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AACORN  April 2012

AACORN April 2012

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Subject:

Re: choreography and dynamic structures

From:

Birgit Ramsauer <[log in to unmask]>

Reply-To:

[log in to unmask]

Date:

Tue, 24 Apr 2012 06:17:49 -0400

Content-Type:

multipart/mixed

Parts/Attachments:

Parts/Attachments

text/plain (104 lines) , Alexanderlaudenberg,GedankenzuBirgit_Ramsauer_Tanz_&_Tape_2011_reduzierte_Endversion.pdf (104 lines) , meine DimensionderArbeit.doc (104 lines)

Dear Katrin,
when I read thought Your short mail I had to immediately think about a 
recent project with a dance group I did participate as an artist 
peformer, stage designer and co – choreographer.
  I will send to You a link and two texts, where a befriended 
philosopher spontaneously reacted on my work and I answerded in a 
second little essay. Unfortunaltely the texts are in German language.
here is a link to a short video of the production..
http://www.birgitramsauer.net/brnet/index.php?option=com_content&view=article&id=241&Itemid=53&lang=de

I would love to hear more form Your program in Zurich and what You are 
working on and aiming at.
You are very welcome to call me in Berlin at 0177-7242802.
I am based in Berlin and NY.
In the following I add a short artiststatement.
And a portrait on my work by Bavarian TV… which is already a little bit 
older but well done..
Birgit Ramsauer
Hornstrasse 4
10 963 Berlin
Germany
[log in to unmask]
www.BirgitRamsauer.net
0177-7242802
all the best
Birgit

About my work

I was born in Germany in 1962. Since 1992 I have been based in Berlin 
and NY while travelling extensively to show my work, lecture and teach 
at various art schools and universities both in Europe and the USA.

I work with various media (installation, video, photography) but I see 
myself primarily as a performance artist, who not only aligns her own 
body and personality with different social environments, but also 
deliberately leaves behind visible traces. In the tradition of American 
and German Performance Art, I interfere with external contexts and mark 
the random remnants that other people unknowingly leave behind.

During my performances I act as a presenter and visual translator of 
the everyday, rather unimpressive human actions that can take place all 
over the world, and I often look for the active participation of the 
audience. As a detective would do in a crime scene, I collect evidences 
that allow me to initiate an analysis of the sociological and cultural 
context in which my actions are taking place.

Künstlerportrait des BR, Regie Ullabritt Horn, 2006,
Teil 1: http://www.youtube.com/watch?v=_Zg_6fpUUho
Teil 2: http://www.youtube.com/watch?v=2-xzGkil9YY



choreography and dynamic structures
Von:	Katrin Kolo <[log in to unmask]>
An:	AACORN <[log in to unmask]>
Datum:	Fr, 20 Apr 2012 8:46 pm
Dear AACORNers,

I would like to get your feedback, questions, reading recommendations, 
contact suggestions or any other sort of comments around the following 
theme:

“choreography as a method to induce dynamic in organisational 
structures”

Coming from an experience as business consultant (mainly 
reorganisation) and dance/Choreography, I have recently started a 
Master program in transdisciplinarity at the Zürich University of Arts 
(ZHdK), in which I want to work around this theme. Originally I wanted 
to already share my thoughts behind this theme with you in this email, 
but I am afraid that this would point you already in a certain 
direction. As I am just beginning to think about this, I want to be 
open for as many directions as this could lead to. Thus, thank you for 
your reply in any possible way.
I will try to collect all mails and bring things together to share them 
with you later, if you’re interested.
I would also be very happy to know, who of you is interested in 
“choreography/dance” related topics in general.

I am looking forward to your responses! Thanks so much
Katrin



-----Ursprüngliche Mitteilung-----
Von: Marijke Broekhuijsen <[log in to unmask]>
An: AACORN <[log in to unmask]>
Verschickt: Mo, 23 Apr 2012 6:42 pm
Betreff: choreography and dynamic structures

Dear colleagues, A very short comment.I quite agree with Piers 
Ibbotson’s reaction of today and of Steve’s before. I have similar 
experiences and observations, not to say conclusions about the 
question/issue.Since 1980 I work in MD and OD and sometimes made use of 
a professional choreographer. Also in that context they tended to work 
in the way Piers describes.I even have difficulty with the word design 
in context of choreography.Good luck everybody, I enjoy the discussion 
 from my bed after a hip replacement. Marijke Broekhuijsen ( originally 
trained in Mime theatre, ecole of Jacques le Coq a.o) Meijerkamplaan 
351406 SX BussumThe Netherlands00 31 35 6911782 


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