How I love that 'through a blender'! We have a dog who whines and screeches
when any noisy kitchen appliance starts up - and when I play Stockhausen or
the wilder side of Ornette!!!
Andrew
Musicolo-jest
On 10 May 2012 08:04, Jill Jones <[log in to unmask]> wrote:
> for me it was the tones and touches of rhyme or almost, a sense of music,
> of course, but how that has come 'through a blender'
>
> J
>
> On 10/05/2012, at 7:43 AM, Douglas Barbour wrote:
>
> > Agee with Sheila, but was also attracted by that other direction for
> both her & the poem….
> >
> > Doug
> > On 2012-05-09, at 10:49 AM, Lawrence Upton wrote:
> >
> >> Hallo Sheila
> >>
> >> [I'm trying not to say Hi. I am working with a man called Matt and hear
> >> myself greeting him _Heimat_]
> >>
> >> I am very pleased you read Headstone. Let's extend the mondegreen into
> print!
> >>
> >> And they *are headstones.
> >>
> >>> The sense that arrives from each tone intrigues.
> >>
> >> will do me. Thanks. I don't want to do anecdotes; so I played around
> with
> >> it. You might have had an early version last week but the email went
> down;
> >> this is better.
> >>
> >> Thanks so much for writing
> >>
> >> Now. let's hit that tall memorial!
> >>
> >> L
> >> -----
> >> Lawrence Upton
> >> Visiting Fellow, Music Dept,
> >> Goldsmiths, University of London
> >> New Cross, London SE14 6NW
> >> ----
> >>
> >
> > Douglas Barbour
> > [log in to unmask]
> >
> > Recent publications: (With Sheila E Murphy) Continuations & Continuation
> 2 (UofAPress).
> > Recording Dates (Rubicon Press).
> >
> > Something else is out there
> > godamnit
> >
> > And I want to hear it
> >
> > C.D.Wright
>
--
Andrew
http://hispirits.blogspot.com/
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BLUE ROSE enovel avail. at Amazon, Smashwords and
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