Dear Darrell, you may be able to find some records at the Caribbean Media Corporation in Barbados.Should you need a contact, please let me know. Regards, Jo
> Date: Thu, 17 Sep 2015 17:46:57 +0000
> From: [log in to unmask]
> Subject: Re: Calling the Caribbean recordings
> To: [log in to unmask]
>
> Colleagues,
>
> Please forgive me, but once again my plea goes out: has anyone come across a source for recordings of wartime, or postwar broadcasts of radio programs intended for Caribbean audiences?
>
> Shows include Calling the Caribbean, West Indian Diary, or We See Britain.
>
> Please advise...!!
>
>
> Darrell M. Newton, Ph.D.
> Associate Dean and Professor
> The Fulton School of Liberal Arts
> Salisbury University
> 248 Fulton Hall
> Salisbury, MD 21801
> (410) 677-5060 Office
> (410) 543-6450 School
> Faculty Webpage
>
> ________________________________________
> From: Darrell Newton
> Sent: Thursday, July 16, 2015 7:10 AM
> To: [log in to unmask]
> Cc: Erhardt, Erwin (erhardef)
> Subject: RE: Children in WWII?
>
> Colleagues,
>
> Do you know of any folks researching "Children in War?
>
> A friend who was the Associate Director for Evacuee and War Child Studies in Reading is trying to form a conference here in the U.S. The University of Nebraska has invited him and researchers to have a "Conference within a Conference" at the European Studies Conference this October 8-10 in Omaha. Papers could address "war children" in literature, film, and other related texts.
>
> If you have an interest, please contact:
>
> Erwin F. Erhardt, III
> Associate Professor--Educator
> Director of Undergraduate Studies
> Department of Economics
> Lindner College of Business | University of Cincinnati
>
> Dr. Erhardt's email address is included above.
> ________________________________________
>
> Darrell M. Newton, Ph.D.
> Associate Dean and Professor
> The Fulton School of Liberal Arts
> Salisbury University
> 248 Fulton Hall
> Salisbury, MD 21801
> (410) 677-5060 Office
> (410) 543-6450 School
> Faculty Webpage
>
> ________________________________________
> From: Members of the Society for Caribbean Studies based in UK [[log in to unmask]] on behalf of Scafe, Suzanne [[log in to unmask]]
> Sent: Thursday, July 16, 2015 6:46 AM
> To: [log in to unmask]
> Subject: CALL FOR PAPERS - Short Fiction by Caribbean Women Writers: New Voices, Emerging Perspectives
>
> Call for Papers – Short Fiction in Theory and Practice (2016) Special Issue
>
> Short Fiction by Caribbean Women Writers: New Voices, Emerging Perspectives
>
> Submission Deadline November 30th 2015.
>
>
> As most critics and practitioners of short fiction in the Caribbean have argued, the short story is the foundational form of Caribbean literature. Widely published in late nineteenth and early twentieth-centurynewspapers, magazines and journals, the short story in this period was the form used by writers to practise their literary craft. Short fiction also provided a forum to engage a wide and not necessarily literary audience with social and political issues, concerns about the nation and the demands for a national culture. Short fiction continues to be a popular literary form in the Caribbean, now used to express the ambiguities and complexities of contemporary regional realities and to provide a forum for experimentation and innovation.
> Though often marginalised, Caribbean women have always participated as writers and critics of this cultural form. This Special Issue seeks to bring together scholars and practitioners of the short story form in order to draw critical attention to new or hitherto marginalised short fiction writers and to provide new perspectives on Caribbean women’s short fiction.
> While all submissions are peer-reviewed, we aim to be inclusive. Contributions are welcome from individuals who do not consider themselves academics, and may take the form of personal commentaries, reflections, interviews and reviews, as well as conventional academic essays.
> We are pleased to consider proposals from those publishing or promoting the short story, as well as from short-story writers
>
> Short Fiction by Caribbean Women Writers: New Voices, Emerging Perspectives
>
> The editors welcome articles of 4,000 – 8,000 words (including notes and references)
>
>
> · New writers/new writing
>
> · Short fiction in translation
>
> · Critical reception, prizes and public acclaim
>
> · Disruptive, subversive short story forms
>
> · Short fiction in cyberspace
>
> · Publishers and publishing
>
> · Orality and Oral story-telling forms
>
> · Lost or hidden voices
>
>
>
> · Caribbean minorities
>
> · Short fiction as popular culture
>
> · Indo-Caribbean women writers
>
> · Crime Fiction as Short Fiction
>
> · Transcultural connections
>
> · Short Fiction in Comparison: geographies, cultures, languages and historical period
>
> · Gender and sexual identities
>
> · Short story cycles and sequences
>
>
> The editors will alsoconsider:
>
> · Original creative work by Caribbean women writers
>
> · Interviews with writers
>
> · Translations of short fiction not previously published in English
>
> Please contact the editor in the first instance, with proposals for translations, interviews or creative work.
>
>
> Language: All papers should be submitted in English (see ‘Notes for Contributors’).
> Addresses: Authors' full postal and email addresses must be supplied.
> Contributors should use the Harvard Referencing system for citations.
> Notes should be kept to a minimum. Please use endnotes, rather than footnotes.
> All references cited, and only these, should be listed under the heading References. As an author, you are required to secure permission if you want to reproduce any figure, table, or extractfrom the text of another source. This applies to direct reproduction as well as "derivative reproduction" (where you have created a new figure or table which derives substantially from a copyrighted source). For further information and FAQs, please see ‘Notes for Contributors’ pdf at www.intellectbooks.co.uk<http://www.intellectbooks.co.uk>
>
>
> Articles should be submitted on disc or by email attachment (as a Word document) to either of the editors (details below).
>
> Suzanne Scafe
> Department of Culture, Writing and Performance
> London South Bank University
> 103, Borough Road
> London SE1 OAA
> [log in to unmask]<mailto:[log in to unmask]>
>
> Aisha Spencer,
> School of Education,
> Faculty of Humanities and Education
> UWI, Mona, Kingston 7
> Jamaica
> West Indies
> [log in to unmask]<mailto:[log in to unmask]>
> Submission Deadline: November 30th 2015.
> Copyright in this email and in any attachments belongs to London South Bank University. This email, and its attachments if any, may be confidential or legally privileged and is intended to be seen only by the person to whom it is addressed. If you are not the intended recipient, please note the following: (1) You should take immediate action to notify the sender and delete the original email and all copies from your computer systems; (2) You should not read copy or use the contents of the email nor disclose it or its existence to anyone else. The views expressed herein are those of the author(s) and should not be taken as those of London South Bank University, unless this is specifically stated. London South Bank University is a company limited by guarantee registered in England and Wales. The following details apply to London South Bank University: Company number - 00986761; Registered office and trading address - 103 Borough Road London SE1 0AA; VAT number - 778 1116 17 Email address - [log in to unmask]
>
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