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Subject:

Four day module on Europe as Hub for Global Cinema, Paris, October 2015

From:

Dina Iordanova <[log in to unmask]>

Reply-To:

Dina Iordanova <[log in to unmask]>

Date:

Tue, 30 Jun 2015 13:29:04 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (137 lines)

Dear friends and colleagues,

 
This coming October we are offering a unique residential module ­ EUROPE
AS HUB OF GLOBAL CINEMA ­ which will take place
over four days in Paris. It deals with issues of Europešs film industry,
it will be taught at Science Po at their location in Quartier Latin and
will
feature some high profile speakers, thus opening up networking
opportunities.  
 

This is a Continuous Professional Development opportunity. The module can
be taken as CPD, or for credit toward an MFA
degree. Please see the brief description below.
For more
information and to apply, visit http://www.st-andrews.ac.uk/globalcinema
and http://www.st-andrews.ac.uk/globalcinema/?page_id=1081
 

Later in the Fall, our next four-day module will take
place in Toronto, at the headquarters of the Toronto International Film
Festival, in November 2015. I will be sending information about this
shortly.
 

May I please ask you to spread the word around?

I would be much obliged!
 
Looking forward to seeing you in Paris.
 

Dina
 

The Institute for Global Cinema and Creative Cultures
University of St Andrews, Scotland
 
Europe as Hub for Global Cinema: Institutions, Policies, Venues
 
19-22 October 2015, Sciences Po, Paris,
 

Offered on a continuous education basis, this module offers, over four
days, lectures and seminars that focus on
the role of Europe as central hub for the circulation of global cinema and
other cultural content.
 
Participants will gain unique insights and understanding of key players
(pan-European and national
institutions; festivals and other cultural clusters), as well as of the
logic that reins in Europešs cultural galaxy. Specific attention is
dedicated to
exploring the central position of France, alongside other bigger and
smaller countries, as well as to the particularities and present-day state
of
Europešs film and other creative industries, and the EUs cultural policy
framework.
 

Featuring high profile speakers whose expertise ranges from criticism and
writing on film (Jean-Michel Frodon) through management
of cinema in a national context (CNC director Xavier Lardoux), film
economy (Prof.Laurent Creton, Sorbonne Nouvelle), co-productions in Europe
and beyond
(producer Marianne Slot), to film circulation and film festivals (academic
and author Prof. Dina Iordanova, University of St Andrews), this unique
event will foster great opportunities for networking and intellectual
exchange. The session may be taken on a stand alone basis for
Continuous Professional Development(CPD) purposes. Attendees will be
issued with a Certificate of Attendance.

For information and to apply, see
http://www.st-andrews.ac.uk/globalcinema/?page_id=1081
and http://www.st-andrews.ac.uk/globalcinema/?page_id=622
 

The module is also a building block within our new programme in Global
Cinema: Managing and
Cultural Curation, and can also be taken for credit toward our new Master
of Fine Arts degree. For information, see
http://www.st-andrews.ac.uk/globalcinema/?page_id=188
 
 

SPEAKERS:
 
Dina Iordanova, Professor of Global
Cinema and Creative Cultures, IGCCC, University of St Andrews, Scotland.
 

Jean-Michel Frodon, Professorial
Fellow, IGCCC, University of St Andrews and Associate Professor,
SPEAP,Sciences Po, Paris, France.
Author: Projection Publique http://blog.slate.fr/projection-publique
 

Xavier Lardoux, Director of Cinema at the Centre National de Cinema (CNC),
Paris. Will discuss public support
policies and actions, on the example of the unique experience of the CNS
 

Prof. Laurent Creton, leading authority on film economics at Paris 3
Sorbonne Nouvelle. Will talk about
the specifics of film industries in France and Europe at large.
 

Marianne Slot, film producer, Slot Machine, Copenhagen and Paris. Will
discuss issues of Europe-wide co-production, as well
as co-producing between Europe and other countries (Latin America, Asia).
 



Dina Iordanova FRSA
Professor of Global Cinema and Creative Cultures
Director, IGCCC
http://www.st-andrews.ac.uk/globalcinema
Publisher, St Andrews Film Studies
University of St Andrews, Scotland



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