JiscMail Logo
Email discussion lists for the UK Education and Research communities

Help for NEW-MEDIA-CURATING Archives


NEW-MEDIA-CURATING Archives

NEW-MEDIA-CURATING Archives


NEW-MEDIA-CURATING@JISCMAIL.AC.UK


View:

Message:

[

First

|

Previous

|

Next

|

Last

]

By Topic:

[

First

|

Previous

|

Next

|

Last

]

By Author:

[

First

|

Previous

|

Next

|

Last

]

Font:

Proportional Font

LISTSERV Archives

LISTSERV Archives

NEW-MEDIA-CURATING Home

NEW-MEDIA-CURATING Home

NEW-MEDIA-CURATING  June 2014

NEW-MEDIA-CURATING June 2014

Options

Subscribe or Unsubscribe

Subscribe or Unsubscribe

Log In

Log In

Get Password

Get Password

Subject:

Antw: Re: [NEW-MEDIA-CURATING] "LIVERPOOL-Declaration" http://www.mediaarthistory.org/declaration

From:

Oliver Grau <[log in to unmask]>

Reply-To:

Oliver Grau <[log in to unmask]>

Date:

Mon, 30 Jun 2014 21:41:29 +0200

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (813 lines)

Dear Nicholas,

please check under: http://www.mediaarthistory.org  (declaration)


Best, Oliver 


>>> Nicholas O'Brien <[log in to unmask]> 30.06.14 21.12 Uhr >>>
Is there a version of this somewhere online that isn't formatted to this
email thread?
Thanks very much for sharing Oliver!
very best


On Sun, Jun 29, 2014 at 3:25 AM, Oliver Grau
<[log in to unmask]>
wrote:

> Thank you Paul and Johannes for the very informed contribution!
>
> Since there might be a number of new people on the list, I would like
to
> take the opportunity and share here
> the "LIVERPOOL-Declaration" and would like to encourage those of you
who
> have not signed so far to do
> and share it also among your institutions and national/international
> funding sources
> - btw Serota and Weibel for example also signed..
>
>
> ---------------------------------------------------
> MEDIA ART NEEDS GLOBAL NETWORKED ORGANISATION & SUPPORT –
International
> Declaration
> State of Affairs
> Digital technology has fundamentally changed the way art is made. Over
> the last forty years, Media Art has become a significant part of our
> networked information society. Although there are well-attended
> international festivals, collaborative research projects, exhibitions
> and database documentation resources, Media Art research is still
> marginal in universities, museums and archives. It remains largely
> under-resourced in our core cultural institutions.
> As a result of rapid changes in technology, many major works made even
> 10 years ago can no longer be shown or are disappearing without a
trace.
> If this situation is not addressed, we face losing an art form that is
a
> central part of our post-industrial digital culture. To date,
systematic
> global preservation and documentation campaigns do not exist.
> Many important online documentation and research projects are also
> disappearing from the web. As they falter, we risk losing their
valuable
> material forever. Contemporary scientific research relies on access to
> shared data. The same is true of the Arts and Humanities, which lack a
> concerted international policy for sustainability and support of the
> digital heritage, such as exists partly in the natural sciences.
> Several science disciplines have developed large collective projects
to
> address the challenges and opportunities of our time by way of
networked
> digital environments, based on a sustainable and international support
> structure. International Media Art research needs similar global
> organisation and collaboration.
> Goals
> a.) Establish international and sustainable funding structures
> Therefore it is essential to establish international and sustainable
> funding structures that can guarantee the persistence of these
valuable
> resources, and to make use of networked collaboration to archive key
> data in a cooperative process of knowledge transfer between artists,
> institutions and researchers internationally. While many nations are
> devoting funds for interdisciplinary e-research, we urgently need
global
> networked collaboration in Media Art research.
> Such an international structure/alliance needs the actively supported
> membership of media art organisations, archives and individuals. It
> should be supported with adequate funding and expertise from the
> existing networks of funding agencies, archives, online initiatives
and
> research institutions.
> b.) Supporting an International Association/Institution for Shared
Data
> We urgently need global networked collaboration in Media Art research
> across the aforementioned networks. We need as many bridges into
society
> as possible: archives, conferences, text repositories, collective
> database documentation, and preservation.
> This alliance will promote collaboration and advocate the
> sustainability, understanding and appreciation of media art heritage
by:
> ·      Recognizing and building upon existing knowledge and resources
> ·      Providing and fost> ·      Enabling the international research community to
> create/upload/access data to be shared.
> ·      Encouraging peer exchange and addressing the new challenges of
> Media Art
> ·      Developing scientific technologies for documentation and
> preservation of Media Art
> ·      Providing inspiration and resources for curators, artists,
> scholars, educators and audiences
> ·      Supporting the Media Art History network, its conference
series,
> text repositories and scientific publications
> ·      Promotion of new ways of understanding media art, science,
> technology and its histories
> Only when we develop systematic strategies to address these challenges
> will we be able to fulfill the task that digital culture and its
> research demands of us in the 21st Century.
> Signing Instructions
> Governments, universities, research institutions, researchers,
artists,
> academics, funding agencies, foundations, libraries, museums,
archives,
> learned societies and professional associations who share the vision
> expressed in this Declaration are invited to join the signatories that
> have already signed the Declaration.
> Chair. Prof. Dr. Sean CUBITT, Goldsmiths College, University of London
> Chair. Prof. Dr. Oliver GRAU, Image Science, Danube University Krems,
> Austria
> Chair. Prof. Dr. Ross HARLEY, COFA, University of New South Wales,
> Sydney, Australia
> Prof. Dr. Christiane PAUL,The New School, New York, USA
> Prof. Dr. Diana DOMINGUES, Universidade de Brasília, Brazil
> Prof. Lanfranco ACETI, Goldsmiths and Sabanci University, UK / Turkey
> Prof. Dr. Frieder NAKE, University of Bremen, Germany
> Prof. Dr. h.c. Peter WEIBEL, Chairman and CEO ZKM | Center for Art and
> Media Karlsruhe
> Prof. Dr. Roy ASCOTT, University of Plymouth, UK
> Sir Nicholas SEROTA : Director- Tate, London
> Dr. Martin WARNKE, Leuphana University, Germany
> Prof. Mike STUBBS, Director of FACT Liverpool, UK
> Benjamin WEIL, Artistic Director, LABORAL, Spain
> Dr. Andreas BROECKMANN, Director of the Leuphana Arts Program, Germany
> Chair. Prof. Jeffrey SHAW, City University Hong Kong School of
Creative
> Media
> Prof. Eduardo KAC, Arts Institute Chicago
> Prof. Dr. Christa SOMMERER, Professor for Interface Culture,
University
> of Art and Design Linz, Austria
> Prof. Dr. Laurent MIGNONNEAU, Professor for Interface Culture,
> University of Art and Design Linz, Austria
> Alex ADRIAANSENS – dir. V2_ Institute for the Unstable Media,
Rotterdam,
> Netherlands
> Prof. Dr. Horst BREDEKAMP, Institut fuer Kunst- und Bildgeschichte,
> Humboldt-Universität zu Berlin
> Howard BESSER, Professor / Director, Moving Image Archive and
> Preservation Program, NYU’s Tisch School of the Arts, Cinema Studies
> Department
> Vanina HOFMAN, PhD; Universitat Oberta de Catalunya, Founder of
> Taxonomedia, Spain / Argentina
> Ass. Prof. Ianina PRUDENKO, National Pedagogical Dragomanov
University,
> Kyiv, Ukraine.
> Prof. Dr. Anna Maria GUASCH, Universitat de Barcelona, Spain.
> Sara DIAMOND, President OCAD University, Toronto, Canada
> Prof. Dr. Barbara Maria STAFFORD, Georgia Institute of Technology,
> Atlanta, Ga.
> Darko FRITZ, freelance curator, researcher and artist, Croatia / NL
> Dr. Lisa GYE, Swinburne University, Melbourne, AU
> Assoc. Prof. Dr. Anna MUNSTER, National Institute for Experimental
Arts,
> Sydney, AU
> Dr. Stephen JONES, Stephen Jones & Associates P/L (Video
Conservation),
> Sydney, AU
> Dr. Andy WILLIAMSON, Digital Strategist and Commentator, UK
> Prof. Em.Vera FRENKEL, FRSC, Faculty of Fine Arts, York University
> Prof. Dr. Gilbertto PRADO, Visual Arts Departement, ECA/USP – Sao
Paulo
> University, Brazil.
> Winnie FU, Curator and Chairperson of Microwave International New
Media
> Arts Festival, Hong Kong
> Prof. Stephen PARTRIDGE, Duncan of Jordanstone College of Art and
> Design, University of Dundee, UK
> Prof. Dr. Paul THOMAS, COFA, University of New South Wales, Sydney,
> Australia
> Adj. Prof. Alessandro LUDOVICO, Academy of Art Ca> Dr. Vince DZIEKAN, Monash University, Melbourne, Australia
> Jon IPPOLITO, Associate Professor of New Media, Still Water lab, The
> University of Maine
> Prof. Dr. Darren TOFTS, Swinburne University, Melbourne Australia
> Prof. em. Itsuo SAKANE, Institute of Advanced Media Arts and Sciences,
> Tokyo, Japan
> Mitsuhiro TAKEMURA, Professor, Sapporo City University, Faculty of
> Design, Media Design Lab.
> Prof. Dr. Lev MANOVICH, University of California, San Diego, USA
> Prof. Dr. ZHANG Ga, The New School / Tsinghua University, US and China
> Dr. Michele BARKER, COFA, University of New South Wales, Sydney,
> Australia
> Prof. Pier Luigi CAPUCCI, NABA, Milan; NoemaLab, Italy
> Prof. Dr. Jin-Woo Lee, Ph.D., Chair Professor, Division of Humanities
> and Social Sciences, Pohang University of Science and Technology,
Korea
> Assoc. Prof. Nina CZEGLEDY, University of Toronto, Canada
> Prof. Paul Alsina GONZÁLEZ, Universitat Oberta de Catalunya, Spain
> Prof. Dr. Peter MATUSSEK, Chair for Media Aesthetics, University of
> Siegen, Germany
> Prof. Mikel ROTAECHE y GONZÁLEZ de Ubieta, Universidad Complutense de
> Madrid, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
> Dr. Nelson VERGARA, National University of Colombia, Bogota, Colombia
> Prof. Wolfgang MUENCH, Dean Faculty of Media Arts, LASALLE College of
> the Arts, Singapore
> Gabriela BALDOMÁ, Directora del Instituto de Investigación,
Conservación
> y Restauración de Arte Moderno y Contemporáneo, Argentina
> Prof. Dr. Ryszard W. KLUSZCZYNSKI, University of Lodz, Poland
> Dr. Raivo KELOMEES, Estonian Academy of Arts, Tallinn, Estonia
> Dr. Mike LEGGETT, Creativity & Cognition Studios, University of
> Technology, Sydney
> Prof. Dr. Anne-Marie DUGUET, University of Paris 1, France
> Paul BROWN, independent artist and writer; visiting professor, Centre
> for Computational Neuroscience and Robotics, University of Sussex, UK;
> Synapse artist-in-residence, Centre for Intelligent Systems Research,
> Deakin University, Geelong, Australia
> Prof. Dr. Will STRAW, Department of Art History and Communications
> Studies, McGill University, Canada.
> Steve DIETZ, President and Artistic Director of Northern Lights.mn,
USA
> Dmitry BULATOV, Curator at the National Center for Contemporary Arts,
> Kaliningrad branch, Russia
> Prof. Dr. Gunalan NADARAJAN, Maryland Institute College of Art (MICA),
> Baltimore, USA
> Ass. Prof. Maurice BENAYOUN, University Paris 8, France
> Prof. Dr. Cleomar ROCHA, Universidade Federal de Goiás, Goiânia,
Brasil
> Lynn HERSHMAN LEESON, Artist;  Professor Emeritus, University of
> California, Davis; Chair, Film Department, San Francisco Art Institute
> Prof. Dr. Akihiro KUBOTA, Tama Art University, Tokyo, Japan
> Andres BURBANO, PhD researcher at the University of California, Santa
> Barbara, USA
> Eric KLUITENBERG, Chief of Tactical Media Files, Chelsea College of
Art
> and Design, London
> Prof. Dr. Edward A. SHANKEN, University of Amsterdam, Netherlands
> Andreia MAGALHAES, PhD researcher at the Fine Arts Faculty, Porto,
> Portugal
> Prof. Dr. Felipe Cesar LONDOÑO, International Image Festival,
University
> of Caldas, Colombia.
> Prof. em. Frank POPPER, University of Paris VIII,Paris, France
> Ass. Prof. Dr. Caitlin FISHER, York University,Toronto, Canada
> Prof. Dr. habil Marion G. MÜLLER, Research Center Visual Communication
> and Expertise (VisComX), Jacobs University Bremen, Germany
> Prof. Dr. Timothy Conway MURRAY, Rose Goldsen Archiveof New Media Art,
> Cornell University, New York
> Prof. Dr. Douglas KAHN, National Institute for Experimental Arts,
> University of New South Wales, Sydney, Australia
> Ass. Prof. Dr. Baruch GOTTLIEB, transmediale, Germany
> Prof. Dr. Angel KALENBERG, Instituto Valenciano deArte Moderno (IVAM),
> Spain
> Rafael LOZANO-HEMMER B.Sc., Independent artist,Mexico, Madrid,
Montreal
> Predrag RISTIC, Gradina FM, Member (Macedonia, Balkans) – design of
> collaborative working practices and implementation of IT systems.
> Patrick LICHTY, Critical Artist and Theorist, Columbia College Chicago
> Dr. Lewis KAYE, Sound artist; instructor, Dept. of Communication
> Studies, Wilfrid Laurier University, Waterloo, Canada
> Maira Monteiro FROES, Prof. /Research Neuroscience, ArtSci Interface
> Federal University of Rio de Janeiro Brazil
> Ass. Prof. Dejan GRBA, University of the Arts / Faculty of Fine Arts
in
> Belgrade, Serbia
> Ass. Prof. Shane MECKLENBURGER, Art & Technology, The Ohio State
> University Dept of Art, Columbus, OH
> Dr. Martin E. ROSENBERG, Independent Scholar, Pittsburgh, PA USA
> Prof. Mariela CANTU, Researcher, Curator. Founder of Arca Video
> Argentino -On line Archive and Database of Argentinian Videoart-.
> Universidad de La Plata/Universidad del Cine/Instituto Universitario
> Nacional del Arte.
> Ass. Dir. Sherry Miller HOCKING, ExperiLaura BERAZADI, Executive
Director,
> InterAccess Electronic Media Arts
> Centre, Toronto, Canada
> Dr. Mikhail A. STEPANOV, Russian Institute for Cultural Research, St.
> Petersburg, Russia
> Dir. Helen SLOAN, SCAN, UK
> Dr. Jussi PARIKKA, Winchester School of Art/University of Southampton
> Jennifer Kanary NIKOLOVA, Artist, Researcher and Tutor Art and
Research
> Honours Programme Gerrit Rietveld Academie/University of Amsterdam
> Po-Wei WANG, Art Critic, Curator, Representative of the Digital Art
> Center, Taipei, Taiwan
> Dr. Clarissa RIBEIRO, Director of The Double Collective, researcher at
> ECA – USP / School of Communications and Arts, University of Sao
Paulo,
> Brazil
> Prof. Dr. Bong Keun Yoo, Institute of Media Art, Seoul, Korea
> Dr. Dmitry GALKIN, Institute for Arts and Culture, Tomsk State
> University, Russia
> Assoc. Prof. Bent FAUSING, Aesthetics and Visual Communications in
> Modern Media, University of Copenhagen, Director of the international
> research program: Sensoric Image Science, Denmark
> Dr. Suzana MILEVSKA, Art historian and Curator, Faculty of Fine Arts,
> Skopje
> Dr. Melentie PANDILOVSKI, Director, Video Pool Media Arts Centre,
> Winnipeg, Manitoba, Canada
> Nina SOSNA, Russian University for Humanities
> Dr. Karin WENZ, Director of studies MA Media Culture, Maastricht
> University
> Dr. Emmanuelle LOUBET, New Media artist, sound creator, programmer and
> web developer, researcher, Canada / Japan
> Dr. Mathias FUCHS, University Potsdam/ Germany and University of
Salford
> , UK
> Dr. Annette FINNSDOTTIR, Design & E-Concept Developing at Zibat,
Campus
> Køge bei Køge Business School, Kopenhagen, Denmark
> Univ.Prof.Dr.phil.habil. Ramón Reichert, Professor for New Media,
> Institute for Theater-, Film- und Media Studies, University of Vienna
> Dr. Rudolf FRIELING, Curator of Media Arts, San Francisco Museum of
> Modern Art
> Dr. Kathy CLELAND, Director of the Digital Cultures Program, the
> University of Sydney, Australia
> PD Dr. Lutz MUSNER, IFK Internationales Forschungszentrum
> Kulturwissenschaften an der Kunstuniversität Linz
> Prof. Dr. Bernhard SEREXHE, Chief Curator ZKM | Media Museum,
Karlsruhe,
> Germany
> Lidia STARODUBTSEVA, Director of the Center of Media Communications
and
> Visual Studies, V.N.Karazin National University, Ukraine
> Prof. Dr. Birte KLEINE-BENNE, Ludwig Maximilians University Munich,
> Germany
> Lynn Hershman LEESON, Artist/Filmmaker Professor Emeritus U.C. David,
> Visiting Artist New School for Social Engagement.
> Jennifer Kanary NIKOLOVA, Artist, Researcher and Tutor Art and
Research
> Honours Programme Gerrit Rietveld Academie/University of Amsterdam
> Po-Wei WANG, Art Critic, Curator, Representative of the Digital Art
> Center, Taipei, Taiwan
>
> Dr. Clarissa RIBEIRO, Director of The Double Collective, researcher at
> ECA – USP / School of Communications and Arts, University of Sao
Paulo,
> Brazil
> Dr. Dmitry GALKIN, Institute for Arts and Culture, Tomsk State
> University, Russia
> Assoc. Prof. Bent FAUSING, Aesthetics and Visual Communications in
> Modern Media, University of Copenhagen, Director of the international
> research program: Sensoric Image Science, Denmark
> Dr. Suzana MILEVSKA, Art historian and Curator, Faculty of Fine Arts,
> Skopje
> Dr. Melentie PAND> Nina SOSNA, Russian University for Humanities
> Dr. Karin WENZ, Director of studies MA Media Culture, Maastricht
> University
> Dr. Emmanuelle LOUBET, New Media artist, sound creator, programmer and
> web developer, researcher, Canada / Japan
> Dr. Annette FINNSDOTTIR, Design & E-Concept Developing at Zibat,
Campus
> Køge bei Køge Business School, Kopenhagen, Denmark
> Prof. Raquel HERRERA, freelance new media teacher, researcher and
> translator, IDEC-Universitat Pompeu Fabra, Spain
> Prof. Mario COSTA, Director, ARTMEDIA c / o University of
Salerno-Italy,
> Italy
> Ed TANNENBAUM, Independent media Arstist, Crockett, US
> Karin KAROUSSOS, PhD Researcher and Independent Artist,Athens School
of
> Fine Arts, Greek
> Natale CUCINIELLO, Media Artist – Torre del Greco, 1946, Italy
> Dr. Michael HOHL, Faculty of Art and Design, Bauhaus University Weimar
> Dr. Chris MEIGH-ANDREWS, The Electronic & Digital Art Unit (EDAU) ,
> School of Art, Design & Performance, University of Central Lancashire,
> Preston, UK
> Dragana ZAREVSKA, Visual and performing arts practitioner and
> researcher, Macedonia
> Dr. Vince BRIFFA, Head of Department of Digital Arts, University of
> Malta
> Gudrun BIELZ, Artist, visiting artist at the Royal Academy of Arts,
> London and PhD student at the University of Reading, UK.
> Jens H. STRECK, computer scientist, University of Sussex, UK
> Marisa OLSON, Artist, State University of New York, Purchase College
> Prof. Simone MICHELIN, Coordinator Visual Arts/Sculpture, School of
Fine
> Arts, Federal University of Rio de Janeiro
> Margit ROSEN, ZKM | Center for Art and Media
> Dr. Daniel GIFILLAN, Arizona State University
> Simon TAYLOR, independent researcher, SquareWhiteWorld, New Zealand
> Dr Daniel PALMER, Senior Lecturer, Faculty of Art & Design, Monash
> University
> Prof. Thierry BARDINI, Université de Montréal
> Stephen KOVATS, Initiator / Director, McLuhan in Europe 2011 Network
> Reidar WASENIUS, Personal Brainer at BRIIM Center, Helsinki, Finland
> Andreas TRESKE, Lecturer, Izmir University of Economics, Izmir/Turkey
> Prof. Dr. Atau Tanaka, Director, Culture Lab Newcastle, Visiting
Fellow,
> Goldsmiths Digital Studios
> Bani BRUSADIN, director of The Influencers festival, collaborator of
> Center of Contemporary Culture of Barcelona, professor at Elisava –
> Barcelona, Spain
> Garrett LYNCH, new media artist, University of Glamorgan, Wales
> Prof. Monika FLEISCHMANN, Research Artist & Scientist, Fraunhofer
> Research, Germany
> Wolfgang STRAUSS, Research Artist & Scientist, Fraunhofer Research,
> Germany
> Slavko KACUNKO, Professor for Kunsthistorie og Visuel Kultur, Institut
> for Kunst- og Kulturvidenskab
> Virginia PANIAGUA, artist and PhD researcher, Universidad de Castilla
La
> Mancha, Spain
> Jonathan MUNRO, Artist, curator and co-director TINT, MFA student at
> Goldsmiths, London
> Piotr KRAJEWSKI, President and Chief Curator, WRO Art Center, Poland
> Duda VALLE, artist , Rio de Janeiro, Brasil
> Rika OHARA, Artist/filmmaker, Bluefat Magazine, Los Angeles, USA
> Anna MAJ, Ph.D., researcher and curator, University of Silesia,
> Katowice, Poland
> Michał Derda-NOWAKOWSKI, Ph.D., researcher and curator, University of
> Lodz, Poland
> Rafael FAJARDO, Associate Professor Emergent Digital Practices
> University of Denver
> Conrad GLEBER, PhD Professor & Director Digital Arts & Multimedia
> Design, La Salle University, Philadelphia
> Professor Gail RUBINI, Professor of Art and Design, Director of the
BFA
> Program in Design, Florida State University, Tallhassee, Florida, USA
> Samuel RACINE, artist.
> Lene DENHART, Art historian, independent researcher, Copenhagen,
Denmark
> Celka STRAUGHN, PhD, Spencer Museum of Art, University of Kansas,
> Sachiko HAYASHI, Independent Artist, Curator, Editor for online
journal
> Hz‑Journal, Founder of DIAN‑network, Sweden
> Dr. Daniela REIMANN, Karlsruhe Institute of Technology (KIT)
> Peter S BRIGGS, PhD, Graduate Faculty, Center for Advanced Study of
> Museum Sc> Cathy BRICKWOOD, Programme Manager, Virtueel Platform, NL
> Dr. Gianluca MURA, Politecnico di Milano University,Italy
> Rosemary O’NEILL, Ph.D. Associate Professor of Art History, Parsons
The
> New School for Design
> Gabriel VANEGAS, Botaniq.org – Conservation of experiences with media
> art. Bogotá-Colombia
> Kate Nearpass OGDEN, Associate Professor of Art History, The Richard
> Stockton College of New Jersey
> Rita SÁ, Artist, PhD student at the Faculty of Engineering of the
> University of Oporto (FEUP), Portugal
> Jo Ana Morfin GUERRERO (mexico), PhD researcher Bristol University
> Michael DIETER, Lecturer Media Studies, The University of Amsterdam
> Laura BENECH, artist, Argentina
> Jennifer CHAN, Artist/curator/researcher, MFA Syracuse University,
> Department of Transmedia, specializing Art Video, USA .
> Denisa KERA, Ph.D, Assistant Professor , Communications &Programme,
> Science Technology Society Research Cluster, National
> University in Singapore
> Lars GUSTAF, Lund University, Lund Sweden
> Gorica ORSHOLITS, European Graduate School
> Grégoire ZABÉ, Nobox-lab > Digital media artist, ESAD Strasbourg / Art
> and Design
> Nathalie MAGNAN, Ecole Nationale Supérieure d’Art de Bourges, France
> Derrick GISCLOUX, independant artist and director at CreArtCom Studio,
> Lyon, France
> Dr. Ximena ALARCÓ, CRiSAP, University of the Arts London
> Michelle MENZIES, University of Chicago
> Lello MASUCCI, Direttore Artistico dell’Atelier Multimediale, Project
> Leader di OLE Officina di Letteratura Elettronica
> Prof Barbara GLOWCZEWSKI, Directrice de recherche (Professorial
> researcher) at the Laboratoire d’Anthropologie Sociale
> (CNRS/EHESS/Collège de France)
> Margarita PAKSA, Professor, University of Buenos Aires, Argentina
> PerMagnus LINDBORG, composer | BA Oslo Cursus Ircam DEA Paris‑4,
> assistant professor | School of Art, Design and Media, Nanyang
> Technological University
> Vladimir TODOROVIC (Assistant Professor) | Interactive Media | School
of
> Art, Design & Media, Nanyang Technological University, Singapore
> Fabián RIOS, media artist – multimedia developer.
> Judith NOTHNAGEL, Independent artist and Founder Globalscreen.org
> Ricard GRAS, Digital Media Producer
> Rejane CANTONI, Catholic University of São Paulo, Brazil
> Leonardo CRESCENTI, independent artist, São Paulo, Brazil
> Marco DONNARUMMA, Researcher at SLE, The University of Edinburgh, UK
> Alejandro TAMAYO, Interdisciplinary artist and researcher. Bogotá,
> Colombia
> Suzette WORDEN, Independent Researcher and Historian, Perth, Western
> Australia
> Dr. Wolfgang SCHNEIDER, Gesellschaft für Elektronische Kunst
> Gladbeck/Köln, Germany
> Ass. Prof. Dr. Kris PAULSEN, History of Art, The Ohio State
University,
> Columbus, OH
> Kellie MORGAN, Data Coordinator and New Media Specialist, Brooklyn
> Museum; and Index Festival Co-organizer
> Hanna HÖLLING, researcher and conservator for contemporary art and new
> media, University of Amsterdam
> Alison FRAUNHAR, PhD, Associate Professor, Department of Art and
Design,
> Saint Xavier University, Chicago
> Dr. Stefanie LUCCI, art critic, curator, Duesseldorf, Germany
> Dr. Dagmar A. RIEDEL, Center for Iranian Studies, Columbia University
> Heike HELFERT, Akademie Schloss Solitude, Germany
> Andreas TENPLIN, visual artist, Berlin
> Vanessa Ramos-VELASQUEZ, Interdisciplinary Artist, Flusser Award
> Distinction (VFTA) at Transmediale.11 | Independent Researcher:
> Flusser_Archiv, Universität der Künste, Berlin.
> Erwin LIEDKE [boardmember] artLABOR e.v. for communication of
> contemporary art, zur kommunikation zeitgenoessischer kunst
> Ana CARVALHO, visual artist and independent researcher, Porto,
Portugal
> Paul FEIGELFELD, MA, Humboldt-Universität zu Berlin, Institut für
> Musikwissenschaft und Medienwissenschaft
> Gabriel HUBMANN, Cofounder of the project Studierendengespräche and
> student of art history, Vienna, Austria
> Dubravka Duba SAMBOLEC, Artist & Prof. of Fine Art, Academy of fine
A> Jasmin FARAND, Consultant/Researcher, Communication-research-creation,
> Gatineau, QC.
> Uršula BERLOT, Assistant ProfeSsor at the Academy of Fine Arts and
> Design, University of Ljubljana
> Dr. Bruno LESSARD, Assistant Professor, School of Image Arts, Ryerson
> University, Toronto
> Jan MARONTATE Ph.D., Associate Professor, School of Communication,
Simon
> Fraser University, Canada
> Rachael ARRIGHI, Interdisciplinary Critical Theory (Science,
Technology
> & The Humanites and Media Studies), Writer
> Brigitte NEUFELDT, fine arist, media artist, master of art, curator,
> Germany
> Enrico TOMASELLI, Magmart Festival Art Director
> Mechthild SCHMIDT, faculty Digital Communications and Media (DCoM),
New
> York University, USA
> Prof. Dr. Mónica Benítez DÁVILA, Chief of Art and Humanities
Department,
> Universidad Autónoma Metropolitana- Lerma. México
> Paul HERTZ, School of the Art Institute of Chicago
> Martha ROSLER, Professor II of Art, Mason Gross School of the Arts,
> Rutgers University, NJ
> Aprille Best GLOVER, visual artist, France
> Horea AVRAM, PhD candidate and independent curator, Art History and
> Communication Studies, McGill University, Montreal
> Eva FORGACS, Art Center College of Design, Pasadena, California
> Neil JENKINS. Artist and curator. Sydney, Australia
> Mechthild SCHMIDT,Digital Communications and Media (DCoM), New York
> University
> Prof. Cedomir VASIC, University of Arts, Belgrade, Serbia
> Prof. Dr. Joseph NECHVATAL, MFACA School of Visual Arts (SVA), New
York
> M. Gökhan ASLAN, MA, Research Assistant, Dogus University, Editor,
KULT
> cultural studies journal
> Julian STALLABRASS, Professor, Courtauld Institute of Art
> Wolf LIESER, director, DAM Projects GmbH, Germany
> Madelon HOOYKAAS, media artist, advisor, lectures/workshops on
> intermedia arts in Europe and North America, founder of the Salon
> InterMission, Amsterdam, The Netherlands
> Dr. Beat SUTER, Lecturer Game Design, University of the Arts Zurich,
> Switzerland
> Prof. Johannes BIRRINGER, Chair in Drama and Performance Technologies,
> Brunel University, London
> Lonce WYSE, Associate Professor, Communications and New Media,
Director,
> IDMI Arts and Creativity Lab, National University of Singapore
> Dr. Andréia Machado OLIVEIRA, Prof. Graduate Program of Visual Arts,
> Chair of ICT in Education, Universidade Federal de Santa Maria/UFSM –
> Brasil
> Dr. Jie WU, Associate professor and Representative of Digital Media
> Design, College of Design & Innovation, Tongji University, Shanghai
> Grethe MITCHELL, Reader in DIgital and New Media, Lincoln School of
> Media, University of Lincoln.
> Elke GRUHN, Nassauischer Kunstverein Wiesbaden, Germany
> Dr. Katharina GSOELLPOINTNER, Institute of Systemic Media Research,
> Vienna, Austria
> Ian CLOTHIER, Electronic artist, Executive Director, Intercreate
> Research Centre/WITT Aotearoa New Zealand
> Morten SØNDERGAARD, AAU cph, Denmark
> José‑Carlos MARAIÁTEGUI, MSc.  Director, Alta Tecnología Andina /
> Escuelab.org (Lima, Perú) / Researcher, Informations Systems and
> Innovation Group, London School of Economics and Political Science,
> (London, UK)
> Sebastian SPRENGER, M.A., media scientist/art historian, Karlsruhe
> University of Arts and Design
> Prof. Dr. Charlotte KLOCK, Institut für Kunst- und Bildgeschichte,
> Institute of Art and Visual History; Humboldt-Universität zu Berlin
> Somaya LANGLEY, Digital Preservation Specialist, National Library of
> Australia
> Reiner STRASSER, Artist, Germany
> Dr Brigitta ZICS, Director of Digital Media, Culture Lab, King’s Walk,
> Newcastle University, UK
> Prof Lorenzo TAITUI, Art & Media Architectural Faculty Rome Italy
> Florian WIENCEK, Research Center “Visual Communication and Expertise”,
> Jacobs University Bremen
> Dr. Dr. Lino García Morales, Universidad Politécnica de Madrid, Spain
> Jennifer A. GONZALEZ, Associate Professor, University of California,
> Santa Cruz
> Peter KRAPP, Professor, Film & Media/Visual Studies, English> Informatics, University of California, Irvine
> Prof. dr. Janez STREHOVIEC, Elmcip Principal Investigator, Uni. of
> Ljubljana, Slovenia
> Theresa SCHUBERT-MINSKI, PhD researcher / Ars Electronica Archive,
Linz,
> Austria
> Ekmel ERTAN, Artistic Director of amberPlatform / BIS
> Prof. Dr. Christopher SALTER, Director Hexagram Concordia/Design
> +Computation Arts, Concordia University, Montreal
> Peter RICHARDSON Director Visual effects Research Lab Duncan of
> Jordanstone College Of Art and Design, University of Dundee, Scotland
> Helen GRACE; National Central University. Jhongli, Taiwan; Founding
> Director, MA Programme in Visual Culture Studies, Chinese University
of
> Hong Kong
> Ewa WÓJTOWICZ, PhD, University of Arts in Poznan, Poland
> Annie WAN, Ph.D., Center for Digital Arts and Experimental Media,
> University of Washington, Seattle
> Daniel López del RINCÓN, PhD student, University of Barcelona
> Caroline YEAGER. Assistant Curator, Motion Picture Department, George
> Eastman House
> Pavel SEDLAK, CIANT | International Centre for Art  and New
> Technologies, Prague, Czech Republic
> Andrej BOLESLAVSKY, CIANT | International Centre for Art  and New
> Technologies, Prague, Czech Republic
> Natalia FONT, PhD candidate University of Exeter/Uruguay
> Dušan BAROK, artist/writer, Rotterdam, The Netherlands
> Maria RISKOVA, researcher, Academy of Fine Arts and Design, Bratislava
> Noam KNOLLER, MA, MFA, Lecturer; PhD candidate, Dept. of Media Studies
> and the Interface Studies Group,University of Amsterdam
> Professor Don RITTER, Interactive; Multimedia Design, Hanyang
> University, Seoul, South Korea
> Lic. Diana ZUIK – IUNA – Argentine
> Mag.ª Eva FISHER, artistic director /founder, sound:frame / Festival
for
> audeio:visual expressions
> Richard LOWENBERG, Director of RADLab, 1st‑Mile Institute and SARC
> (Scientists/Artists Research Collaborations)
> Tiffany Elena WASHINGTON, Case Western Reserve University, Cleveland,
> Ohio
> Dr. Milena DOBREVA, Senior Lecturer in Library, Information and
Archive
> Studies, Faculty of Media and Knowledge Sciences, University of Malta
> Dr. Birgit LÖFFLER, Director, DASMAXIMUM, KunstGegenwart
> Prof. Dr. Hans DICKEL, University of Erlangen‑Nuernberg, Germany
> Claudia MATTOS, University of Campinas, Brazil.
> Assoc. prof. Marjeta CIGLENECKI, PhD, University of Maribor, Slovenia
> Iván RUIZ, Full-time researcher. Programa de Semiótica y Estudios de
la
> Significación. Benemérita Universidad Autónoma de Puebla, México
> Christine PREUß, artist, AdBK Nürnberg
> Sylvester Okwunodu OGBECHIE, Ph.D., Associate Professor of Art
History,
> UCSB
> Dr. Victoria H.F. SCOTT, Instructor of Art History, Emory University
> Marcia VAITSMAN, artist, Sao Paulo and Atlanta
> Stephanie SANTIAGO, student, Puerto Rico
> Dr. Arnulf von ULMANN, former Head of the Institute of Art Technology
> and Conservation, Germanisches Nationalmuseum Nürnberg
> Prof. Dr. Claire L. KOVACS; Canisius College, Buffalo, NY
> Dr. Paz TORNERO, Art, Science and Technology Studies. Complutense
> University of Madrid. Spain
> SOFIA KATOPI, PhD candidate in History of Art at the University of
> Crete, Greece
> Gabriela GALATI, PhD Researcher, University of Plymouth‑Planetary
> Collegium/M‑Node, Milan, Italy
> Prof. Dr. Gustavo D. FISCHER, Unisinos Communications Graduate
Program,
> Unidade de Graduação
> Dr Toni SANT, Director of Research, School of Arts & New Media,
> University of Hull – Scarborough Campus, UK
> Professor Simon BIGGS, Edinburgh College of Art, University of
Edinburgh
> Prof. Dr. Gunnar HEYDENREICH, Cologne Institute of Conservation
Sciences
> / Cologne University of Applied Sciences
> Mona JIMENEZ, Associate Arts Professor/Associate Director, Moving
Image
> Archiving and Preservation Program, New York University
> Yves BERNARD, Director, iMAL (Center for Digital Cultures and
> Technology), Brussels
> Prof. Dr. Jack STENNER,  Art + Technology, School of Art + Art
History,
> University of Florida, Gainesville, FL, USA
> Dr Conor MCGARRIGLE, Assistant Professor, Emergent Digital Practices,
> University of Denver, Colorado, USA
> Per PLATOU, Artist/Curator, Director for PNEK, Oslo, Norway
> Johannes BIRRINGER; director, Interaktionslabor; Director, Center for
> Contemporary and Digital Performance
> School of Arts, Brunel University
> Dr. Su BALLARD, Senior Lecturer Art History University of Wollongong,
> Australia, and Co-Director of the Aotearoa Digital Arts Network, New
> Zealand
> Pamela Seymour Smith SHARP, Director, Estate of Willoughby Sharp
> Profa. Dra. Giselle BEIGUELMAN, Depto. de História da Arquitetura e
> Estética do Projeto, Faculdade de Arquitetura e Urbanismo,
> Universidade de São Paulo
> Jane de ALMEIDA, professor –  Graduate Program of Art, Education and
> History of Culture at Mackenzie University (SÃO PAulo – Brazil)
> Maciej OZOG, Ph.D., sound artist, researcher and curator, University 
of
> Lodz, Poland
> Paul GREEN, Senior Lecturer, Media Communications., CCAD, Cork
Institute
> of Technology
> Brett AGGERSBERG, New Media Lecturer, University of Wales Trinity
Saint
> David, UK
> Yasmeen BAIG-CLIFFORD, Director, Vivid Projects Ltd
> Simona LODI, artistic director of Share Festival in Turin
> Prof. Dr. Miklós PETERNÁK, Director, C3 Center for Culture and
> Communication, Budapest, Hungary
> Reader. Mr Jon THOMSON (artist: Thomson & Craighead), The Slade School
> of Fine Art, University College London
> Per PLATOU, Artist/Curator, DirProf. Johannes BIRRINGER, Director,
Center
> for Contemporary and Digital
> Performance
> School of Arts, Brunel University
> Dr. Su BALLARD, Senior Lecturer Art History University of Wollongong,
> Australia, and Co-Director of the Aotearoa Digital Arts Network, New
> Zealand
> Pamela Seymour Smith SHARP, Director, Estate of Willoughby Sharp
> Profa. Dra. Giselle BEIGUELMAN, Depto. de História da Arquitetura e
> Estética do Projeto, Faculdade de Arquitetura e Urbanismo,
> Universidade de São Paulo
> Prof. Jane de ALMEIDA, Graduate Program of Art, Education and History
of
> Culture at Mackenzie University, SÃO PAulo, Brazil
> Maciej OZOG, Ph.D., sound artist, researcher and curator, University
of
> Lodz, Poland
> Paul GREEN, Senior Lecturer, Media Communications, CCAD, Cork
Institute
> of Technology, Ireland
> Yasmeen BAIG-CLIFFORD, Director, Vivid Projects Ltd
> Brett AGGERSBERG, New Media Lecturer, University of Wales Trinity
Saint
> David, UK
> Simona LODI, artistic director of Share Festival in Turin
> Prof. Dr. Miklós PETERNÁK, Director, C3 Center for Culture and
> Communication, Budapest, Hungary
> Tina BASTAJIAN, media-artist, Lecturer Webster University, Leiden –
PhD
> Researcher University of Amsterdam
> Eleanor KENT, visual artist using computers, curating high tech art,
> past president of Ylem: Artists Using Science and Technology, leading
> forums
> Allan SIEGEL, Hungarian University of Fine Arts, Intermedia Department
> Detlef HASTIK, board member MEGA – Museum of Electronic Games & Art
e.V.
> Gabriela Previdello ORTH, researcher in Digital Art Documentation,
> FILE-Electronic Language International Festival archive coordinator
> Canan HASTIK, M.Eng., IKuM, Institut für Kommunikation und Medien,
> Hochschule Darmstadt
> Yolande KOLSTEE, Head of AR Lab and Researcher Innovative
Visualisation
> Techniques, Royal Academy of Art, The Hague, The Netherlands
> Winnie SOON, PhD candidate; School of Arts & New Media, University of
> Hull, United Kingdom
> Ass. Prof. Dr. Laura BELOFF, IT-University Copenhagen, DK.
> Erich BERGER, The Finnish Society of Bioart
> Perttu RASTAS, Finnish National Gallery
> Rajashree BISWAL iswal, Ph.D. Research Scholar (Visual Studies),
School
> of Arts and Aesthetics, Jawaharlal Nehru University (JNU), New Delhi,
> India
> Dr. Takis ZOURNTOS, Engineer/Artist, OCAD University, Toronto, Canada
> Dr. James WERNER, Assistant Professor of Visual and Media Arts,
Program
> Coordinator for New Media Arts , Southern Polytechnic State University
> Asoc.prof. Dr Rasa SMITE, RIXC, The Center for New Media Culture,
Riga,
> and> Ass.prof. Raitis SMITS, RIXC, The Center for New Media Culture, Riga,
> and PhD candidate at Latvian Academy of Arts, Riga, Latvia
> Victoria SZABO, Assistant Research Professor, Visual and Media
Studies,
> Duke University, Durham, NC, USA
> Ksenia FEDEROVA, University of California Davis, Ural Federal
University
> (Russia)
> Dr. Damien CHARRIERAS, Assistant Professor, School of Creative Media,
> City University of Hong Kong
> Marc GARRETT, Co-founder and Co-director of Furtherfield.org
> Jay NEEDHAM, MFA, Associate Professor-Radio and Audio Production,
> Department of Radio,Television and Digital Media, College of Mass
> Communication and Media Arts, Southern Illinois University, President
> Gívan BELÀ (fka Guy Van Belle), artist, art director okno (be), worker
> kravín hranice (cz)
> Dragana LUCIK, Independent Art Researcher
> Natalia FUCHS, Interdisciplinary Projects Curator, Polytechnic Museum,
> Moscow, Russia
> Catherine BEAUGRAND, artist, director of DatAData, ENSBA Lyon
> Sue GOLLIFER, Director ISEA International Head Quarters, University of
> Brighton, UK
> Dr.Gianluca MURA, Politecnico di Milano,Italy, Arts&Design Virtual
> Worlds, IJACDT Journal, OMA
> Prof Paul CATANESE; Interdisciplinary Arts & Media MFA Program
Director,
> Columbia College Chicago
> Barbara LATTANZI, Associate Professor of Interactive Arts, School of
Art
> and Design
> NYSCC at Alfred University, New York
> Eva SJUVE, independent media artist, Sweden
> Angela FERRAIOLO, Assistant Professor of PlayaVisual Arts, Sarah
Lawrence
> College
> Ashok MISTRY, Artist
> Dr Karen GASKILL, Independent Curator, London, UK
> Ghislaine BODDINGTON, Creative Director, body>data>space / b>d>s,
> Research Associate Artist, ResCen Middlesex University
> José R. ALCALÀ, Catedrático de Universidad / New Media Art Professor.
> Universidad de Castilla-La Mancha, Spain
>



-- 
Nicholas O'Brien

Visiting Faculty | Gallery Director
Department of Digital Art, Pratt Institute
doubleunderscore.net

Top of Message | Previous Page | Permalink

JiscMail Tools


RSS Feeds and Sharing


Advanced Options


Archives

March 2024
February 2024
January 2024
December 2023
November 2023
October 2023
September 2023
August 2023
July 2023
June 2023
May 2023
April 2023
March 2023
February 2023
January 2023
December 2022
November 2022
October 2022
September 2022
August 2022
July 2022
June 2022
May 2022
April 2022
March 2022
February 2022
January 2022
December 2021
November 2021
October 2021
September 2021
August 2021
July 2021
June 2021
May 2021
April 2021
March 2021
February 2021
January 2021
December 2020
November 2020
October 2020
September 2020
August 2020
July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
January 2020
December 2019
November 2019
October 2019
September 2019
August 2019
July 2019
June 2019
May 2019
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
2006
2005
2004
2003
2002
2001


JiscMail is a Jisc service.

View our service policies at https://www.jiscmail.ac.uk/policyandsecurity/ and Jisc's privacy policy at https://www.jisc.ac.uk/website/privacy-notice

For help and support help@jisc.ac.uk

Secured by F-Secure Anti-Virus CataList Email List Search Powered by the LISTSERV Email List Manager