Hi William,
I would recommend the following sources that examine the moral panic relating to the 'filthy fifteen'.
Walser, R. (1993) Running with the Devil. Wesleyan University Press.
Weinstein, D. (2000) Heavy Metal: the Music and Its Culture. Da Capo Press.
Rosenbaum, J.L. and Prinsky, L. (1991) 'The Presumption of Influence: Recent Responses to Popular Music Subcultures'. Crime & Delinquency, 37 (4).
Brown, A. R. (2012) 'Suicide Solutions?' Popular Music History, 6 (1).
Chastagner, C. (1999) 'The Parents' Music Resource Center: from information to censorship'. Popular Music, 18 (2).
Wright, R. (2000) 'I'd sell you suicide': pop music and moral panic in the age of Marilyn Manson'. Popular Music 19 (3).
Martin, L. and Seagrave, K. (1993) Anti-Rock: The Opposition to Rock 'n' Roll. Da Capo Press.
For insights into heavy metal audiences in the late 1980s/early 1990s you may also want to take a look at Donna Gaines' excellent sociological account in her book Teenage Wasteland.
Hope this is helpful.
Nedim.
Dr Nedim Hassan
Lecturer in Media and Cultural Studies
School of Humanities and Social Science
Liverpool John Moores University
Tel: 0151 231 5033
________________________________________
From: Media, Communications and Cultural Studies Association (MeCCSA) [[log in to unmask]] on behalf of MECCSA automatic digest system [[log in to unmask]]
Sent: 15 August 2014 00:00
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Subject: MECCSA Digest - 13 Aug 2014 to 14 Aug 2014 (#2014-232)
There are 7 messages totaling 1883 lines in this issue.
Topics of the day:
1. CFP: Dancecult | Echoes from the Dub Diaspora (Special Issue)
2. 'Widening the lens...' - 'FREE' event: **Registration Open**
3. Heavy Metal & The Filthy Fifteen (3)
4. Unheard Voices online
5. Communication, Postcoloniality and Social Justice: Decolonizing
Imaginations Conference: Website
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Date: Wed, 13 Aug 2014 18:53:19 -0700
From: "tobias c. van Veen" <[log in to unmask]>
Subject: CFP: Dancecult | Echoes from the Dub Diaspora (Special Issue)
— CALL FOR PROPOSALS —
++++++++++++++++
ECHOES FROM THE DUB DIASPORA
Special Issue of Dancecult: Journal of Electronic Dance Music Culture
++++++++++++++++
http://dj.dancecult.net
— Editors —
tobias c. van Veen, Université de Montréal
Hillegonda Rietveld, London South Bank University
DUB is a term that resonates in multiple aspects of electronic dance music culture. In the crates of DJs, the search terms of online record shops, and echoing throughout scholarly and cultural genealogies, dub signifies a signature style of spatialized rhythm and sound that derives from the studio practices pioneered by Jamaican dance sound systems since the late 1960s, in which versions — “dubs” — were crafted from instrumentals of reggae recordings.
Pressed on vinyl and spun by DJ “selectors”, these skeletal forms of reggae allowed vocalists, emcees and the dancing crowd to superimpose lyrics during sound system events. Using the studio as instrument, by the 1970s the practice of versioning developed into a remix aesthetic. As an evolving and experimental art, dub foregrounds the texture of sound as a landscape of low frequency vibrations, haunted absences and instrumental snippets punctuated by rhythmic events and otherworldly toasting. Crucially then, dub is not only a musical style but also an artistic discourse, in the aesthetic act of making dub — a type of remixing that emphasizes the phatic affects of sonic space and haunted time.
In this special issue of Dancecult: Journal of Electronic Dance Music Culture, we aim to expand the concept of dub, putting dub to work as a means to connect different scholarly approaches that encompass electronic dance music cultures. In the mapping of dub’s global connections, we mean to pose, and question, the meaning of dub diaspora. Expanding upon “dub diaspora” helps to conceptualize dub as an open set of remix practices and styles that connect multiple cultural contexts that bind the ephemera of musical belongings to infrastructures of distribution and production, their technologies and recording practices. What would it mean, then, to speak of the dub diaspora?
In this special issue, we will consider all things dub, including:
• dub and remixology
• dub acoustemology, as a way of knowing and hearing
• dub as an art, aesthetic practice and form of performance
• dub Rastafarianism, Jamaica and (post-)reggae politics
• dub and Afrodiaspora
• dub Afrofuturism, science fiction worldings, temporalities, becomings
• dub as a material practice of cultural belonging
• dub as an infrastructure or assemblage of technics and culture
• dub philosophies of sonic simulacra and versioning
• dub subjectivities, ontologies, phenomenologies
• dub technogenesis, technics and creative mis-uses of technologies
• dub body technologies and entheogens
• dub genders, sexualities and identities; queer(ing) dub
• dub vampires, zombies, the undead, uncanny and becoming-animalia
• dub bodies, rhythm and low frequency affect
• microgenealogies of dub producers, performers, participants
• ethnographies of dub scenes and sound systems
• production studies of dub studio, performance and recording practices
== Submissions ==
This special edition is proposed for publication in November 2015.
Please send expressions of interest, inquiries, and if interested, a 250 word abstract (and a brief author bio) to:
Dr. tobias c. van Veen | [log in to unmask]
—> Deadline for abstracts: October 1st, 2014 <—
Deadline for full article submission: March 1st, 2015.
Dancecult publishes both peer-reviewed Feature Articles (6000–9000 words, including references and endnotes) as well as non-peer reviewed pieces in its From the Floor and Conversations sections (750–2500 words).
Details on Dancecult’s article policies can be found here: http://goo.gl/DHh5En
All articles must adhere to the Dancecult Style Guide (DSG): http://goo.gl/7aWdL1
+++++++++++++++++
DANCECULT
http://dj.dancecult.net
+++++++++++++++++
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Date: Thu, 14 Aug 2014 11:46:30 +0000
From: "Matthews, Julian (Dr.)" <[log in to unmask]>
Subject: 'Widening the lens...' - 'FREE' event: **Registration Open**
Joint event organized by the BSA Media Study Group and the News and Journalism Research Group, University of Leicester
Widening the Lens: Developments in Research on Journalism and Environmental Issues
Wednesday 17th Sept. 2014. 9.30am – 4.00pm
Bankfield House, University of Leicester
Directions: http://goo.gl/maps/4VSbs
Symposium fees: **FREE** (All welcome! Places are limited, so sign up early!).
REGISTER HERE:
http://www2.le.ac.uk/conference/widening<https://www2.le.ac.uk/conference/widening/registration-form>
PROGRAMME:
09.30 – 09.50 Tea and coffee
09.50 – 10.00 Welcome and introductions
10.00 – 10.30 The circulation of claims: New emphases in environmental
communication research. Anders Hansen (University of Leicester, UK)
10.30 – 11.00 IPCC on screen: A six country study of television coverage of IPCC AR5. James painter (University of Oxford, UK)
11.00 – 11.30 Television, the web and the reporting of the UN IPCC Reports. Neil Gavin (University of Liverpool).
11.30 – 13.00 Lunch (NOT provided)
13.00- 13.30 Reporting the ‘business’ of climate change: How framing and elite media logic shape news access for business voices. Julian Matthews (University of Leicester, UK)
13.30 – 14.00 Global warming, UK flooding and climate scepticism. Martin Lack (University of Liverpool, UK)
14.00 – 14.30 Conduits not authors: transnational new media networks for
environmental news. Sara Penrhyn Jones (Aberystwyth University, UK)
14.30 – 15.00 Tea and coffee.
15.00 – 15.30 Omani newspapers construction of environmental issues: Content
framing and production influences. Rahma Al Foori (University of Leicester, UK)
15.30 – 16.00 Environmental journalism and interdisciplinarity: Political implications. Holgonsi Soares Gonçalves Siqueira and Bárbara Henriques (Federal University of Santa Maria, Brazil)
16.00 Final round up.
See you in September!
regards
Julian
Convenor,BSA Media Group
Director, News and Journalism Research Group
--
Dr Julian Matthews
Department of Media and Communication
3.08 Bankfield House, 132 New Walk
University of Leicester
Leicester, LE1 7JA
T: +44(0)116 2522582
F: +44(0)116 2525276
E: [log in to unmask]
W: http://www2.le.ac.uk/departments/media/people/julian-matthews/julian-matthews-profile
Editor, Sociology Compass
http://sociology-compass.com/
Convenor, BSA Media Study Group
http://www.britsoc.co.uk/specialisms/Media.htm
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Date: Thu, 14 Aug 2014 18:41:01 +0100
From: William Proctor <[log in to unmask]>
Subject: Heavy Metal & The Filthy Fifteen
Dear Colleagues,
I was hoping someone could assist with a research question. Does anyone know of any academic work that has been done on the 'Filthy Fifteen,' the list of 15 songs that were banned in 1984 because of offensive material. Further, any work done on the media effects argument of Judas Priest/ Ozzy Osbourne/ Twisted Sister from around the same time?
Thank you for your time,
Best Wishes
William Proctor
University of Sunderland
Centre for Research in Media & Cultural Studies
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------------------------------
Date: Thu, 14 Aug 2014 17:58:53 +0000
From: Paul Ward <[log in to unmask]>
Subject: Re: Heavy Metal & The Filthy Fifteen
It's not really answering the question(s), but I remember Bill Hicks doing a great stand-up routine about the trial of Judas Priest in the US . . . it's a rebuttal of a simplistic media effects model, with added swearing
Here it is (with Spanish subtitles): <https://www.youtube.com/watch?v=V7y_litoxeE> https://www.youtube.com/watch?v=V7y_litoxeE
Paul
Profile page: www.aub.ac.uk/research/staff-profiles/?profile=pward<http://www.aub.ac.uk/research/staff-profiles/?profile=pward>
Dr. Paul Ward
Professor of Animation Studies
Faculty of Media and Performance
Arts University Bournemouth
Wallisdown
Poole
Dorset
BH12 5HH
UK
Professor Paul Ward
Course Leader - MA Animation Production
+44 1202 363732
[log in to unmask]
aub.ac.uk<http://aub.ac.uk/>
[cid:imagefc8d7c.PNG@7a3fedc0.48bc0eba] <http://www.facebook.com/inspiredaub> [cid:imageec1da7.PNG@e690e698.4cb58f61] <http://www.twitter.com/inspiredAUB> [cid:image993a03.PNG@4d0b58ef.42a4f46e] <http://www.youtube.com/inspiredaub>
[cid:imagef6bb83.PNG@98f2ce0a.4990eff0] <http://www.aub.ac.uk/>
________________________________
The contents of this communication are confidential and intended solely for the use of the named recipient(s). If you have received this email in error please delete it and do not disseminate, distribute,copy or alter it. Any views or opinions expressed are those of the author and do not necessarily represent those of Arts University Bournemouth.
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________________________________
From: Media, Communications and Cultural Studies Association (MeCCSA) <[log in to unmask]> on behalf of William Proctor <[log in to unmask]>
Sent: 14 August 2014 18:41
To: [log in to unmask]
Subject: Heavy Metal & The Filthy Fifteen
Dear Colleagues,
I was hoping someone could assist with a research question. Does anyone know of any academic work that has been done on the 'Filthy Fifteen,' the list of 15 songs that were banned in 1984 because of offensive material. Further, any work done on the media effects argument of Judas Priest/ Ozzy Osbourne/ Twisted Sister from around the same time?
Thank you for your time,
Best Wishes
William Proctor
University of Sunderland
Centre for Research in Media & Cultural Studies
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This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
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This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
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------------------------------
Date: Thu, 14 Aug 2014 18:02:13 +0000
From: "joseph.watson" <[log in to unmask]>
Subject: Re: Heavy Metal & The Filthy Fifteen
I have not came across anything that is specifically about the filthy 15 but there is some work done on the censorship of music in Britain more broadly, particularly the work of Professor Martin Cloonan from the mid 90s:
- (1995) Popular music and censorship in Britain: an overview. Popular Music and Society, 19 (3). pp. 75-104.
- (1995) 'I fought the law': popular music and British obscenity law. Popular Music, 14 (3). pp. 349-363.
- (1996) Banned! : Censorship of Popular Music in Britain, 1967-92. Series: Popular cultural studies, 9 . Arena, Aldershot
The last one is up on Amazon at the min: http://www.amazon.co.uk/gp/offer-listing/1857423003/ref=tmm_other_meta_binding_used_olp_sr?ie=UTF8&condition=used&sr=8-4&qid=1408038372
There was also a documentary broadcast on BBC Four not too long ago called Britains Most Dangerous Songs: Listen to the Banned (Jenny Macleod, 2014).
I hope this was useful
All the best
Thomas Joseph Watson________________________________________
From: Media, Communications and Cultural Studies Association (MeCCSA) [[log in to unmask]] on behalf of Paul Ward [[log in to unmask]]
Sent: 14 August 2014 17:58
To: [log in to unmask]
Subject: Re: Heavy Metal & The Filthy Fifteen
It's not really answering the question(s), but I remember Bill Hicks doing a great stand-up routine about the trial of Judas Priest in the US . . . it's a rebuttal of a simplistic media effects model, with added swearing
Here it is (with Spanish subtitles): <https://www.youtube.com/watch?v=V7y_litoxeE> https://www.youtube.com/watch?v=V7y_litoxeE
Paul
Profile page: www.aub.ac.uk/research/staff-profiles/?profile=pward<http://www.aub.ac.uk/research/staff-profiles/?profile=pward>
Dr. Paul Ward
Professor of Animation Studies
Faculty of Media and Performance
Arts University Bournemouth
Wallisdown
Poole
Dorset
BH12 5HH
UK
Professor Paul Ward
Course Leader - MA Animation Production
+44 1202 363732
[log in to unmask]
aub.ac.uk<http://aub.ac.uk/>
[cid:imagefc8d7c.PNG@7a3fedc0.48bc0eba] <http://www.facebook.com/inspiredaub> [cid:imageec1da7.PNG@e690e698.4cb58f61] <http://www.twitter.com/inspiredAUB> [cid:image993a03.PNG@4d0b58ef.42a4f46e] <http://www.youtube.com/inspiredaub>
[cid:imagef6bb83.PNG@98f2ce0a.4990eff0] <http://www.aub.ac.uk/>
________________________________
The contents of this communication are confidential and intended solely for the use of the named recipient(s). If you have received this email in error please delete it and do not disseminate, distribute,copy or alter it. Any views or opinions expressed are those of the author and do not necessarily represent those of Arts University Bournemouth.
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________________________________
From: Media, Communications and Cultural Studies Association (MeCCSA) <[log in to unmask]> on behalf of William Proctor <[log in to unmask]>
Sent: 14 August 2014 18:41
To: [log in to unmask]
Subject: Heavy Metal & The Filthy Fifteen
Dear Colleagues,
I was hoping someone could assist with a research question. Does anyone know of any academic work that has been done on the 'Filthy Fifteen,' the list of 15 songs that were banned in 1984 because of offensive material. Further, any work done on the media effects argument of Judas Priest/ Ozzy Osbourne/ Twisted Sister from around the same time?
Thank you for your time,
Best Wishes
William Proctor
University of Sunderland
Centre for Research in Media & Cultural Studies
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This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
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------------------------------
Date: Thu, 14 Aug 2014 20:11:17 +0100
From: Cahal McLaughlin <[log in to unmask]>
Subject: Unheard Voices online
Dear all,
Some of you might be interested in this short film, recently uploaded onto WAVE Trauma Centre, Belfast, website:
http://www.wavetraumacentre.org.uk/about-us/wave-projects/unheard-voices
Working collaboratively with those who lost someone or were injured during the Troubles, the film resulted from a research project into representing trauma from a conflicted past.
Best wishes,
Cahal
Cahal McLaughlin
Professor of Film Studies
School of Creative Arts
Queen's University Belfast
Room 003, First Floor
21 University Square
Belfast BT7 1NN
00 44 2890 973634
www.prisonsmemoryarchive.com
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Date: Thu, 14 Aug 2014 14:47:27 -0700
From: Raka Shome <[log in to unmask]>
Subject: Communication, Postcoloniality and Social Justice: Decolonizing Imaginations Conference: Website
The conference website for 'Communication, Postcoloniality and Social Justice: Decolonizing Imaginations' (March 2015). is now live providing more details about this landmark conference, its speakers, and accommodations. The weblink can be be found by going to the Dept of Communication website at Villanova University. I have also provided it below for ease.
This is also a Final Call for Papers as the deadline of August 30, 2014 approaches. Kindly contact any of the organizers if you have queries. Thanks, Raka Shome
http://wfi2015.vucommdept.com
The information contained in this electronic message is intended only for the personal and confidential use of the designated recipient(s) addressed above. If the reader of this message is not the intended recipient or this electronic communication was sent to you in error, please notify me immediately and destroy any and all copies of this message in your possession. Any distribution or copying of this message is strictly prohibited.
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid “engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.”
For further information, please visit: http://www.meccsa.org.uk/
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End of MECCSA Digest - 13 Aug 2014 to 14 Aug 2014 (#2014-232)
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
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