Dear all,

Friday 29th March, 2013 is - *of course* - Good Friday!  So I need to draw
your attention to the correction. The conference dates are Wednesday 27th
and Thursday 28th March 2013. I have also corrected the copy below
accordingly. Kind regards, Lizzie


On 3 December 2012 11:23, Lizzie Jackson <[log in to unmask]> wrote:

> *Call for Papers *
>
> * *
>
> *Stereoscopic 3D: A Creative Summit *
>
> Wednesday 27th and Thursday 28th March, 2013
>
> The British Film Institute,
>
> South Bank,
>
> London
>
> http://www.bfi.org.uk
>
>
>
> Ravensbourne (www.rave.ac.uk) and the i3DS Society (
> http://tinyurl.com/crfcmbq), have great pleasure in calling for papers
> for the third international conference on stereoscopic film and television.
>
>
>
> On June 21 1838 the Royal Society published Charles Wheatstone’s paper on
> 3D Stereoscopy, *Contributions to the Physiology of Vision*. The eminent
> Professor of Experimental Philosophy at Kings College London laid out
> principles of stereoscopy and later invented the stereoscope. The
> stereoscopic technique has therefore existed for over 150 years, but what
> level of maturity has it reached?
>
>
>
> The aim of the overall conference is to draw together industry and
> academia to debate and demonstrate what the nature of high quality
> stereoscopic television and film is. The conference aims to promote
> discussion around the development of international standards, something of
> high interest to industry. As researchers, however, we deepen the debate to
> ask, in a dedicated section of the conference...
>
>
>
> ·      Can 3DS be considered to have reached maturity? Who decides what
> creative or technical ‘maturity’ means?
>
>
>
> ·      What is the possibility of setting worldwide technical standards
> and creative guidelines for stereoscopic film, television and other related
> content?
>
>
>
> ·      It could be argued that the releasing of 2D to 3D conversions is
> having a degenerative effect on the maturation of the craft of stereoscopic
> 3DS. The need to generate revenue through ‘brand 3D’ may be altering the
> perception of 3DS from audience perspectives. Should we therefore now
> define what is and what is not ‘true’ stereoscopy?
>
>
>
> ·      What is next after the commodification of 3DS, for example 4K 3DS?
>
>
>
> We will be accepting around 15 papers or presentations on the topics
> above, which can include investigations into stereoscopic animation or
> gaming if the study contributes to the conference theme. However ALL
> acceptable research from practitioners interested in stereoscopic 3D can
> have a place through the exhibition of a poster outlining your work.
> Attendees will also be able to contribute to a workshop, which will map
> research being generated in this field, worldwide.
>
>
>
> Papers, posters, or expressions of interest in mapping 3DS Research should
> be sent in the form of abstracts to [log in to unmask] by *Monday 4
> th February 2013*. Please also state your name, affiliation, and provide
> a one – paragraph biography and photograph.
>
>
>
> If sufficient quality papers are generated by the conference, we may
> organise the publication of a subsequent edited collection.
>

We look forward to hearing from you.

Lizzie

>
>
> --
> Dr Lizzie Jackson,
> Academic Development Manager: Applied Research
> Ravensbourne
> Penrose Way
> London
> SE10 0EW
>
> M: 07808725141
> Skype:  london-lizzie.jackson
> http://rave.academia.edu/LizzieJackson
> <http://twitter.com/RavensbourneUK>
> Ravensbourne - RIBA Awards Winner for London 2011
> Follow: twitter.com/RavensbourneUK
>
>
>


-- 
Dr Lizzie Jackson,
Academic Development Manager: Applied Research
Ravensbourne
Penrose Way
London
SE10 0EW

M: 07808725141
Skype:  london-lizzie.jackson
http://rave.academia.edu/LizzieJackson
<http://twitter.com/RavensbourneUK>
Ravensbourne - RIBA Awards Winner for London 2011
Follow: twitter.com/RavensbourneUK