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NEW-MEDIA-CURATING  January 2012

NEW-MEDIA-CURATING January 2012

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Subject:

PUBLIC issue on 'Experimental Media'

From:

Aleksandra Kaminska <[log in to unmask]>

Reply-To:

Aleksandra Kaminska <[log in to unmask]>

Date:

Thu, 19 Jan 2012 09:11:28 -0500

Content-Type:

text/plain

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Hello,

Some of you might be interested in the newest issue of PUBLIC, edited by
curator Peggy Gale on 'Experimental Media'. The issue emerged from the
International Experimental Media Congress that was held in Toronto in April
2010.  More details below.


best,
Aleksandra

-

*PUBLIC 44: Experimental Media *

*now available
*

www.publicjournal.ca

* *

Edited by *Peggy Gale*, this new issue of PUBLIC* *considers the landscape
of experimental media today, a broad field with an open horizon. Her
collection of texts and projects offers dialogue and intervention, a
response to the International Experimental Media Congress in Toronto of
April 2010.



In “Cultural Engineering 1982-2010” *Tom Sherman* challenges the
institutionalizing and mythologizing of experimental media through economic
support and academic research. *Konrad Becker* uses slogan, picture and
text from his *Strategic Reality Dictionary* to reveal power mechanisms and
newspeak from the past half-century. The irreplaceable nature of individual
media is a recurring theme, as *Michael Snow* and *Nicky Hamlyn* consider
works created *necessarily* in a chosen medium. *Christopher
Eamon*considers media installations new prominence in the museum.
Teacher and
curator *Peter Ride* investigates the place of the viewer and systems to
evaluate audience response.

*
*

*Christina Battle* builds a skyline of stacked words—gesture and
judgment—where *film *and *video* are joined by computer, digital, image,
internet, installation, media, new-media, performance, recording, signal
tape, transmission and technology. What is left *unsaid*? *Elle
Flanders*writes a film script for
*Yvonne Rainer *and *John Greyson* with dance, sexuality, history and the
body. Rainer herself appears on a DVD included with the issue, an
elaborated-lecture on performer and audience at Tramway in Glasgow. In
“Notes on Attention, Projection, Foreplay and the Second Encounter” *Mike
Hoolboom* riffs on movies and audiences, distractions and certainties.



*Jean Gagnon* addresses archiving for audiovisual and media-based works.
More consciously political, *Shai Heredia* discusses film histories at
Experimenta in Mumbai and Bangalore. *David Teh* shows how street actions
and public festival in Southeast Asia make an accessible
performance-archive today.  *Steven Loft* notes First Nations’ use of new
media arts for self-definition and exploration, ideally compatible with
oral tradition and exchange in Aboriginal identity. *Dont Rhine*, with
members of *Ultra-red*, reflect on “the space of listening," where sound
has its own politics for presentation and exchange. *Vera Frenkel* returns
us to the archive, with her own history of research and performance,
narrative and technological invention.



*Artists’ Portfolios*: *Christine Davis, David Rokeby, Michael Snow, Shai
Heredia* and *Shumona Goel*.



Reviews of exhibitions and books, and a column by *Ian Balfour*—“Chris
Marker’s Only Music Video (Almost, Still)”—complete the issue.



192 pages + DVD, partial colour

35-page sneak peek <http://issuu.com/publicjournal/docs/public44>



To order or subscribe to PUBLIC, or for a partial list of stockists, visit
www.publicjournal.ca.  Subscribe by May 15th 2012 for a chance to win a
$200 gift certificate on books from Art Metropole.<http://www.artmetropole.com/>



*About*

*PUBLIC* is a bi-annual interdisciplinary art journal based in Toronto
founded in 1988 by the Public Access
Collective<http://www.publicjournal.ca/about/editorial-collective-members/>.
It is committed to existing as an intellectual and creative forum,
providing a space for in depth perspectives on the theoretical and critical
issues that intersect with art and visual culture.

**



publicjournal.ca <http://www.publicjournal.ca/> |
facebook.com/publicjournal<http://www.facebook.com/publicjournal>|
[log in to unmask]

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