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DISABILITIES :
MUSIC: POPULAR :
BOOKS:
Shakin All Over: Popular Music and Disability
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Shakin All Over: Popular Music and Disability
George McKay: professor, writer, musician
cultural studies with a soundtrack
http://georgemckay.org/shakin-all-over/
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Shakin' All Over: Popular Music and Disability
Author George McKay
Publisher University of Michigan Press, 2013
ISBN 0472072099, 9780472072095
Length 264 pages
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Shakin All Over: Popular Music and Disability is my new book, due for
publication late in 2013 by University of Michigan Press, in its
Corporealities: Discourses of Disability series. The research was made
possible by a University of Salford sabbatical and an AHRC research leave
grant for a matching sabbatical in 2010-2011. The book contains 30+
images. Here is what the publishers blurb says about it:
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Given the explosion in recent years of scholarship exploring the ways
in which disability is manifested and performed in numerous cultural
spaces, its surprising that until now there has never been a single
monograph study covering the important intersection of popular music and
disability. George McKays Shakin All Over is a cross-disciplinary
examination of the ways in which popular music performers have addressed
disability: in their songs, in their live performances, and in various
media presentations.
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By looking closely into the work of artists such as Johnny Rotten,
Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and
Joni Mitchell, McKay investigates such questions as how popular music
works to obscure and accommodate the presence of people with disabilities
in its cultural practice. He also examines how popular musicians have
articulated the experiences of disability (or sought to pass), or have
used their cultural arena for disability advocacy purposes.
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snip
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Chapter Titles
Introduction: Cultural disability studies and the cripping and popping of
theory
Chapter 1. Crippled with nerves: polio survivors in popular music
Chapter 2. Vox crippus: voicing the disabled body
Chapter 3. Bodies! Performing disability in pop and rock
Chapter 4. Johnnie-Be-Deaf: one hearing-impaired star, and popular music
as a disabling (deafening) culture
Chapter 5. Crippin the light fandango: an industry that maddens and
campaigns
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More about popular music and disabilites:
http://scholar.google.com/scholar?hl=en&q=%22popular+music%22+AND+
%28disability+OR+disabilities+OR+disabled%29&btnG=&as_sdt=1%2C39&as_sdtp=
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A shorter URL for the above link:
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http://tinyurl.com/l2jolt4
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http://www.google.com/search?q=%22popular+music%22+AND+%28disability+
OR+disabilities+OR+disabled%29&hl=en&#hl=en&ie=UTF-8&q=%22popular+
music%22+AND+%28disability+OR+disabilities+OR+disabled%29&tab=
wp&tbm=bks&um=1
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OR
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http://tinyurl.com/o9wdjov
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The complete article may be read at the URL above.
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Sincerely,
David Dillard
Temple University
(215) 204 - 4584
[log in to unmask]
http://workface.com/e/daviddillard
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