Oh I like you. You always see so much more than I do.
L
On Thu, September 8, 2011 15:36, Douglas Barbour wrote:
> Intriguing shifts between the concrete & abstract, Lawrence. Especially
> in the final couplet.
>
> Doug
> On 2011-09-07, at 11:37 AM, Lawrence Upton wrote:
>
>
>> A massive boy loud
>> on the edge of a table.
>>
>> Large and ruinous.
>> Not many people.
>>
>>
>> He has made up his mind,
>> trusting to fabrication,
>>
>> fiddling with the right moment, hysteria transforming itself.
>>
>> Charred bone of consciousness.
>> Reverberation of his own muttering.
>>
>>
>>
>>
>>
>> -----
>> UNFRAMED GRAPHICS by Lawrence Upton
>> 42 pages; A5 paperback; colour cover
>> Writers Forum 978 1 84254 277 4
>> wfuk.org.uk/blog ----
>> Lawrence Upton
>> Dept of Music
>> Goldsmiths, University of London
>>
>>
>
> Douglas Barbour
> [log in to unmask]
>
> http://www.ualberta.ca/~dbarbour/
> http://eclecticruckus.wordpress.com/
>
>
> Latest books:
> Continuations (with Sheila E Murphy)
> http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=664
> Wednesdays'
> http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10
> .html
>
>
> It is natural to speak of your own weaknesses so winsomely they will seem
> strengths, as if everyone else is inadequate if they do not have your
> inadequacies.
>
> William H. Gass
>
>
-----
UNFRAMED GRAPHICS by Lawrence Upton
42 pages; A5 paperback; colour cover
Writers Forum 978 1 84254 277 4
wfuk.org.uk/blog
----
Lawrence Upton
Dept of Music
Goldsmiths, University of London
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