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Call for papers for a themed issue on ³Revisiting the ethnographic turn in
contemporary art²
To be published December 2013 in Critical Arts: South-North Cultural and
Media Studies
Deadline for abstracts: August 31st 2012.
Guest editors: An van. Dienderen - Kris Rutten - Ronald Soetaert
Editorial consultant: Leora Farber
Theme:
Hal Foster introduced the concept The ethnographic turn of contemporary
artı in a seminal article entitled: The Artist as Ethnographer? (Foster
1995). Since the 90s an increasing wave of challenging art events occurred
that shows significant similarities with anthropology and ethnography in its
theorisations of cultural difference and representational practices. In this
theme issue, we aim to revisit the ethnographic turn in contemporary art by
focusing on practice-led research. We invite papers from theorists, artists
and critics to engage critically with the ethnographic perspective in their
work. Next to full research papers we also invite short statements and
reflections by artists about their practice.
In the issue, we approach ethnography from a thematic and/or methodological
perspective rather than looking for fixed categories for defining
ethnographic artı. Our aim is to further the critical work on ethnography
in relation to contemporary art by specifically looking at authorship in art
practices and processes, thereby offering a bottom-up perspective from
artists, critics and theorists addressing the question if, why and how an
ethnographic perspective is indeed at work. In these practices we are
equally interested in to what extent contextualisation is relevant when
dealing with the display of alterity and outsiderness. We are specifically
interested in papers dealing with southern-based art practices and/or
representations of self and other in relation to the north-south nexus.
Submission guidelines
Deadline for abstracts: Please send your abstracts to [log in to unmask]
by August 31st 2012.
Deadline for article submission: Please send your papers to
[log in to unmask] by December 31st 2012.
Information and instructions for authors:
http://www.tandf.co.uk/journals/RCRC
* * *
Critical Arts prides itself in publishing original, readable, and
theoretically cutting edge articles. For more information on the history and
the orientation of the journal, as well as guidelines for authors, and legal
and editorial procedures, please visit:
http://www.tandf.co.uk/journals/authors/rcrcauth.asp
Critical Arts is now published five times annually (moving to six from 2013)
and has been accepted for coverage in the Social Sciences Citation Index and
the Arts & Humanities Citation Index (ISI - Thompson- Reuters) and other
indexes.
So Why Publish in Critical Arts?
Critical Arts has niched itself in terms of conceptual freshness, textured
writing, and experiential analysis
which draws readers into its articles, its narrative
themes and its theoretical explorations. Articles published in Critical Arts
are universal in reach while retaining a particularity of context,
specificity of content and relevance of topic.
We invite articles which have the potential to influence the ways in which
disciplines represented by cultural and media studies think about themselves
in
terms of critical dialogues generated within the South-North relationship,
with special reference to Africa. How do people, institutions and
constituencies cope within, resist and engage this relational nexus?
* * *
Journals come and go. Some stay the course. Critical Arts is one such
journal. It has been published since 1980. The journal was started by a
young academic novice, providing publishing opportunities for
scholar-activists who did not fit the mould. Our board has matured with the
journal and young bloods have replaced those who have retired. Our editorial
board reflects an age, gender, ethnic, international and geographic mix,
much as is found in the pages of the journal.
As editor since 1980, and as an author, I am aware of the challenges that
face youngsters in getting published. New, and indeed seasoned, authors are
sometimes bewildered at the way that they are sometimes treated by
reviewers, editors and editorial assistants, on the assessment of articles,
special issues and proposals. Young authors are faced with:
· Single-sentence dismissals of their work as being ³too wordy, too long;
obviously drawn from a PhD thesis.² Thus, in one sentence, many years of
intensive study are disregarded, without recommendations or even the
opportunity for revision.
· Criticism rather than critique. This is sometimes disrespectful of the
authorıs work, affecting their sense of self-esteem and confidence.
· Failure on the part of editors and reviewers to offer clear
recommendations for revision.
· Failure to remain in contact with authors as to the status of their
papers.
· A feeling of alienation when unsuccessful, thinking of themselves as
interlopers, as cogs in someone elseıs machine. It takes an act of will to
try again.
So, how does Critical Arts conduct itself?
· We work with our authors if a paper is deemed publishable, but requires
revision.
· Our editors and reviewers engage arguments, rather than applying an
instrumentalist check list evaluation that forgets what the author is
attempting to do. Our reviewers act as readers, they are not just
evaluators.
· We like to build long-term relationships with our authors.
· We understand that young authors need to build their careers, and we hope
that their relationship with Critical Arts will be beneficial in this
regard.
· Critical Arts takes risks. Editors will sometimes over-ride negative
reviews if it is thought that the article in question will create debate and
feed into ongoing dialogue, thus opening up topics for discussion.
So, if you are an author, what can you further expect from Critical Arts?
· Acknowledgement of your submission and correspondence within 48 hours of
receipt.
· To be treated with respect whether you are a new author or an
internationally known guru.
· Recognition that not every submission will be accepted; authors will have
engaged in a learning experience via the evaluation process that may be
arduous and challenging, but rewarding.
· If your article is accepted, you will join an illustrious complement of
authors amongst whom are included two Nobel Laureates (who wrote for us when
they were much younger), luminaries in the field of cultural and media
studies, and emergent authors who will one day replace these. Your
reputation will grow by association.
What we expect from authors:
· To follow the Guide for Authors when submitting.
· To have perused some Critical Arts back copies to ensure that we are the
appropriate journal for the particular submission, that you have researched
the topic thoroughly, and that you have familiarised yourself with previous
issues if such a topical thread exists.
· To engage in a rigorous learning process.
· We expect to be treated with respect and for authors to respect the time
taken to secure reviews and our production schedule.
· Authors should remain in touch with our editorial office.
Where Critical Arts is Indexed:
Social Sciences Citation Index (SSCI) [ISI ranked]
Arts and Humanities Citation Index
Alternative Press Index
ARTBibliographies Modern
British Humanities Index
Film Literature Index
Humanities International Index
Index to South African Periodicals
International Bibliography of Social Sciences
International Bibliography of Theatre & Dance
Linguistics and Language Behavior Abstracts
M L A International Bibliography
Periodicals Index Online
R I L M Abstracts of Music Literature
An van. Dienderen, PhD
Postdoctoral researcher
The School of Arts
University College Ghent
J. Kluyskensstraat 2
Office 1035
B-9000 GHENT
BELGIUM
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