces, with what types of lighting, frames and possible
accompanying inscriptions), their accessibility (what could be seen by
whom, when and in what circumstances; the existence of more and less
restricted settings and the norms governing visits, including the
exchange of gifts and the acquisition of copies) and lastly, the
criteria underlying the association and collecting of works, as well as
the people charged with such activities.

Directed by: Miguel Falomir. Associate Director of Research and
Conservation, Museo del Prado
Organized by: Escuela del Prado

See the Prado's website for more information and inscriptions
Email: [log in to unmask]


PROGRAM

Monday, 27th June 2016

9.00-9.30 registration

9.30-10.00
Opening remarks by
Miguel Falomir, Associate Director of Research and Conservation, Museo
del Prado

I Documentary Sources and Courtly Collecting. Review and New
Perspectives
Chaired by: Fernando Checa. Complutense University of Madrid,
Department of Art History II (Early Modern)

This section seeks to broaden knowledge and explore new, fundamentally
methodological approaches to sources and documents associated with art
from the Early Modern Era and its relations to the Spanish Monarchy,
the latter understood as a vast intercontinental cultural setting that
extended far beyond strictly Iberian or peninsular limits. This
involves understanding not only the "treatises" and theoretical or
historical sources customarily included in the traditional field of
"Kunstliteratur," but also a broader spectrum that runs from
inventories and correspondence through descriptions of artworks,
including travelogues, descriptions of celebratory events, etc., as
well as poetical and creative literature.

10.00-10.30
Fuentes festivas habsbúrgicas en un imperio de cortes
Víctor Mínguez Cornelles, Universitat Jaume I, Castellón

10.30-11.00
Los inventarios y la primera globalización: el caso portugués
Nuno Senos, Centro de História d'Aquém e d'Além-Mar – CHAM,
Universidade Nova de Lisboa

11.00-11.30
 From weapons to relics. Philip II's treasury according to a
Japanese/Jesuitical source
Catarina Santana Simões, Centro de História d'Aquém e d'Além-Mar –
CHAM, Universidade Nova de Lisboa

11.30-12.00 Coffe-break

12.00-12.30
El Alcázar de Madrid, sede de la monarquía hispánica (1600-1701).
Recapitulación y nuevas vías de estudio a partir de los inventarios
reales
Ángel Rodríguez Rebollo, Fundación Universitaria Española

12.30-13.00
Sobre el "Parnaso español" de Antonio Palomino y las colecciones reales
José Riello, Universidad Autónoma de Madrid

13.00-14.00 discussion


II The Places of Collecting
Chaired by: Javier Portús. Museo Nacional del Prado

This section studies collecting in the Habsburg court from the
perspective of where the artworks were actually exhibited. The emphasis
is not so much on the physical characteristics of such spaces as on how
their decoration was influenced by these characteristics and by the
spaces' use. Equally cogent will be the manner in which changes in the
use of such spaces led to modifications in their decoration, and how a
"rhetoric of place" was established in Habsburg palaces and other
associated spaces.

15.30-16.00
Mercedes Simal: Title to be confirmed

16.00-16.30
José M. Barbeito: Title to be confirmed

16.30-17.00 Pausa

17.00-17.30
The Ochabada Room in "Mariana in Mourning" & Prince Baltasar Carlos´s
Chamber in "Las Meninas"
Mercedes Llorente, Centro de História d'Aquém e d'Além-Mar - CHAM,
Universidade Nova de Lisboa

17.30-18.00
Las paredes hablan: Maravillas humanas en la "casa de plazer de su
Magestad"
Andrea Ortiz Fuentes, Universitat de València

18.00-19.00: discussion


Tuesday, 28th June 2016

III Access to, and Contemplation of the Royal Collections
Chaired by: Adolfo Carrasco. University of Valladolid, Department of
Early Modern History

In this section, we are interested in who had access, and in what
manner, to the collections of any sort of artworks at the royal seats,
palaces, viceregal capitals, and even the homes of noble families (to
the degree that they competed with or emulated royalty). We will also
focus on the functional and formal organization of such visits, both as
individual events and as part of other activities. In sum, this section
delves into the regulation of the visibility and "reading" of artworks
in the context of courtly culture, recognizing their role in projecting
power (pomp and propaganda) and their evaluation (taste) during the
16th and 17th centuries.

10.00-10.30
Ver en palacio: el acceso a la imagen en las cortes virreinales de
Italia
Carlos J. Hernando Sánchez, Universidad de Valladolid

10.30-11.00
Entre curiosidad y estudio. El acceso informal a las colecciones reales
en el siglo XVII
Ángel Aterido, Universidad Complutense de Madrid

11.00-11.30
Entre el convento y la corte: Las imágenes del Niño Jesús de Sor
Margarita de la Cruz en las Descalzas reales
Tanya J. Tiffany, University of Wisconsin-Milwaukee

11.30-12.00 Coffe-break

12.30-13.00
Las otras colecciones artísticas en el Alcázar de Madrid durante el
reinado de Felipe II
Almudena Pérez de Tudela, Patrimonio Nacional

13.00-14.00 discussion


IV Showing Art. The Display of the Royal Collections
Chaired by: Peter Cherry. Trinity College Dublin, Department of History
of Art and Architecture

This section will examine the role of paintings in Habsburg interiors.
Consideration will be given to physical circumstances of display and
the factors which governed the arrangement of pictures in different
spaces, such as their authorship, subject matter, size, visibility, and
conditions of lighting. Particular attention will be paid to pictures
as material objects, in terms of their support and medium, types of
framing and coverings, and the relevance of inscriptions. Their
relationships with other aspects of interior decoration and furnishings
will also feature prominently in this inquiry.

15.30-16.00
The king's portrait in royal palaces
Diane Bodart, Columbia University

16.00-16.30
Reconstructing la "pieza del despacho de verano": Problems and
Possibilities
Thierry Greub, Scientific Researcher at the Internationales Kolleg
Morphomata at the University of Cologne

16.30-17.00 Coffe-break

17.00-17.30
"Mercury", reconsidered
Julia Vázquez, Columbia University

17.30-18.00
Beyond Exotica. Cabinets and Rhino Horns in Juan de Borja's Inventories
Bruno A. Martinho, European Institute University, Florencia

18.00-19.00 discussion and concluding remarks

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