there is one image near the end of a new piece
which has to be whispered
I am not sure what is to be whispered
i shall not when i get there
the viola will desist
the saxophone likewise
and 28 seconds of almost silence with upton verballing
but for the rest of it, why yes, thank you
oh and the bits with tina bass -- they'll be a bit verbal and maybe verge
on intellectual, very little shouting
anyway fanks
L
On Mon, April 30, 2012 18:36, Douglas Barbour wrote:
> May it be a great loud time, Lawrence.
>
>
> Doug
> On 2012-04-30, at 9:51 AM, Lawrence Upton wrote:
>
>
>> [apologies for cross posting]
>>
>>
>> Friday, May 4, 2012
>> 7:00pm - 9:00pm
>> Entry: free
>>
>>
>> Small Hall, Richard Hoggart Building, Goldsmiths, University of London
>>
>>
>> A concert of sound works by Lawrence Upton performed by Upton and his
>> collaborators: Tina Bass, John Levack Drever, Tina Krekels & Benedict
>> Taylor.
>>
>>
>> Including the first UK performance of Speculative Scores by Upton &
>> Drever, a headline performance at e-poetry 2011, Buffalo, USA.
>>
>>
>>
>> Lawrence Upton. Visiting Fellow, Goldsmiths College 2012 - 2015 (AHRC
>> Creative Research Fellow 2008 - 2011) Sound and graphic artist;
>> performer; curator; poet. He divides his time between London, where he
>> was born, and west Cornwall and Scilly, where his family originates. The
>> artists performing with him tonight are his preferred and habitual
>> artistic collaborators.
>>
>> Supported by the Unit for Sound Practice Research
>>
>>
>> http://www.gold.ac.uk/calendar/?id=5248
>>
>>
>
> Douglas Barbour
> [log in to unmask]
>
> http://www.ualberta.ca/~dbarbour/
> http://eclecticruckus.wordpress.com/
>
>
> Latest books:
> Continuations & Continuations 2 (with Sheila E Murphy)
> http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=962
> Wednesdays'
> http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10
> .html
>
>
> The postliterate sensibility is offended by anything that isn’t
> television, views with suspicion the compound sentence, the subordinate
> clause, words of more than three syllables. The home and studio audiences
> become accustomed to hearing voices swept clean of improvised literary
> devices, downsized into data points, degraded into industrial-waste
> product.
>
> Lewis Lapham
>
>
>
>
>
>
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>
-----
Lawrence Upton
Visiting Fellow, Music Dept,
Goldsmiths, University of London
New Cross, London SE14 6NW
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