Hi List & Laura,
This is a wonderful compilation of links. A very lively presentation
of the parameters of our subject topic.
I especially like doing live coding workshops, hacking sessions,
patching circles etc..
Those tend to have a lot of creative energy. They are also non-
capitalistic endeavors which are somewhat similar to Hakim Bey's idea
of a temporary autonomous zone.
I image you can categorize these as performing code. Whenever I've
done a workshop or coding circle, it's felt like a performance.
Thanks for opening up the discourse with such an array of topics!
On Mar 18, 2014, at 6:41 AM, Laura Plana Gracia wrote:
>
>
> hello list. here some notes about live coding and research about code
>
>
> thomas dreher - conceptual art and software art
> http://iasl.uni-muenchen.de/links/NAKSe.html
>
> conceptual art - is a reference for live coding because operates
> using instructions. art&language.
>
> inke arns - code as executable text
>
> http://www.medienkunstnetz.de/themes/generative-tools/read_me/print/
>
>
> wittgenstein - was professor on philoshy and maths. among his
> student allan turing. i use wittgenstein to underline the relations
> among language - philosophy - logic - maths - computer science.
> http://www.turing.org.uk/publications/ex4.html
>
> john cage - received influences from orienal philosophy, i-ching,
> he wrote music of changes, and develop first software.art: http://
> www.anarchicharmony.org/People/Culver/CagePrograms.html
>
>
> live.coding performance:
> - innovation tool for change, implying movement, non-objecthood
> - indispensable for media literacy, pedagogy of code, or new
> learning methodologies
>
> mcluhan, the medium is the message.
>
> roger malina, SEAD, network of science, engineering, arts and
> design, states how important is to link art, science, technology.
> live coding facilitates this structures.
> http://sead.viz.tamu.edu/projects/research.html
>
>
> steve dietz, in content - form - immaterial, states how curatorial
> practice is about translation and how translation is about
> decoding / coding, here is an explanation about performativity of
> code, interpretation, dynamics, etc....
> http://cont3xt.net/blog/?p=4750
>
> http://cont3xt.net/blog/?p=4750
>
> claude hallen, artist. explaning the sequence from maths to code
> http://mathr.co.uk/blog/livecode.html
>
> http://mathr.co.uk/blog/2011-12-31_the_sky_cracked_open.html
>
>
> language code text furtherfield
> http://www.furtherfield.org/blog/laure-les-aus/language-code-
> determination-indeterminacy-analogue-and-digital-systems
>
> language code exhibition conservas . it develops a structure of a
> workshop where suposed audiences where considered actors. roles of
> spectatorship change through learning, gaming, playing, or creating
> http://lauraplanagracia.blogspot.co.uk/2011_03_15_archive.html
>
>
> other exhibitions http://rhizome.org/announce/events/60374/view/
> http://apexart.org/exhibitions/buechley.php
>
>
> please share and comment. . . . . .
>
> laura plana gracia
> Artist - Curator - lecturer
> electronic art - sound art
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