Thanks, Doug. I appreciate that. This poem isn't in the Domestics set,
although I suppose it could be. I thought I'd give you a break this week!
When I read another selection in workshop on Saturday someone said words to
the effect that they were glad they knew my other sets & so could see that
I am just adopting unpleasant points of view in Domestics. That was useful.
So it's also encouraging to know you see the continuity. I'm going to come
up for air myself shortly by spending some time on landscapes and Elid tss
best
L
On 28 August 2013 17:02, Douglas Barbour <[log in to unmask]> wrote:
> Short, sharp, & tough-minded as they have been lately, Lawrence...
>
> That living of the lie(s)...
>
> Doug
> On 2013-08-28, at 7:56 AM, Lawrence Upton <[log in to unmask]> wrote:
>
> > the last pictures
> >
> > with looks of recognition
> >
> > are turned away
> >
> > symbolically
> >
> >
> > the living of their stories!
> >
> >
> > their lying and vividness
> >
> > an act of exchange
> >
> > exhausted
> >
> > quickly
> >
>
> Douglas Barbour
> [log in to unmask]
>
> http://www.ualberta.ca/~dbarbour/
> http://eclecticruckus.wordpress.com/
>
> Latest books:
> Continuations & Continuations 2 (with Sheila E Murphy)
> http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=962
> Recording Dates
> (Rubicon Press)
>
> Art is always the replacing of indifference by attention.
>
> Guy Davenport
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