Romanticism, Memory, and Mourning (Ashgate, 2013) 
Mark Sandy, Durham University, UK
Series : The Nineteenth Century Series
 
Website price:£49.50 (Regular price: £55.00) 
 
 
Imprint: Ashgate
Published: November 2013
Format: 234 x 156 mm
Extent: 200 pages
Binding: Hardback
Other editions: ebook ePUB, ebook PDF
ISBN: 978-1-4094-0593-1
 
The subject of Romanticism, Memory, and Mourning could not be timelier with Žižek’s recent proclamation that we are ‘living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
 
Contents: Introduction: Romantic forms of grief; ‘Curse my stars in bitter grief’: William Blake and the Songs of Loss; ‘Still the reckless change we mourn’: Wordsworth and the circulation of grief; ‘Enfolded close in grief’: Coleridge, introspection and the inward turn of the conversation poems; ‘Chasten’d thoughts of grief’: grieving voices and self-consuming subjectivity in Charlotte Smith and Felicia Hemans; ‘Sable lines of grief’: posthumous reputations and the art of forgetting in Byron’s poetic ruins; ‘A grief too sad for song’: Shelley’s elegiac voice and poetic voyages; ‘Grief and radiance faint’: Keats and tragic realisation; ‘Grief searching muse’: John Clare’s landscapes of memory and mourning; ‘Echoes of that voice’: Romantic forms of grief in Victorian poetic birdsong; Bibliography; Index.
 
About the Author: Mark Sandy is Senior Lecturer in English at Durham University, UK. He has recently co-edited a volume on Venice and the Cultural Imagination (2012).
 
Reviews: ‘Mark Sandy’s impressive new study engages rewardingly with Romantic forms of grief in major writers from William Blake to W. B. Yeats. While Sandy’s close readings are alert and sharply observed, his book will also be welcomed for its fresh perspectives on how the Romantics’ bequests of mourning communicated to their Victorian successors. John Keats’s haunted word "Forlorn…" echoes across every page.'
Nicholas Roe, University of St. Andrews.
 


*********************************************************
British Association for Romantic Studies
http://www.bars.ac.uk<http://www.bars.ac.uk/>

To advertise Romantic literature conferences, publications, jobs, or
other events that the BARS members would be interested in, please
contact Neil Ramsey <[log in to unmask]>

Also use this address to register any change in your e-mail address,
or to be removed from the list.

Messages are held in archives, along with other information about the
Mailbase at: http://www.jiscmail.ac.uk/lists/bars.html
*********************************************************