Thanks, Doug. "Crispness": can't recall that word being applied to my writing, but I'm enjoying the experience. Not sure which intention you're referencing. I did look at the occasion as a likely context for one or more of my cine-poems, but couldn't predict that I'd be able to write via SEEING RED in particular. Hope to revise other "takes" first registered 3/31/13 into a serial work, perhaps.
Barry
On Wed, 10 Apr 2013 08:56:34 -0600, Douglas Barbour <[log in to unmask]> wrote:
>intend?
>
>Well, I like its crispness, Barry...
>
>Doug
>On 2013-04-09, at 10:04 AM, Barry Alpert <[log in to unmask]> wrote:
>
>> SEEING RED
>>
>> via Su Friedrich
>>
>>
>> See a piece of paper & wonder whether
>> emotional & performing
>> elements out of series . . .
>>
>>
>> Barry Alpert / Wash DC>>Rockville MD / 3/31-4/9, 2013
>>
>>
>> Initially drafted during Su Friedrich�s in-person screening of her 2005 film �Seeing Red� at the National Gallery of Art in Wash DC. Here�s a sample of that 27 minute film:
>>
>> http://www.youtube.com/watch?v=2giAGt-Paeg&list=UUsjyrVm4kdhYc7EYLYlGvmA
>>
>
>Douglas Barbour
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