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BARS  September 2014

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Subject:

BARS: The Poetics of Knowledge Conference

From:

Neil Ramsey <[log in to unmask]>

Reply-To:

Neil Ramsey <[log in to unmask]>

Date:

Wed, 3 Sep 2014 09:24:01 +0100

Content-Type:

multipart/mixed

Parts/Attachments:

Parts/Attachments

text/plain (79 lines) , CFP_Poetics of Knowledge.pdf (79 lines)

The Poetics of Knowledge
University of Bern
5.11.-7.11.2015

One very common narrative about Victorian Britain is that it was an age of ground-breaking
scientific discoveries: Charles Lyell significantly extended the age of our planet; Charles Darwin
forced a rethinking of the origins and development of life; Michael Faraday and James Maxwell
Clark paved the way for modern physics; Non-Euclidean Geometry changed the way
mathematicians measured and formalized the world; Charles Babbage and Ada Lovelace laid the
foundation for computing. The list could be expanded at leisure, as scientists made and remade
the various fields in which humans have tried to make sense of the natural world.
Both the individual discoveries and the underlying myth of scientific progress they
allegedly add up to have repeatedly been analysed in narratological terms; Misia Landau (1984),
and more recently David Amigoni and James Elwick (2011) have identified the narrative
premises common to most scientific accounts of the past. Historians of science, Landau argues,
are keen to speak about discoveries and innovations in the form of a meaningful sequence of
origin, development and purpose, a structure of beginning, middle and end reminiscent of
conventional narratological definitions of the plot in a work of fiction. Others, like Gillian Beer in
her seminal study Darwin’s Plots (2009), have pointed to the way in which scientists themselves
clothe their discoveries in narrative garments and how the plots they develop are both influenced
by narrative tradition and in turn find their way back into literary narratives.

With this conference we would like to explore an alternative perspective. Instead of
concentrating on the narrative character of scientific discourse, we want to explore its poetic side.
Our aim thereby is twofold. First, we want to look into the historical and philosophical reasons
for the predisposition against non-narrative forms of scientific literature and investigate poetic
structures and elements in earlier scientific as well as literary texts that run counter to this alleged
predominance of narrative. Based on this, we want to explore nineteenth-century literary works
which use scientific ideas and language in non-narrative, and in particular poetic, forms. Relevant
questions in this context include, among others, whether there is a fundamental categorical
difference between narrative and poetic explorations of science in literature, how the noticeable
bias for the former reflects social, political, cultural and economic conditions of the time and
whether gender becomes a relevant factor in the choice of poetic or narrative form.

To explore these and other related questions, we invite contributions which address the
following topics:
· Literary Theory and Science: Narrative and poetic structures in scientific discourse and
accounts of scientific discovery. A theoretical and analytical framework for the analysis
of poetic texts dealing with scientific issues.
· Poetic Knowledge vs. Narrative Knowledge: Epistemological implications of poetic and
narrative frameworks of knowledge, cognitive preconditions and consequences.
· Scientific Domains and Poetic Voices: Exemplary analyses of non-narrative works of
literature engaging with the scientific discourse of the time.
· A Muted Tradition?: Examples of poetic texts addressing scientific issues prior to the
nineteenth century.
· The Two Cultures: Accounts of the rivalling discourses of Science and the Humanities in
the nineteenth century. Debates about their role in education and their respective cultural
relevance.
· Gendered Forms?: The role of gender in establishing different forms of scientific
discourse and literary engagements with science.

Abstracts (300-500 words) of 20-minute papers should be sent to [log in to unmask]
or [log in to unmask] by 1 March 2015. Please include your name,
academic title, affiliation, e-mail address as well as a short biographical note (100 words,
approx.). We welcome contributions by junior researchers.

Finished papers will have to be submitted by 30 August 2015. Every presenter will further be
asked to provide a brief response (5-7 min) to one paper by another participant.
There will be the possibility to organise child care if needed. Please get in touch with the
organisers for more information if you would like to take advantage of this service.
More information will be available in due time on http://www.ens.unibe.ch

*********************************************************
British Association for Romantic Studies
http://www.bars.ac.uk<http://www.bars.ac.uk/>

To advertise Romantic literature conferences, publications, jobs, or
other events that the BARS members would be interested in, please
contact Neil Ramsey <[log in to unmask]>

Also use this address to register any change in your e-mail address,
or to be removed from the list.

Messages are held in archives, along with other information about the
Mailbase at: http://www.jiscmail.ac.uk/lists/bars.html
*********************************************************


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