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ARCHIVES-NRA  March 2014

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Subject:

FW: Archives 2.0 - Saving the Past, Anticipating the Future (Call for Papers)

From:

Sarah Wickham <[log in to unmask]>

Reply-To:

Sarah Wickham <[log in to unmask]>

Date:

Fri, 21 Mar 2014 11:08:57 +0000

Content-Type:

text/plain

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text/plain (1 lines)

Colleagues may be interested in this announcement on the museumsgalleriesheritageresearch listserv.



Best wishes



Sarah



M Sarah Wickham MA MA RMARA

University Archivist & Records Manager



: +44(0)1484 473 935

: [log in to unmask]

: www.hud.ac.uk/archives



Archives & Special Collections | Computing & Library Services

University of Huddersfield | Queensgate | Huddersfield | HD1 3DH



-----Original Message-----

From: Museums, Galleries and Heritage Research [mailto:[log in to unmask]] On Behalf Of MUSEUMSGALLERIESHERITAGERESEARCH automatic digest system

Sent: 20 March 2014 00:04

To: [log in to unmask]

Subject: MUSEUMSGALLERIESHERITAGERESEARCH Digest - 17 Mar 2014 to 19 Mar 2014 (#2014-18)



There is 1 message totaling 1124 lines in this issue.



Topics of the day:



  1. Archives 2.0 - Saving the Past, Anticipating the Future (Call for Papers)



----------------------------------------------------------------------



Date:    Wed, 19 Mar 2014 10:22:13 -0000

From:    Goodman Paul <[log in to unmask]>

Subject: Archives 2.0 - Saving the Past, Anticipating the Future (Call for Papers)



Dear Colleagues







May I please draw your attention to the following? Thank you.







Paul Goodman



Head of Collections, Projects



National Media Museum



Pictureville, Bradford, West Yorkshire BD1 1NQ







Direct tel: 01274 203378











************************************************************************

*********************************************



Call for Papers







Archives 2.0 - Saving the Past, Anticipating the Future



National Media Museum, Bradford



25 & 26 November 2014







The National Media Museum in Bradford is hosting a two-day conference on the challenges and opportunities around the acquisition and management of archives by cultural institutions.







Such archives may be still, moving or mixed-format; analogue or digital or both; they may be from a company, private, practitioner, virtual, community-based or regional; complete or partial; contained or continually developing.







This is a Call for Papers asking for perspectives on the strategic issues, opportunities and challenges presented by organisations which actively acquire and curate bodies of work.  The conference seeks to examine emergent digital technologies and their impact on archival practice and acquisition.







Contributions which evidence new approaches and/or creative and innovative ways of thinking which challenge conventional understanding are particularly welcome.







Four sessions will consider different types of archives encompassing perspectives from:







*         Practitioners & Photographers



*         Curators and Institutions



*         Mixed Media & Technology Environment



*         Commercial & Galleries World







Suggested themes and questions include:







1. The Archive



*                     What is considered to be `the asset'?



*                     What constitutes an archive and what challenges do

these present to collecting institutions?



*                     At what point is it useful or helpful to call a

`collection' an `archive'?



*                     What is the difference between them, if any?



*                     What is the rationale for acquiring archives?







2. Mixed Curatorship



*                     Curatorial perspectives and models of mixed

curatorship



*                     Does it need to be comprehensive or

representative?



*                     What are the challenges around the acquisition of

analogue/digital/mixed archives?







3. Ownership, Role and the Value of Attendant Data



*                     What is the impact of removing an archive from its

locale?



*                     To what extent is it valuable for a practitioner

to continue to be involved with their archive?







4. The Challenges of Copyright



*                     What is the role of commercial galleries and

organisations?



*                     The challenges of acquiring multi-media or mixed

format collections.



*                     What are the copyright issues around the

acquisition of digital archives, and how can these be addressed?







5. The Future of the Archive: The Role of New Technologies



*                     What are the positive and negative impacts of `new

technologies'?



*                     Digitisation against retention of the original



*                     Preservation and dissemination



*                     Public access, engagement and creative

exploitation







For further information, please contact

[log in to unmask] directly.







TIMETABLE







Deadline for abstracts [c.250 words for a 20 minute paper]



9 May 2014







Acceptance of abstracts



30 June 2014







Deadline for texts submission (web)



30 September 2014









National Media Museum explores the science, technology and art of the still and moving image and its impact on our lives.



National Media Museum is part of the Science Museum Group: www.sciencemuseum.org.uk/about_us/smg.aspx  - a family of museums including the Science Museum, the National Railway Museum, and the Museum of Science & Industry Manchester.



This e-mail and attachments are intended for the named addressee only and are confidential. If you have received this e-mail in error please notify the sender immediately, delete the message from your computer system and destroy any copies. Any views expressed in this message are those of the individual sender and may not reflect the views of the Science Museum Group. This email has been scanned for all viruses by the



------------------------------



End of MUSEUMSGALLERIESHERITAGERESEARCH Digest - 17 Mar 2014 to 19 Mar 2014 (#2014-18)

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