Apologies for cross posting
[cid:image002.jpg@01CF8176.8B849640]<http://www.combinedacademic.co.uk/37982-dominican-republic-reader.html>The Dominican Republic Reader<http://www.combinedacademic.co.uk/37982-dominican-republic-reader.html>
History, Culture, Politics
Edited by Eric Paul Roorda, Lauren H. Derby & Raymundo Gonzalez
"A splendid introduction to an often-misrepresented nation, tracing its history from the pre-Columbus era through the Trujillo dictatorship to the ever-increasing influence-demographic, musical, literary, and sporting-of contemporary Dominicans in U.S. life. An excellent choice of brief texts makes this an attractive reader for undergraduate courses on the Caribbean." - Richard Price, author of The Convict and the Colonel, Travels with Tooy, and Rainforest Warriors
"This is a unique reader that brings together essential historical documents with insightful essays and studies by a select group of outstanding scholars at the frontline of Dominican studies, a recent special field in contemporary Latin American studies. A very welcome arrival for college and graduate courses. Congratulations!" - Frank Moya Pons, author of The Dominican Republic: A National History
Despite its significance in the history of Spanish colonialism, the Dominican Republic is familiar to most outsiders through only a few elements of its past and culture. Non-Dominicans may be aware that the country shares the island of Hispaniola with Haiti and that it is where Christopher Columbus chose to build a colony. Some may know that the country produces talented baseball players and musicians; others that it is a prime destination for beach vacations. Little else about the Dominican Republic is common knowledge outside its borders. This Reader seeks to change that. It provides an introduction to the history, politics, and culture of the country from precolonial times into the early twenty-first century. Among the volume's 118 selections are essays, speeches, journalism, songs, poems, legal documents, testimonials, and short stories, as well as several interviews conducted especially for this Reader. Many of the selections have been translated into English for the first time. All of them are preceded by brief introductions written by the editors. The volume's eighty-five illustrations, ten of which appear in color, include maps, paintings, and photos of architecture, statues, famous figures, and Dominicans going about their everyday lives.
Eric Paul Roorda is Professor of History at Bellarmine University in Louisville, Kentucky. He is the author of The Dictator Next Door: The Good Neighbor Policy and the Trujillo Regime in the Dominican Republic, 1930-1945, published by Duke University Press.
Lauren Derby is Associate Professor of History at the University of California, Los Angeles. She is the author of The Dictator's Seduction: Politics and the Popular Imagination in the Era of Trujillo, also published by Duke University Press.
Raymundo González is a researcher at the Dominican National Archives and Social Science Coordinator for the Dominican Ministry of Education. He teaches at the Universidad Iberoamericana and the Instituto Filosófico Pedro Francisco Bonó, both in Santo Domingo.
Duke University Press
Series: The Latin American Readers
June 2014 pp 85 illustrations, including 10 in colour 9780822357001 PB £18.99 now only £14.24 when you quote CS0614LATM<http://www.combinedacademic.co.uk/37982-dominican-republic-reader.html> when you order
[cid:image004.jpg@01CF8176.8B849640]<http://www.combinedacademic.co.uk/38090-imagined-globalization.html>Imagined Globalization<http://www.combinedacademic.co.uk/38090-imagined-globalization.html>
Néstor Gárcia Canclini
Translated by George Yúdice
"Humanists and social scientists in the United States have found Néstor García Canclini's work indispensable since his book Hybrid Cultures became available in English. Since then, García Canclini has continued to produce books of great importance. Imagined Globalization stands out because it argues for new categories to study Latin American national development under the pressures of globalization."-Román de la Campa, author of Latin Americanism
"Making Néstor García Canclini's Imagined Globalization available to English-speaking readers is a major contribution to debates about globalization. Garcia Canclini's thinking on questions of modernity and globalization has been foundational in Latin American studies, 'American' studies, and global studies, and it is inconceivable to work in these fields without referencing his work."-Diana Taylor, author of The Archive and the Repertoire: Performing Cultural Memory in the Americas
A leading figure in cultural studies worldwide, Néstor García Canclini is a Latin American thinker who has consistently sought to understand the impact of globalization on the relations between Latin America, Europe, and the United States, and among Latin American countries. In this book, newly available in English, he considers how globalization is imagined by artists, academics, migrants, and entrepreneurs, all of whom traverse boundaries and, at times, engage in conflicted or negotiated multicultural interactions. García Canclini contrasts the imaginaries of previous migrants to the Americas with those who live in transnational circuits today. He integrates metaphor and narrative, working through philosophical, anthropological, and socioeconomically grounded interpretations of art, literature, crafts, media, and other forms of expression toward his conclusion that globalization is, in important ways, a collection of heterogeneous narratives. García Canclini advocates global imaginaries that generate new strategies for dealing with contingency and produce new forms of citizenship oriented toward multiple social configurations rather than homogenization. This edition of Imagined Globalization includes a significant new introduction by George Yúdice and an interview in which the cultural theorist Toby Miller and García Canclini touch on events including the Arab Spring and Occupy Wall Street.
Néstor García Canclini is Distinguished Professor of Anthropology at the Universidad Autónoma Metropolitana in Mexico City. Born in Argentina, he has lived in Mexico for many years. He is an anthropologist and cultural critic originally trained as a philosopher. Among the many books that he has written, those available in English are Hybrid Cultures: Strategies for Entering and Leaving Modernity, Consumers and Citizens: Globalization and Multicultural Conflict, Transforming Modernity: Popular Culture in Mexico, and Art beyond Itself: Anthropology for a Society without a Story Line, which is published by Duke University Press.
Duke University Press
Series: Latin America in Translation
May 2014 288pp 14 colour illustrations 9780822354734 PB £15.99 now only £11.99 when you quote CS0614LATM<http://www.combinedacademic.co.uk/38090-imagined-globalization.html> when you order
[cid:image006.jpg@01CF8176.8B849640]<http://www.combinedacademic.co.uk/38118-thirteen-ways-of-looking-at-latino-art.html>Thirteen Ways of Looking at Latino Art<http://www.combinedacademic.co.uk/38118-thirteen-ways-of-looking-at-latino-art.html>
Ilan Stavans & Jorge J. E. Gracia
"Thirteen Ways of Looking at Latino Art is extraordinary, at once global in vision and particular in approach. It teaches an enormous amount about history, art history, art (practice and theory), and metaphysics-all with tremendous rigor, ease, and playfulness. If only all intellectual works were such."-Frederick Luis Aldama, author of Why the Humanities Matter
"In these freewheeling conversations, Ilan Stavans and Jorge J. E. Gracia cover key background for defining Latino art, including ethnicity, immigration, identity, assimilation, community, and language. The writers' two distinct personalities keep their discussions lively and surprising. A special contribution of this book is to highlight artists whose works the reader may not already know. The authors offer insights into the thirteen works they discuss in detail, drawing upon a myriad of art historical and literary allusions in a conversation that is often erudite but never dull."-Cynthia Freeland, author of Portraits and Persons
The essayist and cultural commentator Ilan Stavans and the analytic philosopher Jorge J. E. Gracia share long-standing interests in the intersection of art and ideas. Here they take thirteen pieces of Latino art, each reproduced in color, as occasions for thematic discussions. Whether the work at the center of a particular conversation is a triptych created by the brothers Einar and Jamex de la Torre, Andres Serrano's controversial Piss Christ, a mural by the graffiti artist BEAR_TCK, or Above All Things, a photograph by María Magdalena Campos-Pons, Stavans and Gracia's exchanges inevitably open out to literature, history, ethics, politics, religion, and visual culture more broadly. Autobiographical details pepper Stavans and Gracia's conversations, as one or the other tells what he finds meaningful in a given work. Sparkling with insight, their exchanges allow the reader to eavesdrop on two celebrated intellectuals-worldly, erudite, and unafraid to disagree-as they reflect on the pleasures of seeing.
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College. He has written, edited, and translated many books, including Spanglish: The Making of a New American Language, The Poetry of Pablo Neruda, and The Norton Anthology of Latino Literature.
Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguished Professor of Philosophy and Comparative Literature at the State University of New York at Buffalo. His many books include Painting Borges: Philosophy Interpreting Art Interpreting Literature, Images of Thought: Philosophical Interpretations of Carlos Estévez's Art, and Latinos in America: Philosophy and Social Identity.
Duke University Press
March 2014 240pp 13 colour illustrations 9780822356349 PB £14.99 now only £11.24 when you quote CS0614LATM<http://www.combinedacademic.co.uk/38118-thirteen-ways-of-looking-at-latino-art.html> when you order
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