for me it was the tones and touches of rhyme or almost, a sense of music, of course, but how that has come 'through a blender'
J
On 10/05/2012, at 7:43 AM, Douglas Barbour wrote:
> Agee with Sheila, but was also attracted by that other direction for both her & the poem….
>
> Doug
> On 2012-05-09, at 10:49 AM, Lawrence Upton wrote:
>
>> Hallo Sheila
>>
>> [I'm trying not to say Hi. I am working with a man called Matt and hear
>> myself greeting him _Heimat_]
>>
>> I am very pleased you read Headstone. Let's extend the mondegreen into print!
>>
>> And they *are headstones.
>>
>>> The sense that arrives from each tone intrigues.
>>
>> will do me. Thanks. I don't want to do anecdotes; so I played around with
>> it. You might have had an early version last week but the email went down;
>> this is better.
>>
>> Thanks so much for writing
>>
>> Now. let's hit that tall memorial!
>>
>> L
>> -----
>> Lawrence Upton
>> Visiting Fellow, Music Dept,
>> Goldsmiths, University of London
>> New Cross, London SE14 6NW
>> ----
>>
>
> Douglas Barbour
> [log in to unmask]
>
> Recent publications: (With Sheila E Murphy) Continuations & Continuation 2 (UofAPress).
> Recording Dates (Rubicon Press).
>
> Something else is out there
> godamnit
>
> And I want to hear it
>
> C.D.Wright
|