Hi Luciane
Maybe you are thinking of the Drawing and Cognition Lab at Camberwell?
I was working in it but now it has closed. The leader of the project Dr John Tchalenko has just retired. Let me know if that is what you were interested in - our research was specifically about eye and hand movements in observational drawing. The Centre for Drawing (CfD) at University of the Arts London now coordinates drawing research for several London colleges.
Best wishes
Angie Brew
On 7 Feb 2012, at 00:04, DRAWING-RESEARCH automatic digest system wrote:
> There are 10 messages totaling 1906 lines in this issue.
>
> Topics of the day:
>
> 1. Fiona Robinson Writing on Gerry Dudgeon (4)
> 2. Frost Art Museum online exhibition (4)
> 3. Tickets now on sale for Drawn Out: 2012 29th March 2012 – 30th March 2012
> 4. Fwd: MICHAEL BROUGHTON Exhibition :: 16 March - 13 April 2012
>
> ----------------------------------------------------------------------
>
> Date: Mon, 6 Feb 2012 11:07:38 -0200
> From: Ane Frenhi <[log in to unmask]>
> Subject: Re: Fiona Robinson Writing on Gerry Dudgeon
>
> Hi , this is the first time that I write a message for you.
> I am from Brasil, I´ve beeing an artist for about 20 years and teaching
> drawing and watercolor painting.
> I live in Ribeirâo Preto, São Paulo and here we have an University where I
> do my pós graduation in Art History
> My monography is about draw, I propose a metodology to teach observation
> and creative drawing.
> So, next Monday I´ll be im London for tree weeks and I would like to visit
> the university, to research something about a drawing laboratory that I
> heard they have
> Would you please help me to do this? I ned the information to get there and
> how get there and with who I should talk
> I apreciate your attention
> Regards
> Luciane
>
> 2012/1/25 Fiona Robinson <[log in to unmask]>
>
>> *
>> *
>>
>> *Artist of the Month for January is *
>>
>>
>>
>> *Gerry Dudgeon*
>>
>> http://fionarobinsonwritings.wordpress.com/
>>
>> *
>> *
>>
>> *Gerry Dudgeon’s work encompasses an exploration of pictorial space,
>> form, tonal mass and line, but his investigations of these formal concerns
>> are deeply rooted in a sense of place regardless of where he finds himself.
>> *
>>
>>
>> Fiona Robinson is an artist and writer. Her exhibition *Parallel Lines
>> of Enquiry* in which her drawings are exhibited parallel to a short
>> story, *La Plage* by Alain Robbe-Grillet, opens at The Allsop Gallery
>> Bridport Dorset on February 24th 2012.
>> http://www.bridport-arts.com
>>
>>
>> http://www.fionarobinson.com/
>>
>> [log in to unmask]
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> Fiona Robinson
>> [log in to unmask]
>> http://www.fionarobinson.com
>> http://blankspacebooks.wordpress.com/
>>
>>
>>
>>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 14:44:56 +0000
> From: julie Brixey-Williams <[log in to unmask]>
> Subject: Re: Frost Art Museum online exhibition
>
> Dear All
> Has anyone heard back from the Frost Art Museum about their online
> exhibition 'What is line and how does it travel through space' that
> was posted last March? I'm sure quite a few people in DRN had
> confirmation that their work had been accepted.
>
> I emailed in Sept + I know the person putting it together was sick and
> the original Sept launch was delayed but I haven't heard anything since.
> Is it still going ahead?
> Julie Brixey-Williams
> www.juliebrixey-williams.co.uk
>
>
> Sent from my iPhone
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 09:48:57 -0500
> From: Emmy Mathis <[log in to unmask]>
> Subject: Re: Frost Art Museum online exhibition
>
> Dear All,
> Regarding the Frost Drawing Project. It is definitely still going on!
> Julie, and submitters, I will follow up shortly. The project had to be put
> on hold due to an illness, but it's back in motion.
> Bests,
> Emmy
>
> On Mon, Feb 6, 2012 at 9:44 AM, julie Brixey-Williams
> <[log in to unmask]>wrote:
>
>> Dear All
>> Has anyone heard back from the Frost Art Museum about their online
>> exhibition 'What is line and how does it travel through space' that was
>> posted last March? I'm sure quite a few people in DRN had confirmation that
>> their work had been accepted.
>>
>> I emailed in Sept + I know the person putting it together was sick and the
>> original Sept launch was delayed but I haven't heard anything since.
>> Is it still going ahead?
>> Julie Brixey-Williams
>> www.juliebrixey-williams.co.uk
>>
>>
>> Sent from my iPhone
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 14:49:42 +0000
> From: Fiona Robinson <[log in to unmask]>
> Subject: Re: Frost Art Museum online exhibition
>
> Last I heard was in september when I sent back the agreement and the
> finalised texts and images but nothing since. To be fair I haven;t
> tried to chase it up I just thought it was all taking ages as these
> things do!
> Regards
> Fiona
>
> On 6 Feb 2012, at 14:44, julie Brixey-Williams wrote:
>
>> Dear All
>> Has anyone heard back from the Frost Art Museum about their online
>> exhibition 'What is line and how does it travel through space' that
>> was posted last March? I'm sure quite a few people in DRN had
>> confirmation that their work had been accepted.
>>
>> I emailed in Sept + I know the person putting it together was sick
>> and the original Sept launch was delayed but I haven't heard
>> anything since.
>> Is it still going ahead?
>> Julie Brixey-Williams
>> www.juliebrixey-williams.co.uk
>>
>>
>> Sent from my iPhone
>
> Fiona Robinson
> [log in to unmask]
> http://www.fionarobinson.com
> http://fionarobinsonwritings.wordpress.com/
>
>
>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 14:35:49 +0000
> From: Marion Arnold <[log in to unmask]>
> Subject: Re: Fiona Robinson Writing on Gerry Dudgeon
>
> Dear Luciane,
>
> Thank you for your letter. We have an online journal on Drawing and Visualisation called 'Tracey'. You will be able to locate this on the web.
>
> We do not have a drawing laboratory so I do not think there is any point in you visiting Loughborough. You will find lots of useful exhibitions in London.
>
> Best wishes
>
> Marion
>
> Dr Marion Arnold
> Postgraduate Research Degrees Coordinator
> School of the Arts
> Loughborough University
> Leicestershire LE11 3TU
> email: [log in to unmask]<mailto:[log in to unmask]>
>
> ________________________________
> From: The UK drawing research network mailing list [[log in to unmask]] On Behalf Of Ane Frenhi [[log in to unmask]]
> Sent: 06 February 2012 13:07
> To: [log in to unmask]
> Subject: Re: Fiona Robinson Writing on Gerry Dudgeon
>
> Hi , this is the first time that I write a message for you.
> I am from Brasil, I´ve beeing an artist for about 20 years and teaching drawing and watercolor painting.
> I live in Ribeirâo Preto, São Paulo and here we have an University where I do my pós graduation in Art History
> My monography is about draw, I propose a metodology to teach observation and creative drawing.
> So, next Monday I´ll be im London for tree weeks and I would like to visit the university, to research something about a drawing laboratory that I heard they have
> Would you please help me to do this? I ned the information to get there and how get there and with who I should talk
> I apreciate your attention
> Regards
> Luciane
>
> 2012/1/25 Fiona Robinson <[log in to unmask]<mailto:[log in to unmask]>>
>
>
> Artist of the Month for January is
>
>
>
> Gerry Dudgeon
>
>
> http://fionarobinsonwritings.wordpress.com<http://fionarobinsonwritings.wordpress.com/>/
>
>
> Gerry Dudgeon’s work encompasses an exploration of pictorial space, form, tonal mass and line, but his investigations of these formal concerns are deeply rooted in a sense of place regardless of where he finds himself.
>
>
> Fiona Robinson is an artist and writer. Her exhibition Parallel Lines of Enquiry in which her drawings are exhibited parallel to a short story, La Plage by Alain Robbe-Grillet, opens at The Allsop Gallery Bridport Dorset on February 24th 2012.
> http://www.bridport-arts.com
>
>
> http://www.fionarobinson.com/
>
> [log in to unmask]<mailto:[log in to unmask]>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> Fiona Robinson
> [log in to unmask]<mailto:[log in to unmask]>
> http://www.fionarobinson.com
> http://blankspacebooks.wordpress.com/
>
>
>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 13:08:10 -0200
> From: Ane Frenhi <[log in to unmask]>
> Subject: Re: Fiona Robinson Writing on Gerry Dudgeon
>
> Thanks Marion,
> I`ll search for the informations, on the web
> I f you remember something important to my visit to UK, let me know please
> Nice to talk to you
> Best wishes
> Luciane
>
> 2012/2/6 Marion Arnold <[log in to unmask]>
>
>> Dear Luciane,
>>
>> Thank you for your letter. We have an online journal on Drawing and
>> Visualisation called 'Tracey'. You will be able to locate this on the web.
>>
>> We do not have a drawing laboratory so I do not think there is any point
>> in you visiting Loughborough. You will find lots of useful exhibitions in
>> London.
>>
>> Best wishes
>>
>> Marion
>>
>> Dr Marion Arnold
>> Postgraduate Research Degrees Coordinator
>> School of the Arts
>> Loughborough University
>> Leicestershire LE11 3TU
>> email: [log in to unmask]
>>
>> ------------------------------
>> *From:* The UK drawing research network mailing list [
>> [log in to unmask]] On Behalf Of Ane Frenhi [
>> [log in to unmask]]
>> *Sent:* 06 February 2012 13:07
>> *To:* [log in to unmask]
>> *Subject:* Re: Fiona Robinson Writing on Gerry Dudgeon
>>
>> Hi , this is the first time that I write a message for you.
>> I am from Brasil, I´ve beeing an artist for about 20 years and teaching
>> drawing and watercolor painting.
>> I live in Ribeirâo Preto, São Paulo and here we have an University where I
>> do my pós graduation in Art History
>> My monography is about draw, I propose a metodology to teach observation
>> and creative drawing.
>> So, next Monday I´ll be im London for tree weeks and I would like to visit
>> the university, to research something about a drawing laboratory that I
>> heard they have
>> Would you please help me to do this? I ned the information to get there
>> and how get there and with who I should talk
>> I apreciate your attention
>> Regards
>> Luciane
>>
>> 2012/1/25 Fiona Robinson <[log in to unmask]>
>>
>>> *
>>> *
>>>
>>> *Artist of the Month for January is *
>>>
>>>
>>>
>>> *Gerry Dudgeon*
>>>
>>> http://fionarobinsonwritings.wordpress.com/
>>>
>>> *
>>> *
>>>
>>> *Gerry Dudgeon’s work encompasses an exploration of pictorial space,
>>> form, tonal mass and line, but his investigations of these formal concerns
>>> are deeply rooted in a sense of place regardless of where he finds himself.
>>> *
>>>
>>>
>>> Fiona Robinson is an artist and writer. Her exhibition *Parallel Lines
>>> of Enquiry* in which her drawings are exhibited parallel to a short
>>> story, *La Plage* by Alain Robbe-Grillet, opens at The Allsop Gallery
>>> Bridport Dorset on February 24th 2012.
>>> http://www.bridport-arts.com
>>>
>>>
>>> http://www.fionarobinson.com/
>>>
>>> [log in to unmask]
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> Fiona Robinson
>>> [log in to unmask]
>>> http://www.fionarobinson.com
>>> http://blankspacebooks.wordpress.com/
>>>
>>>
>>>
>>>
>>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 15:44:17 +0000
> From: Michelle F <[log in to unmask]>
> Subject: Re: Fiona Robinson Writing on Gerry Dudgeon
>
> This is the link to the tracey journal:
> http://www.lboro.ac.uk/departments/sota/tracey/
>
> We can meet at the British Library, or nearby.
> You should consider visiting universities like Goldsmiths and the Slade,
> but I think Wimbledon sounds like the most suitable for you. Simon Betts is
> a good person to contact there.
>
> You can read Simon's paper about the new drawing qualification he developed
> together with Stephen Farthing on the website for the symposium I organised
> last year together with other PhD colleagues (Angie Brew and Andrea
> Kantrowitz).
>
> www.drawingandcognition.pressible.org/papers
>
> I will have to visit London over the next few weeks for work, so I will let
> you know when I will be there.
>
> Best wishes
>
> Michelle
>
>
>
> On 6 February 2012 15:08, Ane Frenhi <[log in to unmask]> wrote:
>
>> Thanks Marion,
>> I`ll search for the informations, on the web
>> I f you remember something important to my visit to UK, let me know please
>> Nice to talk to you
>> Best wishes
>> Luciane
>>
>> 2012/2/6 Marion Arnold <[log in to unmask]>
>>
>>> Dear Luciane,
>>>
>>> Thank you for your letter. We have an online journal on Drawing and
>>> Visualisation called 'Tracey'. You will be able to locate this on the web.
>>>
>>> We do not have a drawing laboratory so I do not think there is any point
>>> in you visiting Loughborough. You will find lots of useful exhibitions in
>>> London.
>>>
>>> Best wishes
>>>
>>> Marion
>>>
>>> Dr Marion Arnold
>>> Postgraduate Research Degrees Coordinator
>>> School of the Arts
>>> Loughborough University
>>> Leicestershire LE11 3TU
>>> email: [log in to unmask]
>>>
>>> ------------------------------
>>> *From:* The UK drawing research network mailing list [
>>> [log in to unmask]] On Behalf Of Ane Frenhi [
>>> [log in to unmask]]
>>> *Sent:* 06 February 2012 13:07
>>> *To:* [log in to unmask]
>>> *Subject:* Re: Fiona Robinson Writing on Gerry Dudgeon
>>>
>>> Hi , this is the first time that I write a message for you.
>>> I am from Brasil, I´ve beeing an artist for about 20 years and teaching
>>> drawing and watercolor painting.
>>> I live in Ribeirâo Preto, São Paulo and here we have an University where
>>> I do my pós graduation in Art History
>>> My monography is about draw, I propose a metodology to teach observation
>>> and creative drawing.
>>> So, next Monday I´ll be im London for tree weeks and I would like to
>>> visit the university, to research something about a drawing laboratory that
>>> I heard they have
>>> Would you please help me to do this? I ned the information to get there
>>> and how get there and with who I should talk
>>> I apreciate your attention
>>> Regards
>>> Luciane
>>>
>>> 2012/1/25 Fiona Robinson <[log in to unmask]>
>>>
>>>> *
>>>> *
>>>>
>>>> *Artist of the Month for January is *
>>>>
>>>>
>>>>
>>>> *Gerry Dudgeon*
>>>>
>>>> http://fionarobinsonwritings.wordpress.com/
>>>>
>>>> *
>>>> *
>>>>
>>>> *Gerry Dudgeon’s work encompasses an exploration of pictorial space,
>>>> form, tonal mass and line, but his investigations of these formal concerns
>>>> are deeply rooted in a sense of place regardless of where he finds himself.
>>>> *
>>>>
>>>>
>>>> Fiona Robinson is an artist and writer. Her exhibition *Parallel
>>>> Lines of Enquiry* in which her drawings are exhibited parallel to a
>>>> short story, *La Plage* by Alain Robbe-Grillet, opens at The Allsop
>>>> Gallery Bridport Dorset on February 24th 2012.
>>>> http://www.bridport-arts.com
>>>>
>>>>
>>>> http://www.fionarobinson.com/
>>>>
>>>> [log in to unmask]
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> Fiona Robinson
>>>> [log in to unmask]
>>>> http://www.fionarobinson.com
>>>> http://blankspacebooks.wordpress.com/
>>>>
>>>>
>>>>
>>>>
>>>
>>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 16:10:19 +0000
> From: julie Brixey-Williams <[log in to unmask]>
> Subject: Re: Frost Art Museum online exhibition
>
> Dear Emmy
> Many thanks. So glad you are feeling better. Look forward to it.
> Regards
> Julie
>
> Sent from my iPhone
>
> On 6 Feb 2012, at 14:49, "Emmy Mathis" <[log in to unmask]> wrote:
>
>> Dear All,
>> Regarding the Frost Drawing Project. It is definitely still going
>> on! Julie, and submitters, I will follow up shortly. The project
>> had to be put on hold due to an illness, but it's back in motion.
>> Bests,
>> Emmy
>>
>> On Mon, Feb 6, 2012 at 9:44 AM, julie Brixey-Williams <[log in to unmask]
>>> wrote:
>> Dear All
>> Has anyone heard back from the Frost Art Museum about their online
>> exhibition 'What is line and how does it travel through space' that
>> was posted last March? I'm sure quite a few people in DRN had
>> confirmation that their work had been accepted.
>>
>> I emailed in Sept + I know the person putting it together was sick
>> and the original Sept launch was delayed but I haven't heard
>> anything since.
>> Is it still going ahead?
>> Julie Brixey-Williams
>> www.juliebrixey-williams.co.uk
>>
>>
>> Sent from my iPhone
>>
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 16:11:23 +0000
> From: Edward Webb-Ingall <[log in to unmask]>
> Subject: Tickets now on sale for Drawn Out: 2012 29th March 2012 – 30th March 2012
>
> Tickets now on sale for Drawn Out: 2012 29th March 2012 – 30th March 2012
>
> Event Description:
>
> Thursday 29th March 2012 Chelsea College of Art and Design, 45 Millbank, London
>
> Friday 30th March 2012 Wimbledon College of Art, Merton Hall Road, London
>
> Event Package Options:
>
> DRAWING OUT: 2012 Early Bird Price (Offer Ends 7th Feb 2012) Cost￡100.00
>
> DRAWING OUT: 2012 PHD Cost ￡50.00
>
> To buy tickets please follow this link:
>
> http://estore.arts.ac.uk/browse/extra_info.asp?compid=1&modid=2&prodid=57&deptid=178&catid=27
>
> More Information:
>
> The premise that now drives The Drawn Out Network and Conferences was seeded during the first cross disciplinary UAL / RMIT drawing meeting held in Melbourne during March 2010 . That meeting resulted in us wanting to better understand , in the first instant, drawings’ relationship with writing and notation; knowledge, then through that knowledge hopefully better understanding drawings’ position as an active component of general literacy.
>
> With drawing established in the minds of the organizers as the tangible bridge between textural and non textural communication our collaboration resolved to develop a network of interested parties.
>
> Working with the assumption that drawing is not simply a way of thinking and communicating but an integral part of our everyday and professional lives DRAWING OUT: 2012 will address, how drawing functions as a part of literacy through three themes;
>
> 1. Drawing and Notation. Drawing as a sometimes intuitive other times driven by convention means of mapping appearance and movement . With special reference to innovative methods of notation .
>
> 2. Drawing as Writing Drawing after, before and as a part of writing. An exploration of literacy and communication.
>
> 3. Drawing: recording and discovery. Drawing as a speculative activity and means of holding and transferring information.
>
> Please sign up to the blog below for updates and more information:
>
> http://thecentrefordrawingual.wordpress.com/2012/02/06
>
> ------------------------------
>
> Date: Mon, 6 Feb 2012 22:09:33 +0000
> From: Michael Broughton <[log in to unmask]>
> Subject: Fwd: MICHAEL BROUGHTON Exhibition :: 16 March - 13 April 2012
>
> ---------- Forwarded message ----------
> From: michael broughton <[log in to unmask]>
> Date: Mon, Feb 6, 2012 at 10:08 PM
> Subject: Fwd: MICHAEL BROUGHTON Exhibition :: 16 March - 13 April 2012
> To: [log in to unmask]
>
>
>
>
> Begin forwarded message:
>
> *From: *"Art Space Gallery" <[log in to unmask]>
> *Date: *6 February 2012 14:38:34 GMT
> *To: *"'michael broughton'" <[log in to unmask]>
> *Subject: **MICHAEL BROUGHTON Exhibition :: 16 March - 13 April 2012 *
>
> ** **
> ** **
> -----------------------------
>
> ART SPACE GALLERY****
>
> Michael Richardson Contemporary Art
> 84 St. Peter’s Street, N1 8JS
> 020 7359 7002
> http://www.artspacegallery.co.uk****
> -----------------------------
>
> * *
>
> *MICHAEL BROUGHTON*
> *Big Moments**
> *Paintings 2012****
> 16 March – 13 April 2012
>
> ****
> PRIVATE VIEW****
> Thursday 15 March, 6 - 8.30 pm****
> Catalogue with essay by John Berger and
> 13 colour plates available.
>
> View the Catalogue
> on-line<http://www.artspacegallery.co.uk/BOOKS/Broughton2012/index.html>
> ****
> ** **
> View Tate Britain video <http://www.youtube.com/artspacelondon>****
>
> * **Snooker Table I,* 2011, oil on board, 122 x 150 cm****
> *
> -----------------------------
> *
> *John Berger* writes in the exhibition catalogue that:****
> *The body of work here, consisting of paintings made during the last three
> or four years ... impresses me deeply because of its originality. True
> originality in art is never an aim but a reward. These heavily worked
> paintings – mostly on hardboard rather than canvas – achieve something such
> as I have never before seen.*
> *Michael Broughton’s* paintings, forged through a process of repetition and
> refinement, take as their subject his everyday surroundings: the studio in
> Falmouth, an adjacent and dilapidated snooker room and the furniture,
> objects and the bric-a-brac of everyday life. They have no overt narrative
> or symbolic intent but simply strive to describe a place and the experience
> of being there.
>
> The tonal range is narrow, colours sombre and earthy, yet luminous with a
> mysterious inner light. The paint is applied rapidly with an absence of
> strain, and because it is essential that the subject is familiar to him he
> draws incessantly and is continually working and reworking the subject.
> Successive stages of the paintings are usually scraped off and discarded so
> that the final state of the painting, although the culmination of many
> months of working and reworking, is governed by the most recent drawing,
> often made on the same day. Through this ritualistic process there is a
> balance of practise and spontaneity that seizes the moment, the essence and
> the existence of the subject.
>
> Although *Michael Broughton’s* current works maintain a wilfully narrow
> focus on his immediate environment, a residency in Madrid, drawing every
> day from the collection in the Prado (2007) and a research residency at
> Tate Britain (2009) indicate his faith in the need to reach into history.
> It also confirms Broughton’s sense of himself as part of a long tradition
> of representational art.
>
> ****
> -----------------------------
> If you do not wish to receive our notifications Email:
> unsubscribe<[log in to unmask]>
> ****
> ** **
> ** **
> Michael Richardson, Director****
> ** **
> Art Space Gallery****
> 84 St. Peter's Street****
> London N1 8JS****
> tel. +44 (0)20 7359 7002****
> ** **
> http://www.artspacegallery.co.uk****
> ** **
>
> ------------------------------
>
> End of DRAWING-RESEARCH Digest - 25 Jan 2012 to 6 Feb 2012 (#2012-8)
> ********************************************************************
|
