I'd speculate that certain post-Cagean poets when collaborating with jazz musicians might intentionally try for simultaneity rather than "support" or "dramatization". Robert Creeley, Anne Waldman, George Quasha, Susan Howe, & Andrew Levy come to mind.
Barry
On Mon, 6 Jan 2014 11:35:59 -0700, Douglas Barbour <[log in to unmask]> wrote:
>Like the ending, Andrew (but have to confess I wouldnt listen to Olds, even with the great Redman)...
>
>Doug
>On Jan 5, 2014, at 5:24 PM, Andrew Burke <[log in to unmask]> wrote:
>
>> Once I started each day with a prayer
>>
>> now I start with Poem-A-Day or even
>>
>> a poet reading his/her work online from
>>
>> The Academy of American Poets �
>>
>>
>> Today at half past 69 I played
>>
>> Joshua Redman with Sharon Olds reading �
>>
>> Poetry and Jazz is easy this way /
>>
>> chance similar to Cage and Cunningham
>>
>> working on a ballet un/together
>>
>>
>> my first day was all surgery talk
>>
>> hope my last is all sunshine and birdsong
>>
>> --
>> Andrew
>> http://hispirits.blogspot.com/
>> 'Undercover of Lightness'
>> http://walleahpress.com.au/recent-publications.html
>> 'Shikibu Shuffle'
>> http://abovegroundpress.blogspot.com.au/2012/03/new-from-aboveground-press-shikibu.html
>>
>
>Douglas Barbour
>[log in to unmask]
>
>http://www.ualberta.ca/~dbarbour/
>http://eclecticruckus.wordpress.com/
>
>Latest books:
>Continuations & Continuations 2 (with Sheila E Murphy)
>http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=962
>Recording Dates
>(Rubicon Press)
>
>Swept snow, Li Po,
>by dawn�s 40-watt moon
>to the road that hies to office
>away from home.
>
> Lorine Niedecker
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