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MESSAGE FOLLOWS:
With apologies for the repeated posting: the date of this workshop is
25 June 2015. The date in my earlier annoucement was incorrect.
Richard
At Fri, 13 Mar 2015 10:16:31 +0000,
Richard Lewis wrote:
>
> 1st Call for Papers
> 2nd International Digital Libraries for Musicology workshop (DLfM 2015)
> 25th July 2015 (full day), Knoxville, TN, USA
> co-hosted with the ACM/IEEE Joint Conference on Digital Libraries 2015
>
> Workshop website http://www.transforming-musicology.org/dlfm2015/
>
>
> BACKGROUND
>
> Many Digital Libraries have long offered facilities to provide
> multimedia content, including music. However there is now an ever more
> urgent need to specifically support the distinct multiple forms of
> music, the links between them, and the surrounding scholarly context,
> as required by the transformed and extended methods being applied to
> musicology and the wider Digital Humanities.
>
> The Digital Libraries for Musicology (DLfM) workshop presents a venue
> specifically for those working on, and with, Digital Library systems
> and content in the domain of music and musicology. This includes Music
> Digital Library systems, their application and use in musicology,
> technologies for enhanced access and organisation of musics in Digital
> Libraries, bibliographic and metadata for music, intersections with
> music Linked Data, and the challenges of working with the multiple
> representations of music across large-scale digital collections such
> as the Internet Archive and HathiTrust.
>
>
> IMPORTANT DATES
>
> Paper submission deadline: 22nd April 2015 (23:59 UTC-11)
> Notification of acceptance: 22nd May 2015
> Registration deadline for one author per paper: To be confirmed
> Camera ready submission deadline: 1st June 2015 (14:00 UTC)
>
>
> WORKSHOP OBJECTIVES
>
> DLfM will focus on the implications of music on Digital Libraries and
> Digital Libraries research when pushing the boundaries of contemporary
> musicology, including the application of techniques as reported in
> more technologically oriented fora such as ISMIR and ICMC.
>
> This will be the second edition of DLfM following a very successful
> and well received workshop at Digital Libraries 2014, giving an
> opportunity for the community to present and discuss developments in
> the last year that tackle the agenda that emerged in London. In
> particular we encourage participants to consider the theme of the main
> conference - "Large, Dynamic and Ubiquitous" - and how this properties
> are reflected in Music Digital Libraries and their application to
> musicology.
>
> The workshop objectives are:
>
> - to act as a forum for reporting, presenting, and evaluating this
> work and disseminating new approaches to advance the discipline;
>
> - to create a venue for critically and constructively evaluating and
> verifying the operation of Music Digital Libraries and the
> applications and findings that flow from them;
>
> - to consider the suitability of existing Music Digital Libraries,
> particularly in light of the transformative methods and
> applications emerging from musicology and "Large, Dynamic, and
> Ubiquitous" collections of both audio and music related data;
>
> - to set the agenda for work in the field to address these new
> challenges and opportunities.
>
>
> TOPICS
>
> Topics of interest for the workshop include but are not limited to:
>
> - Music Digital Libraries.
>
> - Digital Libraries in consideration of "Large, Dynamic and
> Ubiquitous" collections of audio and music related data.
>
> - Techniques for locating and accessing music in Very Large Digital
> Libraries (e.g. HathiTrust, Internet Archive).
>
> - Music data representations, including manuscripts/scores and audio
>
> - Interfaces and access mechanisms for Music Digital Libraries.
>
> - Digital Libraries in support of musicology and other scholarly
> study; novel requirements and methodologies therein.
>
> - Digital Libraries for combination of resources in support of
> musicology (e.g. combining audio, scores, bibliographic,
> geographic, ethnomusicology, performance, etc.)
>
> - User information needs and behaviour for Music Digital Libraries.
> Identification/location of music (in all forms) in generic Digital
> Libraries.
>
> - Mechanisms for combining multi-form music content within and
> between Digital Libraries and other digital resources.
>
> - Information literacies for Music Digital Libraries.
>
> - Metadata and metadata schemas for music.
>
> - Application of Linked Data and Semantic Web techniques to Music
> Digital Libraries, and for their access and organisation.
>
> - Optical Music Recognition.
>
> - Ontologies and categorisation of musics and music artefacts.
>
>
> SUBMISSIONS
>
> We invite full papers (up to 8 pages) or short and position papers (up
> to 4 pages). Papers will be peer reviewed by 2-3 members of the
> programme committee.
>
> Please produce your paper using the ACM template and submit to DLfM on
> EasyChair by 22nd April 2015 (see IMPORTANT DATES above).
>
> Accepted papers will be included in our proceedings; publisher to be
> confirmed.
>
> The proceedings of last year's workshop, DLfM 2014, can be found in
> the ACM Digital Library at:
> http://dl.acm.org/citation.cfm?id=2660168&picked=prox&preflayout=flat
>
> All submitted papers must:
>
> - be written in English;
>
> - contain author names, affiliations, and email addresses;
>
> - be formatted according to the ACM SIG Proceedings template with a
> font size no smaller than 9pt;
>
> - be in PDF (make sure that the PDF can be viewed on any platform),
> and formatted for A4 size.
>
> It is the authors' responsibility to ensure that their submissions
> adhere strictly to the required format. Submissions that do not comply
> with the above guidelines may be rejected without review.
>
> Please note that at least one author from each accepted paper must
> attend the workshop to present their work, and in addition must be
> registered for the workshop by a date, preceding the camera ready
> deadline, which will be confirmed in due course (see IMPORTANT DATES
> above).
>
> ACM template: http://www.acm.org/sigs/publications/proceedings-templates
> Submissions: https://www.easychair.org/conferences/?conf=dlfm2015
> Contact email: [log in to unmask]
>
>
> WORKSHOP ORGANISATION
>
> Chairs
> Kevin Page, University of Oxford
> Ben Fields, Goldsmiths University of London
>
> Publicity and proceedings
> Richard Lewis, Goldsmiths University of London
>
> Programme Committee
> To be confirmed.
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Richard Lewis
Computing, Goldsmiths' College
t: +44 (0)20 7078 5203
@: lewisrichard
http://www.transforming-musicology.org/
905C D796 12CD 4C6E CBFB 69DA EFCE DCDF 71D7 D455
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